一个 得了眼疾的人碰上只会拔牙的牙医发生的惨剧

田厚德曾担任过村党支书，生性耿直，深爱土地，为保护良田，代表村民多次向县、市纪委反映乡镇领导刘乾坤非法侵占集体大量土地、以权谋私、贪污腐化的问题，因而种下了祸根。八十年代初，田厚德一家承包了九亩责任田，由于当时的农资化肥不断涨价，而粮价又不断下跌，种田的日子并不富裕，加之女儿田英出嫁，又添上了新债。田厚德的三个儿子纷纷不满现状，认为种地穷不划算，要求独立门户，各找出路。最后，田厚德这个大家庭，分成了三个小家庭。三个小家庭各自的命运坎坷，接二连三的遭到打击，田厚德已经意识到种种祸害的根源。一年又一年过去了，但他仍然坚持举报腐败分子。后来，终于揪出了副县长刘乾坤等一批腐败分子！随着这批犯罪分子的一一伏法！田三也走出了监狱的大门。田厚德靠对土地的热爱，守住了农民的根。

该剧是一部传记体电视剧，以全国著名劳动模范、全国人大常委、河南省新乡县七里营乡刘庄村党委书记史来贺的事迹及刘庄村脱贫致富的历史为依据创作，按照共和国农村45年的岁月变迁，运用积累式的纪实手法拍摄而成。该剧获第十五届“飞天奖”长篇电视剧二等奖、第四届精神文明建设“五个一工程”奖等奖项。 　　史来贺是一名共产党员，一直怀抱着让广大农民过上丰衣足食的生活的朴素理想。在他的带领下，同村农民共同奋进，让一个昔日全是盐碱地、蛤蟆窝的穷村庄变成了“中原首富”，实现了物质文明和精神文明的齐头发展，自改革开放以来，为国家创利税十多亿元。

该剧是一部传记体电视剧，以全国著名劳动模范、全国人大常委、河南省新乡县七里营乡刘庄村党委书记史来贺的事迹及刘庄村脱贫致富的历史为依据创作，按照共和国农村45年的岁月变迁，运用积累式的纪实手法拍摄而成。该剧获第十五届“飞天奖”长篇电视剧二等奖、第四届精神文明建设“五个一工程”奖等奖项。 　　史来贺是一名共产党员，一直怀抱着让广大农民过上丰衣足食的生活的朴素理想。在他的带领下，同村农民共同奋进，让一个昔日全是盐碱地、蛤蟆窝的穷村庄变成了“中原首富”，实现了物质文明和精神文明的齐头发展，自改革开放以来，为国家创利税十多亿元。

童年时一次看电视转播的经历，在少年日向翔阳（村濑步 配音）的心中种下了排球的种子。他在初中时代是排球部的主将，可是人丁寥落的排球部始终没有起色，唯一一场比赛也以惨败告终。在此之后，他终于如愿考入梦寐以求的学府乌野高中，并加入了该校的排球部。当年翔阳在电视上看到的正是乌野 高中的比赛，如今这个学校的排球却正面临着衰败的命运。与宿命的对手和好友影山飞雄（石川界人 配音）聚首于此，心怀排球梦想的少年们将团结一心，带领着乌野这名王者再度振翅高飞…… 　　本片根据古馆春一的漫画原作改编。

【本片由华盟字幕社译制】小时候，日向翔阳从电视上看见排球比赛，乌野高中的一名小个子在球上的英姿，简直就是个“小巨人”，对此非常深刻，并开始迷上排球，一直想成为“小巨人”一样的人。初中时排球社不够人数，只好默默等待，后来在终于有新成员后，参与了第一次也是最后一赛的比赛，不幸对决了最强队伍，结果当然落败。单凭自己的话，是绝对无法看见那景色的，不是自己一人的话，或许就能看见了…为了能够打出“胜利”的比赛，翔阳努力考入乌野高中，为了实现成为“小巨人”的排球梦想！

片名 五亿农民的方向 　　编导 刘文渺 　　摄影 张永 　　影片本数 2 　　色别 黑白 　　出品年 1955 　　拍摄单位 新影 　　内容简介 　　河北省安平县南王庄，一个只有六户的合作社，三户中农退社，三户贫农坚持办社。他们缺少农具，困难很多。但他们辛勤劳动，互相帮助，克服了种种困难。县政府给他们帮助，银行发放贷款，他们买了一辆大车。集体的劳动，使他们的土地获得了丰收，原来退社的农户要求回来，还有不少农户要求入庄。毛主席《关于农业合作化问题》的报告到了村，就在这个报告里，毛主席提到了河北省坚决办社的三户农民。毛主席说：这三户贫农所表示的方向，就是全国五亿农民的方向。

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide 　　"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. 　　The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson 　　"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum