一群学生来到森林度假，碰上了外太空杀手，以及它那致命的外星生物……（i like this movie's alien~~为了这个怪物造型我找了此片n长时间- -） 　　血腥度：3 　　片中怪物数量：少量 　　怪物类型：外星生物 　　怪物特点：海里的东西会在天上飞…… 　　怪物必杀技：吸血大法 　　怪物恶心度：4 　　------Zombiehunter

一群学生来到森林度假，碰上了外太空杀手，以及它那致命的外星生物……（i like this movie's alien~~为了这个怪物造型我找了此片n长时间- -） 　　血腥度：3 　　片中怪物数量：少量 　　怪物类型：外星生物 　　怪物特点：海里的东西会在天上飞…… 　　怪物必杀技：吸血大法 　　怪物恶心度：4 　　------Zombiehunter

天生缺钱命格的温小希受师傅临终之托下山，意外跟傅晏舟闪婚，两人婚后联手虐渣，打破坏人的阴谋诡计。最终温小希也彻底摆脱缺钱命格，两个人幸福圆满的生活在一起。

天生缺钱命格的温小希受师傅临终之托下山，意外跟傅晏舟闪婚，两人婚后联手虐渣，打破坏人的阴谋诡计。最终温小希也彻底摆脱缺钱命格，两个人幸福圆满的生活在一起。

罗倩身患白血病，急需进行骨髓移植，可此时她才发现自己养了18年的女儿竟然是老公刘浩和他白月光张丽丽的孩子。刘浩和张丽丽为了夺取罗倩的财产，更是惨无人道地拔掉罗倩的氧气管，眼睁睁地看着罗倩断气。 罗倩重生到婚礼前一天，在朋友的告知下得知刘浩和张丽丽的关系。刘浩耍小聪明，打电话试探罗倩，罗倩以工作忙为由搪塞了刘浩。刘浩在小聪明的加持下变本加厉，竟敢当众在婚礼现场表白张丽丽，不料却被罗倩当面揭发，本就风雨飘渺的刘家因此失去了所有合作商。罗倩决意和刘浩分手，刘浩却开...

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, her demons follow and manifest themselves in ways which bring the nightmares of her past with her.