Prog Rock Britannia is a comprehensive, feature-length documentary about progressive music and the generation of bands that made it - from the international success stories of Yes, Genesis, ELP, King Crimson and Jethro Tull, to the trials and tribulations of the lesser-known bands such as Caravan and Egg. 　　The film is structured in three parts, charting the birth, rise and decline of a movement famed for complex musical structures, weird time signatures, technical virtuosity and strange – quintessentially English – literary influences. 　　It looks at the psychedelic pop scene that gave birth to progressive rock in the late Sixties, the golden age of progressive music in the early Seventies – complete with drum solos and gatefold record sleeves – and the over-ambition, commercialisation and eventual fall from grace of this rarefied musical experiment at the hands of punk in 1977. 　　The documentary is a provocative, humorous but affectionate re-appraisal of a music that was the value system of an all-too-brief period in British popular music 　　(转自VERYCD)

Prog Rock Britannia is a comprehensive, feature-length documentary about progressive music and the generation of bands that made it - from the international success stories of Yes, Genesis, ELP, King Crimson and Jethro Tull, to the trials and tribulations of the lesser-known bands such as Caravan and Egg. 　　The film is structured in three parts, charting the birth, rise and decline of a movement famed for complex musical structures, weird time signatures, technical virtuosity and strange – quintessentially English – literary influences. 　　It looks at the psychedelic pop scene that gave birth to progressive rock in the late Sixties, the golden age of progressive music in the early Seventies – complete with drum solos and gatefold record sleeves – and the over-ambition, commercialisation and eventual fall from grace of this rarefied musical experiment at the hands of punk in 1977. 　　The documentary is a provocative, humorous but affectionate re-appraisal of a music that was the value system of an all-too-brief period in British popular music 　　(转自VERYCD)

公元43年，罗马人大举进攻日后被称作大英帝国的不列颠尼亚，女英雄布迪卡女王（Boudicca）在民族危难之际挺身而出，与罗马执政官卡西乌斯（Cassius）建立…

e01 - The Romantic North 　　e02 - The Flatlands 　　e03 - Highlands and Glens 　　e04 - The Heart of England 　　e05 - The Home Front 　　e06- The Mystical West 　　e07 ...

e01 - The Romantic North 　　e02 - The Flatlands 　　e03 - Highlands and Glens 　　e04 - The Heart of England 　　e05 - The Home Front 　　e06- The Mystical West 　　e07 ...

A forerunner to 'Monty Python's Flying Circus', this sketch show looked at famous events in British history from a quirky perspective. Only one series was made, by the commercial channel London Weekend Television. 　　Sadly, only a small part of these programmes remain, as the original videos were wiped and reused....:[

A forerunner to 'Monty Python's Flying Circus', this sketch show looked at famous events in British history from a quirky perspective. Only one series was made, by the commercial channel London Weekend Television. 　　Sadly, only a small part of these programmes remain, as the original videos were wiped and reused....:[

