金猴奖专家评委说这个动画“看不懂”，动漫草根们却说“热泪盈眶”地把它看完了。在一群动画小人追求梦中情人的过程中，你笑了还是哭了？“谐脉阵”、“分钟数”，你还能找到多少隐藏在剧情中的现实彩蛋？专家看不懂的故事里，你看懂了多少？有没有自己在里面？我，“不知道”！ 这是一部幽默的音乐动画短片, 几个年轻人为了追求理想中的梦中情人, 经历一系列冒险和考验, 最终却获得了意想不到的效果. 但同时所有动画人看到这部片子都会会心一笑, 中国动画的发展史, 从早期的辉煌,后来的网络动画兴盛,动漫产业扶持到现状,每一个角色, 每一个场景道具, 都是中国动画原创力量中的一份子, 也许是作品, 也许是团队logo, 也许是一个知名的事件, 故事结尾预示着在三部委的引领下,中国原创动画从量产到创作精品的过程, 实现动画产业的井喷式发展.

金猴奖专家评委说这个动画“看不懂”，动漫草根们却说“热泪盈眶”地把它看完了。在一群动画小人追求梦中情人的过程中，你笑了还是哭了？“谐脉阵”、“分钟数”，你还能找到多少隐藏在剧情中的现实彩蛋？专家看不懂的故事里，你看懂了多少？有没有自己在里面？我，“不知道”！ 这是一部幽默的音乐动画短片, 几个年轻人为了追求理想中的梦中情人, 经历一系列冒险和考验, 最终却获得了意想不到的效果. 但同时所有动画人看到这部片子都会会心一笑, 中国动画的发展史, 从早期的辉煌,后来的网络动画兴盛,动漫产业扶持到现状,每一个角色, 每一个场景道具, 都是中国动画原创力量中的一份子, 也许是作品, 也许是团队logo, 也许是一个知名的事件, 故事结尾预示着在三部委的引领下,中国原创动画从量产到创作精品的过程, 实现动画产业的井喷式发展.

I Do Not Know What It Is I Am Like 　　includes the following chapters: 　　Il Corpo Scuro (The Dark Body) 　　The Language of the Birds 　　The Night of Sense 　　Stunned by the Drum 　　The Living Flame 　　An epic journey in five chapters, I Do Not Know What It Is I Am Like is a personal investigation into the inner states and connections to animal consciousness we all possess. In a stream of images of striking clarity, depth and beauty, woven within a subtle fabric of natural sound, Bill Viola evokes a timeless view of the natural world and our place in it. This is a major contribution to contemporary video art that masterfully speaks to us in the inner language of subjective thoughts and collective memories. 　　Bill Viola and Kira Perov gathered images for this video work over a period of two years. In the course of their travels they spent several weeks with a freely roaming herd of buffalo in Wind Cave National Park, South Dakota, recorded a time-lapse sequence beside a glacial lake in the Canadian Rocky Mountains, and attended a week-long firewalking ritual at a Hindu Temple on the island of Fiji. During This time, Viola was also artist-in-residence at the San Diego Zoo.

When an eager young man gets an elementary school teaching position as his first job, he finds a school staff and student body stricken with apathy. He vows to find a way to invigorate his students and co-workers, but his tendency to burn a straight path toward his goals, while failing to consider any obstacles in his way, may be his biggest fault. Or it may turn out to be his greatest asset.

本剧讲述了主人公羽田芽衣醒来后，失去了一年的记忆… 而且，她一改失去记忆前的“不尽如人意的平淡日常”，拥有了一生的伴侣、社会地位，还有原以为已经去世的独一无二的挚友。芽衣虽然感到困惑，但还是切实感受到自己得到了憧憬已久的幸福。“但那…充满了谎言…”芽衣渐渐开始被以好友为首的周围人夺走重要的东西。而且，还被冠上了“杀人”的“杀人嫌疑”。“失去记忆的空白的一年里，到底发生了什么”决心追寻记忆的芽衣迫近真相的时候，被设下的陷阱背后隐藏着惊人的秘密。

本剧讲述了主人公羽田芽衣醒来后，失去了一年的记忆… 而且，她一改失去记忆前的“不尽如人意的平淡日常”，拥有了一生的伴侣、社会地位，还有原以为已经去世的独一无二的挚友。芽衣虽然感到困惑，但还是切实感受到自己得到了憧憬已久的幸福。“但那…充满了谎言…”芽衣渐渐开始被以好友为首的周围人夺走重要的东西。而且，还被冠上了“杀人”的“杀人嫌疑”。“失去记忆的空白的一年里，到底发生了什么”决心追寻记忆的芽衣迫近真相的时候，被设下的陷阱背后隐藏着惊人的秘密。

Director Krzysztof Kieslowski gives a voice to a Polish whistleblower who revealed crimes and corruption involving local Communist Party leaders. During the 1950s, he was appointed manager of a leather factory in Silesia. There he came across shady practices such as selling stolen goods and claiming expenses for fictitious business trips. But the moment he started to investigate, he was accused of theft and fired, and subsequently even threatened with violence. Unbeknownst to him, he had become Public Enemy No. 1. All of this culminated in a nervous breakdown and his being committed to a psychiatric institution. Now, the only thing that matters to him is a clear conscience. Kieslowski’s seldom-screened documentary is the testimony of a man who eventually turned against the system he had initially been an enthusiastic part of. Kieslowski had great doubts about releasing the film, as he was afraid of putting the whistleblower in even greater danger. To protect him, he included the sound of a typewriter at the moments when people are named.

Radu Jude has made a seven-minute self-portrait for the magazine report Kurzschluss (Short Circuit) by arte in cooperation with goEast Film Festival Wiesbaden (Germany). 　　Please also find an extensive Q&A with Radu Jude at the goEast website: filmfestival-goeast.de/en/goEast_online/online_in_discussion_with_radu_jude.php

The film offers insight into the filmmaker's stay in hospital, where she repeatedly experiences absurd, funny moments between pain, homesickness, and disgust with her own body. Meanwhile, she tries to come to terms with the hospital's own procedures and hierarchies. An emotional trip through the long underground corridors of the hospital with lots of small talk and tubes.