愛子は、自分の名前が嫌い。女という自分の性別が嫌い。自分を性被害者にしたおじさんが嫌い。この世界全部が、嫌い。傷を抱き戦いながら生きる人間が、どこか共鳴する他人と出逢い、救いとまではいかない何かを掴む瞬間を映し出す。

The storyline is basically the same as in the original work, although there are many parts where logic is omitted. The dialogue and narration have been reconfigured considerably, with some of the speakers being changed, but almost all of it is composed of words extracted from the original work. However, with the exception of Kindaichi, all the characters are played by women, the dialogue is almost barbed, and the clothing deviates slightly from what is appropriate to the situation, thus eliminating any sense of reality. The reason why Nanako's jumper and Washio's trousers were needed is not clear, as the murderer swims to Nanako's room in her clothes. In addition, Lieutenant Kamio's subordinate is simplified to only one detective, Aoki.

AZSD-049

AZSD-049

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大阪で団地に暮らす秋江は、テレクラで知り合った進次とその場限りの関係を持つ。彼女の夫である和彦は愛人のもとに行ったきりでほとんど家に帰ってこない。そんな中、偶然、団地で進次と再会した秋江は彼との情事に溺れていく。 　　「月刊シナリオ」誌第二回ピンク映画シナリオ募集で準入選した尾上史高の脚本による堀の監督第二作。堀が出演を切望したという速水今日子（大阪出身）が揺れる中年女性を好演