不花钱就完蛋：穷小子王二狗被初恋女友抛弃，屋漏偏逢连夜雨，刚出门却被一辆豪车撞飞。倒霉之极的王二狗，却意外觉醒神豪系统，随手即可得到百亿财富，但是有一个条件，不在规定时间内把这笔钱花完，他就会当场被抹杀...

“I had everything I needed, I had a house and I had raised two children. I gave it all away.” 　　The documentary Living Without Money portraits the life of 68 year old Heidemarie Schwermer, a German woman who made a deliberate choice to stop using money 14 years ago. She cancelled her apartment, gave away all of her belongings and kept nothing but a suitcase full of clothes. This was a decision that changed the entire outlook on her life dramatically. 　　Today, after 14 years, she is still living almost without money and claims she is feeling more free and independent than ever. The film follows Heidemarie in her day to day life and shows the challenges she meets by living an alternative lifestyle. 　　Heidemarie is constantly on the move, meeting new people, staying with old and new friends for a few nights. She is never worried about the future, she’s not even pre-occupied about where she will sleep next week or where she will find her next meal. She knows by experience that things always work out for her as long as she is open to whatever happens. She travels all around Germany, often she is also in Austria, Switzerland and Italy, holding lectures about her experience and trying to convey the message that an easier way of life is possible. 　　What started out as exchanging favors in lieu of money has now become a lifestyle. She is always trying to help others find a path to a simpler and more harmonic life. She enjoys life in the moment she is living instead of being preoccupied with the future. 　　In the film we follow Heidemarie in her day-to-day life and experience how she goes about to find food, transport and a place to stay. In addition to showing the daily challenges she meets from living without money, we get to hear more about Heidemarie’s life philosophy and why she has chosen to live this way. We see that it is not only easy for her to live without money in a society where everything is based on money and the value of a person is measured on how wealthy he or she is. People Heidemarie meets on her way, often have strong opinions about her lifestyle. Some call her a “parasite” and claims she is living off others, while some see her as a “visionary source of inspiration”. Through her story we can consider money’s influence on our way of thinking, living and acting and the impact this has on our own lives and health and our environment. This film explores these ideas and reflects of themes of materialism and over-consumption.

“I had everything I needed, I had a house and I had raised two children. I gave it all away.” 　　The documentary Living Without Money portraits the life of 68 year old Heidemarie Schwermer, a German woman who made a deliberate choice to stop using money 14 years ago. She cancelled her apartment, gave away all of her belongings and kept nothing but a suitcase full of clothes. This was a decision that changed the entire outlook on her life dramatically. 　　Today, after 14 years, she is still living almost without money and claims she is feeling more free and independent than ever. The film follows Heidemarie in her day to day life and shows the challenges she meets by living an alternative lifestyle. 　　Heidemarie is constantly on the move, meeting new people, staying with old and new friends for a few nights. She is never worried about the future, she’s not even pre-occupied about where she will sleep next week or where she will find her next meal. She knows by experience that things always work out for her as long as she is open to whatever happens. She travels all around Germany, often she is also in Austria, Switzerland and Italy, holding lectures about her experience and trying to convey the message that an easier way of life is possible. 　　What started out as exchanging favors in lieu of money has now become a lifestyle. She is always trying to help others find a path to a simpler and more harmonic life. She enjoys life in the moment she is living instead of being preoccupied with the future. 　　In the film we follow Heidemarie in her day-to-day life and experience how she goes about to find food, transport and a place to stay. In addition to showing the daily challenges she meets from living without money, we get to hear more about Heidemarie’s life philosophy and why she has chosen to live this way. We see that it is not only easy for her to live without money in a society where everything is based on money and the value of a person is measured on how wealthy he or she is. People Heidemarie meets on her way, often have strong opinions about her lifestyle. Some call her a “parasite” and claims she is living off others, while some see her as a “visionary source of inspiration”. Through her story we can consider money’s influence on our way of thinking, living and acting and the impact this has on our own lives and health and our environment. This film explores these ideas and reflects of themes of materialism and over-consumption.

