At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride. 　　Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior. 　　As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile. 　　A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.

At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride. 　　Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior. 　　As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile. 　　A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.

A new original series from the fresh and prodigious mind of Kane Parsons. An unexplained phenomenon lying on a forest unchains a series of unfortunate events for anyone who dares going near to it.

A new original series from the fresh and prodigious mind of Kane Parsons. An unexplained phenomenon lying on a forest unchains a series of unfortunate events for anyone who dares going near to it.

火星に赴任してきた刑事 ロス・シリバスは到着早々、カントリー歌手のケリー・マッキャノンが殺害される事件に巻き込まれる。そして、その遺体の分析結果からある事実が判明する。殺害されたのは人間ではなく、セカンドの水準を超える非合法の存在サードであったことが判明する。ロスはアミテージと共にこの事件を追うことになる。そして、その先にサードに纏わる事実も徐々にその姿を現す。

主要呈现兰屿雅美族人的社会价值观、宗教信仰与传统生计活动等，和外界接触后所产生的文化困惑、矛盾、调适及冲突。

胡台丽《兰屿观点》73min 年代1993 中文发音 中\英字幕 彩色影片 　　作为人类学者、中研院研究员，胡台丽导演为台湾民族志纪录像片第一人，她的纪录作品也是第一部上院线作商业放映的纪录片。本片纪录兰屿雅美族人的社会价值观、宗教信仰与传统生计活动等，和外界接触后所产生的文化困惑、矛盾、调适及冲突。为胡导演代表作之一。与郭珍弟导演的《清文不在家》相互参照之下，更可观察出雅美族人（或达悟族人）长期所面临的困境，在经过十年的岁月变迁与文化冲刷之后，似乎并没有减少，只是更深刻、更内化了。

脸上生了巨瘤的爱德华怀抱着演员梦，却因外貌感到自卑，即使爱慕美丽的邻居英格丽，也只敢暗藏在心内。直到一场实验手术让他脱胎换骨获得俊俏脸庞，爱德华决定改名换姓展开新生。没想到一出以昔日自己为主角的戏剧正在排练，编导竟是英格丽。他戴上面具争取这场非他莫属的演出，好不容易迎来女神一亲芳泽，登台秀却杀出程咬金，原以为的梦想成真，竟一夕间成了噩梦。

这部《考斯比秀》的衍生剧跟随丹尼斯·赫克斯泰布尔(Denise Huxtable)来到历史悠久的黑人希尔曼学院(Black HillmanCollege)，在那里她结识了一群不拘一格的学生。

塔尼雅、索尼雅、费嘉和斯切潘这四个青年，是同学也是好朋友，他们一起从中学毕业出来，都在判处着自己的前途，塔尼雅为了想混一张文凭，决定进大学，费嘉打算半工半读来继续深造。索尼雅却认为不如先去工作，斯切潘同意她的主张，可是要离开列宁格勒，因为他既不说祝愿塔尼雅，又不愿破坏费嘉的幸福，而索尼雅对他的一番心意，他也无动于衷，于是就毅然的乘上了开往诺沃西比尔斯克的列车，离开朋友们走了。 　　塔尼雅不久就和费嘉结了婚，可是这个怀有强烈虚荣心的姑娘，丝毫也不珍惜费嘉的优良品质和对她的神情，为了满足她个人的欲望，竟又和音乐家罗申发生了不正当的交往，罗申虽然年老，但他有钱，有地位，有名望，这正是塔尼雅盼望着的东西，为了获得这些东西，对费嘉的劝阻和痛苦，她一点也不放在心上。 　　索尼雅进炼钢厂当了化验员。由于一直念念不忘的在想着斯切潘，她宁愿离开列宁格勒这个大都市，要求组织上把她调到了那个边远的小城诺沃西比尔斯克去工作。 　　在诺沃西比尔斯克的斯切潘，白天在炼钢厂工作，晚上在夜大学读书，他的坚强性格和不懈的努力，使他在工作上获得了成就，被提升为车间主任，并且入了党，列宁格勒的冶金学院决定邀请他去做新工作方法的报告，当塔尼雅从报纸上看到了这条消息之后，对这个本来不中意的老同学，却发生了极大的兴趣，在她看来是甩掉罗申另谋发展的机会到了，于是斯切潘一到列宁格勒，她就毫不放松的施展出了惯用的手段，企图把这个新对象猎取到手。 　　可是这一次她却失败了，费嘉和斯切潘这两个好朋友，虽然为她发生了一次短暂的误会，但终于真相大白，斯切潘也从此看清了她的真面目，并因而体会到了那个长期以来专心一意热爱着他的索尼雅的感情，回到诺沃西比尔斯克之后，就和索尼雅结了婚。 　　不幸的费嘉受了塔尼雅的刺激，生了一场严重的心脏病，但来自异地的友情和帮助，使他得到了极大的温暖，病愈之后，他也踏上了开往诺沃西比尔斯克的列车。在那里等待着费嘉的不仅是朋友，还有工作。 　　只有塔尼雅，她想要得到一切，结果却什么也没有得到，她开始感觉了自己的孤立，这能怨谁呢？是她自己决定了自己的命运。