旧社会的天津卫，艺人的地位极其低下，他们空有一身本领，却连温饱都无法解决，还时常遭受他人的白眼与欺负。相声八德之一的马德禄育有两个儿子，长子马桂元（安宁 饰）子承父业，撂地摊说相声，可是在烟花场所掏空了自己的身体。他不愿弟弟三立（汪洋 饰）从事这份被人轻贱的职业，只希望 他好好念书，出人头地。无奈随着哥哥的去世，热爱相声的马三立最终选择了这条路，他曾有过美好的初恋，只不过身份地位的悬殊让他选择与平凡无奇的女子结为夫妇。在台上，他和搭档姜大头（李建华 饰）你捧我逗，为观众带去快乐。在台下，世间冷暖与辛酸只有自家清楚。 　　一代相声名家的坎坷人生路。

Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh's previous films, her film is a multi-layered work addressing issues around its central theme: the experience of time, the impossibility of truly "seeing," and the impact of video on image-making. 　　THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light. 　　“Trinh T. Minh-ha’s newest essayistic work and her first videotape, cuts an intricate key for unlocking this elusive culture. Her tack finds great visual pleasure in the everyday, composing and decomposing the social landscape, while constructing a poetic grid of temporalities, symbolic meaning, and ritual. In THE FOURTH DIMENSION, Trinh’s lyrical narration guides us through ‘Japan’s likeness,’ the perfected framing of the sacramental familiar.” - Steve Seid

Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh's previous films, her film is a multi-layered work addressing issues around its central theme: the experience of time, the impossibility of truly "seeing," and the impact of video on image-making. 　　THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light. 　　“Trinh T. Minh-ha’s newest essayistic work and her first videotape, cuts an intricate key for unlocking this elusive culture. Her tack finds great visual pleasure in the everyday, composing and decomposing the social landscape, while constructing a poetic grid of temporalities, symbolic meaning, and ritual. In THE FOURTH DIMENSION, Trinh’s lyrical narration guides us through ‘Japan’s likeness,’ the perfected framing of the sacramental familiar.” - Steve Seid

在万众瞩目的母亲寿宴上，主人公刘暄精心筹备，订下顶级酒店，邀请所有亲朋好友，甚至慷慨报销路费，自认为已是尽心尽力，表达了对母亲最深沉的爱意。然而，就在这本应充满温馨的时刻，母亲的一席话却如同一盆冷水，瞬间浇熄了她所有的期待和付出：“刘暄，你对家人真的很不上心。”

公元2072年，在可以从第四次元“W”获取无限能量的“线圈”影响之下，人类到达了繁荣的巅峰。但使用通过非正规手段获取的“不法线圈”来进行的犯罪也在暗中横行，而回收它们则将得到一笔悬赏金。干练的“回收屋”真渊京马在某件委托当中与神秘的少女·蜜拉相遇。曾经在线圈事故中失去了一切的京马，以及寻求自己出生秘密的蜜拉，两人一同开始追寻“线圈”的真相……

讲述了两位纪录片制作人决定调查一位涂鸦艺术家的失踪事件。随着调查的深入，这两位制作人遭遇到了一扇诡异的凭空出现的木门，这扇门引领他们穿梭于不同的空间，同时开启了一段黑暗的噩梦之旅。本来只是调查失踪事件的两人很快便意识到，自己陷进了超乎想象的可怕旋涡之中...

NHK大河ドラマ第32作。 　　炎立（ほむらたつ）是高桥克彦描写前九年之役到奥州藤原氏灭亡的历史小说，后来在1993年时以本书为一二部的原作，由NHK改拍成大河剧。 　　1993年7月4日到1994年3月13日之间播出的第32部NHK大河剧，由三部构成。描写平安时代前期的朝廷与东北地方到镰仓时代源赖朝在奥州合战灭奥州藤原氏的故事，其中渡边谦、佐藤庆等人都饰演两个角色。 　　在片头部份，第一部与第二部是岩手县江刺市的传统艺能“鹿踊”的舞姿，第三部是平泉的中尊寺金色堂枫叶飞舞的场面。 　　虽然收视率并没有大幅的增加，但是在评价方面颇高。 　　第1部　北の埋み火 　　01　黄金の王国 　　02　恋の予感 　　03　衣川への岐路 　　04　雪の鬼切部 　　05　陸奥の春 　　06　阿久利川の陰謀 　　07　経清決断 　　08　黄海の戦い 　　09　密　通 　　10　衣川撤退 　　11　血　戦 　　12（終）　厨川落城 　　第2部　冥き稲妻 　　01　母子の契り 　　02　策　略 　　03　亀　裂 　　04　清衡の反乱 　　05　清原分断の罠 　　06　兄と弟 　　07　後三年の合戦 　　08（終）　楽土への道 　　第3部　黄金楽土 　　01　父と子 　　02　義経、平泉へ 　　03　愛のかたち 　　04　泰衡の決意 　　05　頼朝挙兵 　　06　秀衡動かず 　　07　泰衡、京へ 　　08　兄と妹 　　09　兄弟の宿命 　　10　義経追討 　　11　約束の剣 　　12　基成の怒り 　　13　秀衡逝く 　　14　泰衡の覚悟 　　終　楽土・平泉

这是NHK的第32部大河剧。根据同名小说改编，由三部构成。描写平安时代前期的朝廷与东北地方到镰仓时代源赖朝在奥州合战灭奥州藤原氏的故事，其中渡边谦、佐藤庆等人都饰演两个角色。在片头部分，第一部与第二部是岩手县江刺市的传统艺能“鹿踊”的舞姿，第三部是平泉的中尊寺金色堂枫叶飞舞的场面。

《维度：数学漫步（Dimensions: a walk through mathematics）》是两小时长的CG科普电影，讲述了许多深奥的数学知识，如4维空间中的正多胞体、复数、分形（fractals）、纤维化理论（fibrations）等等。