江秀兰获李家收留，与李长青一同成长，感情要好。秀兰意外撞破神婆梅二娘的奸情，二娘遂唆使李老太送秀兰出家，但遭长青反对，老太惟有遣长青出外办货，长青却暗中回来与秀兰相聚并发生关系。秀兰珠胎暗结，老太大怒，对秀兰拳打脚踢，秀兰不慎跌倒烧伤脸颊昏倒。老太以为秀兰已死，遂着二娘找人埋葬秀兰；其实秀兰未死并诞下婴儿。秀兰被人误当鬼魂，人心惶惶，此时长青回来，秀兰把婴儿交还李家，长青求她留下，秀兰却坚决离去。

江秀兰获李家收留，与李长青一同成长，感情要好。秀兰意外撞破神婆梅二娘的奸情，二娘遂唆使李老太送秀兰出家，但遭长青反对，老太惟有遣长青出外办货，长青却暗中回来与秀兰相聚并发生关系。秀兰珠胎暗结，老太大怒，对秀兰拳打脚踢，秀兰不慎跌倒烧伤脸颊昏倒。老太以为秀兰已死，遂着二娘找人埋葬秀兰；其实秀兰未死并诞下婴儿。秀兰被人误当鬼魂，人心惶惶，此时长青回来，秀兰把婴儿交还李家，长青求她留下，秀兰却坚决离去。

三生石上舊精魂，賞月吟風莫要論。 　　慚愧情人遠相訪，此身雖異性長存。 　　身前身後事茫茫，欲話因緣恐斷腸。 　　吳越山川尋已遍，卻回煙棹上瞿塘。 　　Based on stories of san-sheng shi (thrice-born stone) about the eternal friendship between Li Yuan and the monk Yuen-kuan, which defies death and rebirth.

每對情侶，都有難以處理的心理創傷，心理諮商師振成和尚基是一對同性戀人，因為一次意外而不幸殘障的尚基，一直渴望死亡、要求情人遠離他；妍美和秀姬這對拉子伴侶，也因為憂鬱症造成關係的暴力。在這個吹著怪風的日子，妍美求助振成的諮商治療，在無助的愛情路上，他們交換彼此秘密，也渴望信任與被愛。

Barry Cooper was a highly decorated Texas narcotics officer — until he turned on the police force by busting crooked cops and teaching drug users how to hide their stash.

Description: Filmed mostly in his country home in 1965, ROBERT BRESSON - WITHOUT A TRACE is a revealing discussion with Bresson. Bresson at this time had completed six of his most well known films and was in the process of shooting Au Hasard Balthazar. 　　Usually a man of few words, having never before granted an interview on camera, Bresson agreed to answer the questions of a then-unknown writer François Weyergans, for the Cineaste de Notre Temps series. 　　Ranging over topics from the inspiration behind his films, to his ideas on the use of sound, actors, editing and music, and the state of (the then) contemporary cinema (from James Bond to the New Wave), Bresson describes his singular approach to filmmaking. 　　Incorporating clips from several of his films, and with a new introduction by Weyergans today, ROBERT BRESSON - WITHOUT A TRACE is a unique historical record that provides unparalleled insight into the work and ideas of Robert Bresson. 　　"Recommended. Robert Bresson is the most under-rated of the major French film directors. [WITHOUT A TRACE] is the only filmed interview granted by this elusive director. Bresson's comments on varied subjects (Matisse, Cezanne, Pascal, Dostoevsky, cinema vs. theatre, actors vs. protagonists, cinema music, etc.) are pithy, rapid fire, and always entertaining and interesting. This is an important documentary for the study of French films... A valuable addition to comprehensive college film collections."-Educational Media Reviews Online 　　"In a face-to-face interview with Bresson, the viewer gets an insight on the director's style of filmmaking, his philosophy and other pleasantries such as his living conditions in Paris. A number of excellent film clips from "Pickpocket" and "The Trial of Joan of Arc" round out this important film in the CINEMA, OF OUR TIME series."-Historical Media Review

三年前，江城苏家一场闹剧打破了表面的平静。苏阮星，作为苏宏业与前妻的女儿，本就因父亲忙于事业、聚少离多而亲情淡薄，却突然被冠以 “陷害同父异母妹妹苏沐雨” 的污名。面对苏宏业不分青红皂白的指责，多年渴望的父爱化为泡影，苏阮星与父亲大吵一架后，毅然斩断与苏家的所有联系，离家出走。昔日名满江城的苏家大小姐，一夜之间沦为无家可归的孤女。

主人公伊达一义，白天是温厚又治愈的神奈川县警搜查1课的刑警。但到了晚上他则变身为严格制裁嫌疑人的冷酷角色。一同出演扮演鉴识官久远健志的，是NEWS和关八成员锦户亮。由于内心曾经受过伤害，所以对“恶”总是会有过激反应、内心隐藏着凶暴性。

主人公伊达一义，白天是温厚又治愈的神奈川县警搜查1课的刑警。但到了晚上他则变身为严格制裁嫌疑人的冷酷角色。一同出演扮演鉴识官久远健志的，是NEWS和关八成员锦户亮。由于内心曾经受过伤害，所以对“恶”总是会有过激反应、内心隐藏着凶暴性。

音乐学院学子高晓深陷论文困境，一次观影为他点亮思路。他远赴陕北拜师探寻说书文化，途中解开内心枷锁，更毅然放弃出国深造机会。最终，他携手众人推广这门非遗技艺，不仅让其重回大众视野，也顺利完成论文答辩，收获学业与文化传承的双重成长。