青铜巨门在叶辰掌心符文催动下缓缓洞开，身后xx握紧玄铁剑，妹妹好奇地抚过门楣上古奥纹路。踏入上古玄界的刹那，天地灵气骤然变得粘稠如液，远处山峦浮现被岁月掩埋的殿宇轮廓。随着他们深入，尘封的石碑开始发光，记载着仙魔大战的残页飘落，那些关于道君陨落、界域崩塌的隐秘，正顺着风的轨迹，一点点浮出水面。

长在山林的少年英雄赤云对外出游历的青衣少女木青寞一见倾心，多年后两人再次相遇，赤云对木青寞展开热烈追求，并以一腔热情获取芳心。然而木青寞最终为了家族嫁给晟仑，且晟仑深爱着木青寞，不愿放手成全。后来，木青寞因意外受伤而失去记忆，赤云不仅耗费灵力为她疗伤，而且悉心唤醒木青寞所有记忆。伤愈之后，二人决定放弃世俗偏见厮守终生。可惜天意弄人，木青寞再次陷入危险之中，赤云为爱奉献了自己生命。

赤云（黄晓明 饰）自由在山林中长大，摸爬滚打之间练就了一身好武艺，年纪轻轻即在江湖之中已有名气。一次偶然中，赤云邂逅了名为木青寞（宋茜 饰）的女子，被其深深吸引坠入了情网，而木青寞亦倾心于赤云的侠肝义胆，情投意合的两人走到了一起。 　　然而，木青寞的哥哥（翟天临 饰）早已经为妹妹选定了一个好人家，她即将嫁给一位名叫凌云晟仑（盛一伦 饰）的男子。虽然赤云和木青寞都坚持着自己的感情，但感情最终还是拗不过现实，木青寞成为了凌云晟仑的妻子。实际上，凌云晟仑明白木青寞对赤云的感情，但他还是无法自持的爱上了这位豁达坦荡的女子。

《山海经之上古密约》讲述了魏晋南北朝时期，鲜卑慕容氏建立的燕国与塞外狼族相峙而立。燕皇年幼，宗室与外戚之争日盛。一场养女风波，将镇北侯府推向深…

赤云（黄晓明 饰）自由在山林中长大，摸爬滚打之间练就了一身好武艺，年纪轻轻即在江湖之中已有名气。一次偶然中，赤云邂逅了名为木青寞（宋茜 饰）的女子，被其深深吸引坠入了情网，而木青寞亦倾心于赤云的侠肝义胆，情投意合的两人走到了一起。 　　然而，木青寞的哥哥（翟天临 饰）早已经为妹妹选定了一个好人家，她即将嫁给一位名叫凌云晟仑（盛一伦 饰）的男子。虽然赤云和木青寞都坚持着自己的感情，但感情最终还是拗不过现实，木青寞成为了凌云晟仑的妻子。实际上，凌云晟仑明白木青寞对赤云的感情，但他还是无法自持的爱上了这位豁达坦荡的女子。

大峳国由百里氏开创，与琅族隔山并立，双方征战不断。峳皇和太子先后离世，峳皇幼子百里昊和登基。当时昊和年纪尚小，便由其母贺氏太后辅政。尽管已故太子之子百里鸿煊和百里鸿烁对幼帝忠心耿耿，且百里鸿煊屡立战功，护佑峳国百姓安宁，但贺氏太后受奸臣挑唆，仍对百里氏两兄弟心怀猜忌。幼帝虽信任两兄弟，有心相助，却也是力不从心。琅族新首领明夜枫发现了平原王之女百里鸿熠的真实身份，鸿熠的身世之谜让百里氏陷入危机。此时，神秘人察觉到峳国皇城邺城出现异常，于是暗中谋划，期望凝聚各方力量，守护天下百姓。

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。