A hybrid work, Ana Elena Tejera’s portrait of her grandmother utilizes archival images, re-enactment and “biographical performance” to exorcise painful personal experience, family secrets, and Panamanian military dictatorship in the 1980s a history felt “through the skin.” Grandmother recounts how her husband returned from military training in Israel, fundamentally altered. “Why did God make me love you?” she asks, underlining a domain of fear, entrapment, and hidden violence. A moment of joy in movement ruptures memory’s prison-house, as grandmother dances alone in her old living room, a room where moving her body had long been forbidden.

A hybrid work, Ana Elena Tejera’s portrait of her grandmother utilizes archival images, re-enactment and “biographical performance” to exorcise painful personal experience, family secrets, and Panamanian military dictatorship in the 1980s a history felt “through the skin.” Grandmother recounts how her husband returned from military training in Israel, fundamentally altered. “Why did God make me love you?” she asks, underlining a domain of fear, entrapment, and hidden violence. A moment of joy in movement ruptures memory’s prison-house, as grandmother dances alone in her old living room, a room where moving her body had long been forbidden.

欲偷渡到西班牙的木工，下車後卻發現人還在奧地利；擅長修復神像的女畫師，亟欲擺脫前夫的暴力糾纏。這沈默的兩個人，竟意外撞出愛情，然後故事裡還有一個被賭債擺佈、無力面對妻兒的建築工人，這三段故事裡的四個人，最後竟意想不到地影響了彼此生命中的關鍵。柏林影展大受好評的新銳之作，圓形結構的敘事，不到最後關頭，真相難料。

《欧洲寄宿家庭》顾名思义就是在欧洲某国开业的寄宿家庭。车胜元与刘海镇作为寄宿家庭主人，将向韩国人传达饱含温情的饭菜和回忆。

《欧洲寄宿家庭》顾名思义就是在欧洲某国开业的寄宿家庭。车胜元与刘海镇作为寄宿家庭主人，将向韩国人传达饱含温情的饭菜和回忆。

The Art of Spain – The Moorish South (1 of 3) 　　Critic and art historian Andrew Graham-Dixon travels from southern to northern Spain to tell the story of some of Europe’s most exciting and vital art. In an exploration of Moorish Spain, he looks at Muslim political and cultural influence as he travels from Cordoba to Granada, seeing classic buildings such as the Great Mosque in Cordoba, the Alcazar in Seville and the Alhambra in Granada. He also shows how the Moors introduced new foods – including citrus fruits, coffee and spices – to Spain. 　　The Art of Spain – The Dark Heart (2 of 3) 　　He journeys to the country’s scorched centre to explore Spanish art of the 16th and 17th centuries, a period that became known as the Golden Age. Tracing the rise and fall of the Spanish Empire, the brutal conquest of the New World, and the religious madness of the Inquisition he discovers how a history so violent produced such beautiful art. 　　The Art of Spain – The Mystical North (3 of 3) 　　In the final part, he reveals how the north of the country has produced some of the most dazzling and iconic art of the modern age. Spain’s turbulent history has shaped artists from Francisco Goya to Pablo Picasso. Graham-Dixon argues that Spanish architecture is the art form now taking the nation forward in the new millennium.

我们知道意大利和北欧以其艺术著称，那么西班牙呢？在这个引人注目的原创系列节目中，随着艺术史学家安德鲁·格雷厄姆·迪克森对这个国家惊人艺术珍品的揭示，西班牙艺术将获得令人瞩目的位置。安德鲁从南方游历到北方，探索了欧洲一些从文艺复兴时期到当代的最重要的艺术家，其中包括戈雅、毕加索、达利、埃尔·格列柯，以及委拉斯凯兹。他不落俗套而富有洞察力地了解了这种文化以及和每天都和最伟大的西班牙艺术和建筑生活和工作在一起的人们。从西班牙和欧洲的摩尔艺术到伊斯兰遗产，从塞维利亚到巴塞罗那，从食物到葡萄酒，安德鲁揭示了西班牙文化在每个方面都同意大利文化一样丰富，并有着更加惊人的优势。