三个男孩在一辆破汽车里面发现了一个小"男孩",和"他"成"了好朋友,经常给"他"送吃的,后来还给"他"带了衣服,一定要帮他换上,"他"不肯,结果被几个男孩扒了裤子硬要替他换,结果才发现"她"是个女孩. 　　三人狂跑,后又说"既然她是女的,咱们就更应该帮助她!"回来找女孩刘玉花,她说出了真相,她家在乡下,妈妈生了个弟弟,对她冷落了.她家每个月都能收到从上海城里寄来的汇款单,也听风言风语说她是抱来的孩子,去问爸爸,爸爸笑呵呵地说,谁说的?看你跟爹长的多象!玉花信以为真.后来因为要看弟弟不能上学,玉花和妈妈生气,妈妈私下和爸爸商量把玉花送回给她亲妈,爸爸不同意,被玉花偷听到,玉花下决心要到上海找亲妈,她拿了汇款单来到上海,因为是个女孩子老是被流浪儿欺负,所以忍痛剪了辫子,理了个男孩头.因为没有地址找不到汇款人所以暂时住在破车里.三个男生决定帮助玉花找妈妈.他们按照汇款单上的邮戳来到邮局蹲守,终于等到填写刘玉花家地址汇款的阿姨,于是偷偷跟踪,阿姨上了公交车,出示了月票,他们只好买了三张到终点站的票,半路跟阿姨到楼梯里,眼看阿姨要进家了,他们,拦住阿姨问她认识刘玉花吗?阿姨一愣,说不认识,扭头走了,却又在临走前回头看了他们一眼,凭这一眼,他们认定这个阿姨和玉花一定有不同寻常的关系.三个男生帮助玉花的事情在学校传开了,善良的班主任和妻子把玉花接到家里吃住,买了新衣服,补习功课,准备给她留辫子,又给玉花乡下的父母写了信,玉花看到了班主任准备发出的信,偷偷离开了班主任家.后来晕倒了,查出了有先天性心脏病,住院动手术,医院里有很多全国各地患与玉花一样病的孩子等待手术,小福建的手术失败了,父母没有责怪医生,理解地说有思想准备,玉花的手术很成功. 　　后来玉花的亲妈妈向后来的丈夫说出了一切,说她在下乡的时候生过一个孩子,丈夫带着儿子收拾行李气急而去.

三个男孩在一辆破汽车里面发现了一个小"男孩",和"他"成"了好朋友,经常给"他"送吃的,后来还给"他"带了衣服,一定要帮他换上,"他"不肯,结果被几个男孩扒了裤子硬要替他换,结果才发现"她"是个女孩. 　　三人狂跑,后又说"既然她是女的,咱们就更应该帮助她!"回来找女孩刘玉花,她说出了真相,她家在乡下,妈妈生了个弟弟,对她冷落了.她家每个月都能收到从上海城里寄来的汇款单,也听风言风语说她是抱来的孩子,去问爸爸,爸爸笑呵呵地说,谁说的?看你跟爹长的多象!玉花信以为真.后来因为要看弟弟不能上学,玉花和妈妈生气,妈妈私下和爸爸商量把玉花送回给她亲妈,爸爸不同意,被玉花偷听到,玉花下决心要到上海找亲妈,她拿了汇款单来到上海,因为是个女孩子老是被流浪儿欺负,所以忍痛剪了辫子,理了个男孩头.因为没有地址找不到汇款人所以暂时住在破车里.三个男生决定帮助玉花找妈妈.他们按照汇款单上的邮戳来到邮局蹲守,终于等到填写刘玉花家地址汇款的阿姨,于是偷偷跟踪,阿姨上了公交车,出示了月票,他们只好买了三张到终点站的票,半路跟阿姨到楼梯里,眼看阿姨要进家了,他们,拦住阿姨问她认识刘玉花吗?阿姨一愣,说不认识,扭头走了,却又在临走前回头看了他们一眼,凭这一眼,他们认定这个阿姨和玉花一定有不同寻常的关系.三个男生帮助玉花的事情在学校传开了,善良的班主任和妻子把玉花接到家里吃住,买了新衣服,补习功课,准备给她留辫子,又给玉花乡下的父母写了信,玉花看到了班主任准备发出的信,偷偷离开了班主任家.后来晕倒了,查出了有先天性心脏病,住院动手术,医院里有很多全国各地患与玉花一样病的孩子等待手术,小福建的手术失败了,父母没有责怪医生,理解地说有思想准备,玉花的手术很成功. 　　后来玉花的亲妈妈向后来的丈夫说出了一切,说她在下乡的时候生过一个孩子,丈夫带着儿子收拾行李气急而去.

该片关注了激进的一代音乐人为德国战后的文化废墟创造新音乐身份的历程。以1968至1977年间的“新乐队”、罐头乐队、浮士德和发电站等电子音乐先锋为例，分析了其作品的原创性和毫不妥协的特征。他们分享着共同的目标，以难得的前瞻性来突破阴森的过去，但尽管如此，依旧沉迷于战争的 英国音乐媒体仍将这些作品称为“泡菜摇滚”[Krautrock]。(小易甫字幕组)