学生时代的江曼笙一直暗恋着陆祈臣，但由于陆祈臣不记得她的名字，且江曼笙性格胆小，始终未能向他表白。毕业后，江曼笙以为两人再无交集，却意外发现家人安排他们相亲。江曼笙果断答应与陆祈臣结婚，但婚后两人分房居住，陆祈臣对她只有责任感。江曼笙将暗恋心事深埋心底，然而在日复一日的相处中，陆祈臣逐渐对江曼笙产生了真挚的感情。

学生时代的江曼笙一直暗恋着陆祈臣，但由于陆祈臣不记得她的名字，且江曼笙性格胆小，始终未能向他表白。毕业后，江曼笙以为两人再无交集，却意外发现家人安排他们相亲。江曼笙果断答应与陆祈臣结婚，但婚后两人分房居住，陆祈臣对她只有责任感。江曼笙将暗恋心事深埋心底，然而在日复一日的相处中，陆祈臣逐渐对江曼笙产生了真挚的感情。

一夜意外，温梨跟暗恋的闺蜜哥哥发生关系，稀里糊涂的闪婚领证。本以为这场错误婚姻持续不了多久，却不料结婚后闺蜜哥哥对她又宠又撩，各种引诱，后来才知这本就是他的蓄谋已久，温梨也曾是沈彧白爱而不得的白月光。

一夜意外，温梨跟暗恋的闺蜜哥哥发生关系，稀里糊涂的闪婚领证。本以为这场错误婚姻持续不了多久，却不料结婚后闺蜜哥哥对她又宠又撩，各种引诱，后来才知这本就是他的蓄谋已久，温梨也曾是沈彧白爱而不得的白月光。

美丽的模特Deb由于一次意外丧命。在去到天堂后，她因为和她的守门人Fred起争执按动了返回人间的按钮。但是意外再次发生，她居然上错了身。进入了一个肥胖但又聪明能干的律师Jane的身体。没有了美貌的Deb要如何在人间生活，她又要如何才能找回自己的过去呢？在守护天使Fred的帮助下她开始作为Jane生活。

美丽的模特Deb由于一次意外丧命。在去到天堂后，她因为和她的守门人Fred起争执按动了返回人间的按钮。但是意外再次发生，她居然上错了身。进入了一个肥胖但又聪明能干的律师Jane的身体。没有了美貌的Deb要如何在人间生活，她又要如何才能找回自己的过去呢？在守护天使Fred的帮助下她开始作为Jane生活。

Martin plays an attorney named Roger Cobb. He is dating his boss' daughter and is also an aspiring jazz guitarist. Lily Tomlin is a difficult, eccentric, spoiled rotten, but terminally ill millionairess named Edwina Cutwater, who has been bedridden since childhood. Cutwater hires Roger to make some unusual final arrangements to her will.

Martin plays an attorney named Roger Cobb. He is dating his boss' daughter and is also an aspiring jazz guitarist. Lily Tomlin is a difficult, eccentric, spoiled rotten, but terminally ill millionairess named Edwina Cutwater, who has been bedridden since childhood. Cutwater hires Roger to make some unusual final arrangements to her will.

“The Silence before Bach” is an approach to music and the trades and subjects that surround it through Bach’s works. 　　A look at the profound dramaturgic relationship between image and music where the latter is not merely conceived as subsidiary to the image but as a subject of the narration in its own right. 　　The film springs from a previously defined musical structure. The soundtrack feeds on works by J.S Bach and two of Felix Mendelssohn’s sonatas to create an architectural vault beneath which the story of the film unfolds ; a promenade through the XVIIIth, XIXth and XXIth centuries led by the hand of J.S. Bach.

“The Silence before Bach” is an approach to music and the trades and subjects that surround it through Bach’s works. 　　A look at the profound dramaturgic relationship between image and music where the latter is not merely conceived as subsidiary to the image but as a subject of the narration in its own right. 　　The film springs from a previously defined musical structure. The soundtrack feeds on works by J.S Bach and two of Felix Mendelssohn’s sonatas to create an architectural vault beneath which the story of the film unfolds ; a promenade through the XVIIIth, XIXth and XXIth centuries led by the hand of J.S. Bach.