作为现实世界的一名游戏设计师，祝遥(付枚 饰)意外到了高次元修仙世界后依旧不改逗趣的属性，和游戏角色“拌嘴打架”，在偶遇自己的游戏男主角萧逸(蔡俊…

该剧主要讲述了游戏设计师祝遥不慎打开还在开发中的“次世代VR系统”，却意外进入游戏世界，好不容易被仙界第一美男玉言尊上收为徒弟，结果又撞上一成不变的非玩家角色，发生了一系列啼笑皆非的故事。

孽缘之神苏念雪下凡附身于枉死少女，救下遭刺杀的陆以霆，被迫卷入豪门阴谋。她既要应对苏欣妍的追杀，又要与陆以霆斗嘴合作，却在法力失控时发现彼此竟是命定孽缘。婚礼上苏欣妍施法搅局，月老破咒助其复仇。谢波疯狂反扑，陆以霆舍命相护，苏念雪以法力换他重生。当孽缘石再次指引，她选择为爱放弃任务，最终为陆以霆挡枪濒死，方知这段孽缘早已修成正果。天界重逢月老，苏念雪终得圆满，与陆以霆在人间相守.

云舒窈前世首辅嫡长女，因被逼嫁傻子太子自尽，重生为现代豪门真千金，初回家不受待见，假千金受宠。 她酒吧遇萧明轩，一面之缘引其兴趣，萧不知娃娃亲对象是她，还去云家退亲，她也有意，便未点破。订婚宴上，二人逃婚撞一起，云舒窈谎称为帮萧逃婚，萧更钟情，坚定退婚。 之后，云舒窈隐身份进云家公司，遭刁难，众人捧假千金云小禾。萧明轩发现神秘女郎在公司，接云舒窈时引发误会。云舒窈勤勉工作，成果遭云小禾嫉妒，被恶人先告状，她凭武功解决麻烦后酒吧遇萧，感情升温，萧又现身集团年会助她出彩，云小禾越发视她为眼中钉。

姜鱼刚回国就收到母亲送来的结婚证，据说结婚对象人品德行都很烂，姜鱼为了离婚当晚阴差阳错的睡了一个男模，没想到这个假男模就是自己的老公。

姜鱼刚回国就收到母亲送来的结婚证，据说结婚对象人品德行都很烂，姜鱼为了离婚当晚阴差阳错的睡了一个男模，没想到这个假男模就是自己的老公。

上一世受尽屈辱的江枫苦心修炼，想要成为仙界至尊，不料误入魔道，被贬下人间重生，这一世，江枫立志要捡起自己的尊严，挽回心爱的妻子，惩治居心叵测的恶徒。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

All of Your Stars Are but Dust on My Shoes tracks the public administration of light and darkness as an essential policing tool. The video moves between cities like New York and Paris, with the artist's native Beirut setting the central pulse. Creating an associative genealogy that moves from whale oil lamps to gas lanterns to LED bulbs, from blackouts to curfews, the video is comprised of found footage and material from Aivazian’s own phone. Layering, splicing, and confronting disparate kinds of sound and image, the artist generates a sensorial meditation on how the fundamentals of human vision—light hitting the retina—were mechanized into tools that capture our movements, be it in everyday life or on screen. (Haig Aivazian)