A portrait of a man who analyses his life on his 44th birthday. The past and the present, the actual and potential developments blend in a dreamy vision. "The protagonist seems to assume that travelling in time is possible, and things happen in an imaginary, invented time which he fittingly adjusts and changes", said Konwicki in the Film Press News 1/1972. The film is a formally complex analysis of what is commonly referred to as the Polish fate. Awards: 1972 - The Warsaw Mermaid of the Film Critics' Club at the Polish Journalists' Association in the feature film category; Special Jury Award at the Lubuskie Film Summer in Lagow; 1973 - Special Award for Screenplay at the San Remo Film Festival.

A portrait of a man who analyses his life on his 44th birthday. The past and the present, the actual and potential developments blend in a dreamy vision. "The protagonist seems to assume that travelling in time is possible, and things happen in an imaginary, invented time which he fittingly adjusts and changes", said Konwicki in the Film Press News 1/1972. The film is a formally complex analysis of what is commonly referred to as the Polish fate. Awards: 1972 - The Warsaw Mermaid of the Film Critics' Club at the Polish Journalists' Association in the feature film category; Special Jury Award at the Lubuskie Film Summer in Lagow; 1973 - Special Award for Screenplay at the San Remo Film Festival.

没有人告诉我，没有人告诉我。 　　一起生活会这么难： 　　保持最初的欲望，维护一个家庭的完整 　　竟会这么难！ 　　事实上我也不会听， 　　即使当初真有人一本正经地提醒。 　　我只愿意享有生活本身，用我手中的相机，去记录情感走过的路线。 　　无论是伊甸园还是失乐园， 　　无论是新生还是重生， 　　这部历时九年的记录片 　　想讲述一个奶爸的经历 　　探寻幸福的历程 　　和爱情的奥秘

没有人告诉我，没有人告诉我。 　　一起生活会这么难： 　　保持最初的欲望，维护一个家庭的完整 　　竟会这么难！ 　　事实上我也不会听， 　　即使当初真有人一本正经地提醒。 　　我只愿意享有生活本身，用我手中的相机，去记录情感走过的路线。 　　无论是伊甸园还是失乐园， 　　无论是新生还是重生， 　　这部历时九年的记录片 　　想讲述一个奶爸的经历 　　探寻幸福的历程 　　和爱情的奥秘

妈妈发给我的几段儿时录像，让我发现幼年的自己曾试图拍摄一部“未完成的片子”，而内容恰好与我的台湾友人大P（陈谷桓）所分享的家庭录影巧妙呼应。今日的朋友，儿时的玩伴，我们之间的距离原来那么远，又那么近。

妈妈发给我的几段儿时录像，让我发现幼年的自己曾试图拍摄一部“未完成的片子”，而内容恰好与我的台湾友人大P（陈谷桓）所分享的家庭录影巧妙呼应。今日的朋友，儿时的玩伴，我们之间的距离原来那么远，又那么近。

A free-wheeling comedy, Zur Sache Schaetzchen chronicles a day in the life of Martin, a witty yet lazy songwriter who'd rather not get out of bed. During the opening sequence, Martin watches a break-in on the other side of the street. In the morning, his friend Henry forces him to report it to the police, yet Martin gets bored with the cops and flees. The two of them spent the rest of the day escaping the law, in the Munich zoo and a public bath, were Martin meets Barbara. Block, the record company executive, needs Martin's new song lyrics right away, and Martin, who continually cranks out mad random remarks, comes up with a ridiculous sailor song. In the end, Martin's playful- ness collides with the authority the police represents. The movie is certainly not plot based; it draws its superior humor from one-liners and the hilarious, carefree insanity of its protagonist.

西班牙著名电影导演特里斯坦·乌罗阿最新文艺影片。 　　一个家庭。混杂着多少情绪，无论青春的儿女，兄弟，还是母亲。猜疑，恐慌，孤独，悲伤和爱，缺乏了交流，梗塞了的生活……

罗佳与暗恋十年的顾伯宁分手后，冲动下与程进发生一夜情。程进一见钟情追求罗佳，罗佳动心后却因他口不择言伤心分手。而程进则是开始了无所不用其极的追妻路，最终在他的坚定和罗佳不可否认的喜欢中，两人破镜重圆。

罗佳与暗恋十年的顾伯宁分手后，冲动下与程进发生一夜情。程进一见钟情追求罗佳，罗佳动心后却因他口不择言伤心分手。而程进则是开始了无所不用其极的追妻路，最终在他的坚定和罗佳不可否认的喜欢中，两人破镜重圆。