2009年，年轻女孩纱崎咲良（芳根京子 饰）被人残忍杀害，该事件令她的姐姐玲奈（北川景子 饰）痛不欲生。在遇害之前，咲良为躲避跟踪狂的骚扰曾秘密搬到亲戚家居住，可是某个不良侦探受跟踪狂之托查到了女孩的现居地，由此引发了血腥惨案。为了揪出这个被称为“死神”的侦探，玲奈拜入 须磨康臣（井浦新 饰）的门下请求接受侦探培训，出于某种目的，须磨不仅最终答应了玲奈的请求，之后更专门为她成立了一个“反侦探课”。在追查某起案件时玲奈对上了阴冷的知名侦探阿比留（中山裕介 饰），他似乎正是妹妹遇害一案的重要关系者。而被须磨分配到反侦探课的新社员峰森琴叶（川口春奈 饰）又与玲奈有着千丝万缕的关系…… 　　本片根据松冈圭佑的同名原作改编。

纱崎玲奈（北川景子饰）是在调查公司调查缺德侦探业者的“反侦探科”工作的调查员。玲奈最疼爱的妹妹遭跟踪狂杀害，为了找出给跟踪狂提供情报的缺德侦探…

Very few films, even today, deal with the Kwangju Masacre of 1980 where the military, acting under presidential orders, opened fire on the student demonstrations who were protesting at the coup of the rightfully elected president by General Chung. Thousands were killed and hundreds were arrested (including the winner of the Nobel Peace Prize, President Kim Dae-jung). This is a fictitious account of the events which serve as a sub-plot to a love story, but it was close enough so that it was not shown in most theaters until Chung's hand-picked successor was out of power in 1993.

A secret love affair between a southern Baptist preacher and a young drifter challenges the equilibrium of a growing church.

国家地理野外频道电影制片人贝蒂·格雷戈里带领观众去到标志性的南乔治亚岛探险。

制片人/编剧阿兰·萨德为戈达尔的《侦探》拍摄的预告片。

匈牙利男片

At the end of the 15th Century, Rome is ruled ruthlessly by power mad and sex hungry Cesare Borgia, the eldest son of Pope Alexander VI. Following the advice of his chief adviser Niccolo Macchiavelli, Cesare Borgia decides to attempt to unify the country in order to become even more powerful. To this end he needs his sister Lucrezia. Presently, the beautiful creature is married to the Count of Pesaro but she would be more useful if she was the wife of Alphonse of Aragon. Never mind, let the Count join his ancestors! And when the Duke of Aragon becomes useless, Cesare easily finds his replacement. Used as a pawn by her brother, Lucrezia eventually renounces happiness and becomes patron of the arts and the letters/ Written by Guy Bellinger

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.