In an exploration of the past, present and future, Sue Perkins journeys to India for the first time to unravel the story of the country through the life of one of its most beguiling and exuberant cities, Kolkata. 　　Sue Perkins in Kolkata is a one-off 60 minute film for BBC One made by Indus Films which will see Sue immerse herself into the complex life of the city. In the programme, she sees first-hand how Kolkata has evolved from a place notorious for its fabled 'Black Hole' dungeon and the dreadful poverty of its street people to a place re-inventing itself as a vibrant new megacity, with a booming property sector and a reputation for eccentricity, culture and tolerance. 　　In this intricate human habitat, Sue will explore the lives of its people, from the 250,000 homeless street kids hustling for a living, to the wealthy young entrepreneurs who race their Ferraris and Lamborghinis down the streets of the New Town. She will join the rickshaw wallahs navigating the chaotic city streets and narrow lanes, thronged with people, and descend into Kolkatta's Victorian sewers as part of an epic clean up. And she'll limber up with the ladies of the Laughing Club and makes an offering to the Goddess in the sacred Kalighat Temple. 　　No other city tells the remarkable story of India more clearly than the beautiful, crazy, colourful city of Kolkata and through encounters with people from every strata of society, from the richest to the poorest, Sue will paint a picture of contemporary India, emerging from a brutal Colonial past to take its place among the most powerful nations on Earth.

Sue Perkins starts her journey in Tokyo, Japan's glittering capital city and home to 36 million people. She finds a nation caught between the demands of a hi-tech future and the pull of a traditional past, where people work long hours but struggle to find time for love and relationships. Birth rates are falling and the population is shrinking. What does the future hold for this resilient and innovative country? 　　Japan will host the next Olympic Games, but the country's most traditional sport is still stuck in the Dark Ages when it comes to equality. Sue trains with a female sumo wrestling team trying to bring change to this male-dominated sport. 　　After a night in a robot hotel, Sue visits a family who live with robots, helping out with household tasks like homework and bedtime stories. Sue falls in love with Aibo, the robot dog. 　　Outside Tokyo, in the shadow of Mount Fuji, Sue takes part in Hell Camp, Japan's toughest business school. Here she sees how Japan’s strict corporate culture has created some of the world's most successful companies, with its traditional values of hard work and discipline. 　　But this commitment to work comes at a cost. Back in the city Sue meets Rina, a beautiful twentysomething taking part in the latest craze: a solo-wedding. Young women, concerned that they will never marry, are paying to have all the trimmings of the special day - hair, make-up and a big dress - but with no husband. Professional photographs are uploaded to social media. 　　Kawaii, or cuteness, is big in Japan and Pop Idol is a cultural phenomenon - a huge industry of manufactured girl bands. Sue goes to a Pop Idol gig in downtown Tokyo and is surprised to find that the audience is made up of middle-aged men in suits. 　　Later, Sue leaves Tokyo in search of a different side of Japan. The landscape outside the city is a revelation - forests, mountains and islands. In the sacred Kii mountains of Wakayama Prefecture, she has a go at shinrin-yoku or forest bathing. The Japanese believe that spending quiet time among the trees is good for body and soul. 　　The Japanese are a nation of nature worshippers. Sue joins pilgrims at a Shinto festival celebrating the autumn leaves. At the base of a sacred waterfall, she meets a priest who tells her that Japanese culture is all about finding harmony with nature.

In this three-part series for BBC One, Sue will explore the lives of the people living close the river and the challenges facing India as it transforms into one the world's great economic powers. The Ganges is the story of modern India in one spectacular river. 　　Sue Perkins follows her journeys up the Mekong and through Kolkata with an epic travel series down the length of the Ganges, which is worshipped by Hindus as a living Goddess. Sue will travel from the sacred source of the river, high in the Himalayas, through the industrial and agricultural heartlands of the Gangetic Plain and the ancient city of Varanasi, to the vast delta on the Bay of Bengal. 　　She will join pilgrims seeking to wash clean the sins of alifetime at the Ganges' source; work alongside fishermen and farmers in the Sunderbarns, who share their forests with man-eating tigers; and join some of the thousands of young women leaving rural villages and moving to the cities to find work and freedom. 　　Sue says: 「I've travelled the length of the Ganges, from the oxygen-starved peaks of the Himalayas to the vast delta in West Bengal, meeting a huge array of characters on the way. Expect cows on bridges, India's Most Energetic Monk, and me, in a dress. I can't wait for you to see it.」

马勒1968年又对纪录片重新燃起兴趣，在赴印度参加法国电影展以后，带着便携式摄影机开赴印度，以即时纪录的方式，拍摄了《印度印象》系列片。影片站在一个外国人角度，以“直接电影”理念，向观众展示出摄影机前真实的印度。这一套影片在英国电视台和其他国家播放时，在全球引起广泛的兴趣，印度政府向电视台发出严重抗议，甚至采用外交手段驱逐BBC的印度员工。但无论如何，这一套影片已经是纪录电影史上的经典之作。此前，马勒还以同样手法剪辑了纪录片《加尔各答》。

为了直面中年危机，苏·帕金斯以“完全合法”的方式前往拉丁美洲国家体验生活，有时甚至不惜采取危险的方式

After the loss of her only daughter, Ela, a former actress, not only loses her identity as a mother but also the only reason to be with her husband. While trying to find a new identity for herself, she tries to reignite her relationship with an old lover who suddenly resurfaces in her life. Desperate to move out of her husband’s house and buy a place of her own, Ela confronts her step-brother to claim her half of the share in their ancestral property. But he refuses to comply as he lives with a deep-seated resentment for Ela’s mother. When even the banks refuse to give her a loan, Ela eventually succumbs to the lascivious overtures of her boss, who runs a real-estate business through a ponzi scheme. When the crimes of Ela’s boss are discovered, Ela loses her new-found identity, love and independence all at once.

A young man, eternally 20, walks through history, through poverty, squalor and death. Eternally 20 and killed so many times -- killed because he has been protesting and has remained an agent-provocateur. He comes and goes, between stories, each story having an independent set-up and new characters, but all stories harping on the eternal reality: Poverty and Degradation. While the physical look of poverty and hunger remains unchanged, it is the mind and attitude that keeps on changing. At the end, the young man of 20 appears on the screen again, just killed, and “incites” the spectators to react.

故事发生在孟加拉国独立战争之后，维克拉姆（兰维尔·辛格 Ranveer Singh 饰）和巴拉（阿琼·卡普尔 Arjun Kapoor 饰）是无依无靠的孤儿，从很小的时候起他们就懂得了，想要在这个残酷的世界里生存下去就只有依靠他们自己这个道理。 　　为了不至于饿死，两个孩子决定铤而走险，做起了贩卖军火的生意。一场意外的发生彻底改变了两人的命运，他们被迫前往加尔各答，两人靠着偷抢拐骗的生意最终站稳了脚跟，一晃眼十几年过去，他们已经成为了加尔各答势力最大的黑帮的头目了。一个名为南蒂塔（朴雅卡·乔普拉 Priyanka Chopra 饰）的女孩的出现打破了维克拉姆和巴拉之间坚不可摧的关系，他们同时坠入了爱河之中。

一个酗酒的作家整日构思着怎样杜撰一部发生在加尔各答黑夜，与某个女人邂逅的故事，但老也不能成形......