Everything is collected into a shriveled wooden drawer Bamboo baskets piled on the concrete floor, swaying The grey soil flowing Filling up all the old boundaries The dried earth needs no expression All decisiveness and hesitation lie underneath the smooth surface.

本剧以昔日作为煤矿街繁荣一时的北海道三笠市为背景，演绎了一部温情喜剧，展现了现代社会里当地年轻人艰难求存、与城市一同成长的模样。优柔寡断且性格敏感的健太（高杉真宙 饰），曾在东京立志成为偶像，无奈梦想破灭后回到故乡三笠市。健太的高中学长（柄本时生 饰）退学后诸事不顺，却因某件事突然决定竞选“市长”。为达成这一目标，他肆意摆弄着健太，是个任性又极其吵闹的人。

本剧以曾经作为煤矿街而繁荣的北海道三笠市为舞台，讲述了在现代社会中生存艰难的当地年轻人，与城市共同成长的身姿的温情喜剧故事。 优柔寡断、性格敏感的健太（高杉真宙 饰），在东京立志成为偶像却梦想破灭，回到故乡三笠市。健太的高中学长（柄本时生 饰）退学后，做什么都不顺利，但是因为某件事，突然决定当“市长”，为了实现这个目的而摆弄着健太，是个任性的超吵闹男人。

Marta Pajek (digitally) created a complex, atmospheric universe – with minimalist means and yet rich in detail. References to contemporary history meet visions of an intuited, dystopian future. We are made aware of (our own) transience in subtle, but almost brutal ways. Ageing bodies, ageing ideas. In the end, the grande dame of Polish cinema, actor Anna Polony, sings: “… when will we ever learn?”

The sudden encounter between a man and a woman becomes a hypnotic act, a game of pleasure and discomfort. "III" is the attractive and at the same time repulsive portrait of a woman in her exhausting relationship with a man.

婚姻不如意的美丽少妇Ning，希望藉由工作暂且逃离令人窒息的一切日常，避开索然无味的家庭负担。她在一间傢俱店打工，偶然与司机同事为了送货一起踏上偏远山路，漫长的车程拉近了彼此的距离，爱情的火花在他俩之间含蓄地燃起。与此同时，Ning 的丈夫则是待在家裡，边看着配对交友的电视综艺节目，边思考身为丈夫在婚姻中理当负起的责任。没有结束，没有开端，只有永无穷尽的生活激情…

韩国MBC电视台试播节目《奇怪国家的儿媳们》近日被确定为了正式节目。本月3日结束试播的《奇怪国家的儿媳们》以韩国的儿媳们在各自的家庭所面临的问…

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. 　　As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. 　　This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. 　　EPISODE ONE: 　　The first episode will be about how the art of Renaissance Flanders evolved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. 　　EPISODE TWO: 　　In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. 　　EPISODE THREE: 　　Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. 　　As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. 　　This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. 　　EPISODE ONE: 　　The first episode will be about how the art of Renaissance Flanders evolved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. 　　EPISODE TWO: 　　In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. 　　EPISODE THREE: 　　Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.