1997年，17岁的克拉拉和艾琳一见如故。她们溜到西西里的一座小岛上，决心在这里度过自由自在的夏天，也逃避那个她们想要忘记的事实。 　　该片曾入围2024年柏林国际电影节新生代少年单元。

拥有褐色眼睛的普通学生伊京，酷似夏天阳光的高中足球选手秀伊。18岁的夏天，陷入意想不到的爱情的伊京和秀伊描绘着一起的未来，迎来了20岁。与上大学的伊京不同，秀伊直接进入社会，在陌生的幸福和小小的误会中，两人将面临新的季节。

1991年夏，春日恭介、鲇川圆、桧山光这个关系微妙的三人组终于尘埃落定，阿光远赴美国求学，恭介和阿圆的关系也正式确立。这天早晨，恭介接到一通奇怪的电话，电话那边焦急地提醒他要注意今天的汽车。恭介不以为意，如常一般上街，结果遭遇严重车祸。由于家族的特殊体质，恭介的灵魂被撞入一个时空隧道，继而落到了3年后的世界。在1994年的未来，恭介和阿圆结为夫妇，二人各自围了理想而努力。恭介远赴波西尼亚战场拍摄，却因3年前的恭介的到来被撞进时空隧道失踪。1991年的恭介遇到了久未谋面的阿光，也见到了更为成熟的阿圆，他该如何返回自己的世界呢？ 　　本片根据同名小说改编。

描述了一位女孩以第一视角回忆的青春期的过往，缅怀自己因为意外死去的敬爱的老师和已经逝去的时光。

《橙路》这部曾经风靡八十年代日本、台湾以及香港的青少年漫画，原作者松本泉，这是他的第一部成名作。他在完成这部作品之後就封笔了，所以这也是他的封笔之作。 《橙路》日本全名“きまぐれオレンジロード”（台湾称之为“古灵精怪”-多难念的名字。）。而又一个偶然中，他kiss了另一个女孩的嘴唇，而被这个女孩视为白马王子的出现，这个女孩即是--桧山光。故事也因此开始……

在内华达州炎热的夏天，一群处于青春期和成年期之间的二十多岁的年轻人，记录了他们一起反抗宵禁的时光，宵禁是由于他们所在的城镇发生了连环杀手的滥杀行为。

电影根据Ottessa Moshfegh的同名小说改编。故事发生在1964年马萨诸塞州的一个严冬。年轻的艾琳在监狱当秘书，当迷人的咨询师瑞贝卡成为她的新同事，她情不自禁地被对方深深吸引。在瑞贝卡透露了一个黑暗的秘密后，她们的感情发生了变化，将艾琳推上了一条罪恶的道路。

Sent by her employers on an errand to the home of the wealthy Mrs. Vincent, Irene O'Dare meets Don, a friend of Mrs. Vincent's son Bob. Attracted to Irene, Don decides to invest some money in Bob's latest venture, the "Madame Lucy" dress shop, in order to give Irene a job there as a model. She is very successful and Bob also becomes attracted to her. Smith, the manager, assigns Irene and other models to display gowns at Mrs. Vincent's charity ball, but Irene ruins the gown she was to wear, and appears instead in a quaint blue dress that had belonged to her mother--and it is a big hit. A guest, Princess Minetti, places her as the niece of Ireland's Lady O'Dare, and Irene does not deny the relationship. Smith decides to set her up in a Park Avenue suite as Lady O'Dare's niece so she can attend socially-important gatherings, wearing and displaying "Madame Lucy" gowns. A jealous model tells the truth to a newspaper columnist who writes an expose' that strains the relationship between Irene and Don, who had been away and was unaware of the scheme--and is the real owner behind the "Madame Lucy" front.

After his wife Marjan has died in a car crash, Philip de Wit becomes a total wreck. Only after months does he return to a more or less normal life and even then he only works in his wife's bookstore. A year later Eileen walks in the store, a girl from Northern Ireland with her baby in her arms. When Philip sees her, he's dumbfounded, for she's the spitting image of his dead wife. Obsessed with her, he goes and tries to find her again, but he soon finds out that he's not the only one who's looking for Eileen.

While enjoying a day at Athens’ queer beach, 30-something Demosthenes offers to help his bestie and aspiring filmmaker Nikitas in drafting an idea for his feature debut, inspired by the events surrounding a certain dog named Carmen. Two summers ago, Demosthenes was stuck in Athens dealing with health issues of his father. This serves as an excuse to reach out to his ex, Panos. Meanwhile, Panos got the overly cute Carmen, something he soon regretted. Likewise, Demosthenes seems to have regretted breaking up with Panos. Or did he not? Struggling to transform real events into a hero’s journey, the two friends question the no.1 rule of script writing theory – the hero that changes – while turning a page in their long lasting friendship. 　　源自：https://www.giornatedegliautori.com/en/program/to-kalokairi-tis-karmen-eng/