Told in three parts, Patrick Carpenter’s “The Irregularity of the tearing” is a three part cine-diary on intimacy, sensuality and desire. Part one, “God is a Dog” (2004) is shot on Super 8 and confronts the film makers remembrances of childhood memories and how they interact with his adult love encounters. Section two, “Les 9 mardis” (The 9 Tuesdays) (2005) deals with the absurdity of the passage of time. Time that reopens and closes past wounds, time the provides the courage to continue. 　　The final installment is the award winning “Combat” (2006). The tale of two young men both deeply in love who can only express their feelings through acts of physical violence committed upon each other. Full moons and lush forests frame this deeply felt and moving love story between two beautiful, youthful men. In its entirety, “Combat” leaves the viewer with a sense of wonder and awe while contemplating the true meaning of love. 　　--- 　　REVIEW 　　One of the most intriguing aspects of gay male sexuality--and the one explored here--is the absence and/or replacement of the iconic dominant-submissive relationship our culture has gotten so used to. Combat offers a couple of interesting observations on the subject: masochism is instilled early homosexual development (a sense of inferiority and fear is stamped on the lead character from age 14 when he is beaten up by a couple kids & told by his mother that he should have fought back), and that pain elevated to a form of sexual arousal simultaneously serves as a source of indulgence and penitence (while they have replaced genital arousal with bodily damage & seem to enjoy it, the younger character asserts at the end: "I feel good with you. I mean, not guilty." It's simultaneously a statement about love conquering a deep-seeded homosexual guilt complex and a confession that this violence, which his lover refers to as "punishment," is a soul-cleansing act.) 　　The movie is occasionally beautiful (their skin in the morning light makes them look like corpses, which is thematically compelling), occasionally gharish (the red storm clouds have got to go), and occasionally clichéd (the director's use of hand-held cameras to increase the "visceral" quality of its more violent scenes is something out of a freshman film class). 　　Nevertheless, these observations aside, I have a major complaint: since the movie has no interest in character and examines its particular breed of sexuality through people who are no more than "types," it is impossible to become emotionally involved. That is not usually something I care about, but the director clearly WANTS us to be emotionally involved: the agonizingly serious voice-over is WAY over the top. 　　-- Noelle Reilly

Told in three parts, Patrick Carpenter’s “The Irregularity of the tearing” is a three part cine-diary on intimacy, sensuality and desire. Part one, “God is a Dog” (2004) is shot on Super 8 and confronts the film makers remembrances of childhood memories and how they interact with his adult love encounters. Section two, “Les 9 mardis” (The 9 Tuesdays) (2005) deals with the absurdity of the passage of time. Time that reopens and closes past wounds, time the provides the courage to continue. 　　The final installment is the award winning “Combat” (2006). The tale of two young men both deeply in love who can only express their feelings through acts of physical violence committed upon each other. Full moons and lush forests frame this deeply felt and moving love story between two beautiful, youthful men. In its entirety, “Combat” leaves the viewer with a sense of wonder and awe while contemplating the true meaning of love. 　　--- 　　REVIEW 　　One of the most intriguing aspects of gay male sexuality--and the one explored here--is the absence and/or replacement of the iconic dominant-submissive relationship our culture has gotten so used to. Combat offers a couple of interesting observations on the subject: masochism is instilled early homosexual development (a sense of inferiority and fear is stamped on the lead character from age 14 when he is beaten up by a couple kids & told by his mother that he should have fought back), and that pain elevated to a form of sexual arousal simultaneously serves as a source of indulgence and penitence (while they have replaced genital arousal with bodily damage & seem to enjoy it, the younger character asserts at the end: "I feel good with you. I mean, not guilty." It's simultaneously a statement about love conquering a deep-seeded homosexual guilt complex and a confession that this violence, which his lover refers to as "punishment," is a soul-cleansing act.) 　　The movie is occasionally beautiful (their skin in the morning light makes them look like corpses, which is thematically compelling), occasionally gharish (the red storm clouds have got to go), and occasionally clichéd (the director's use of hand-held cameras to increase the "visceral" quality of its more violent scenes is something out of a freshman film class). 　　Nevertheless, these observations aside, I have a major complaint: since the movie has no interest in character and examines its particular breed of sexuality through people who are no more than "types," it is impossible to become emotionally involved. That is not usually something I care about, but the director clearly WANTS us to be emotionally involved: the agonizingly serious voice-over is WAY over the top. 　　-- Noelle Reilly

里奥（约翰·吉尔伯特 John Gilbert 饰）和乌尔里希（拉尔斯·汉森 Lars Hanson 饰）是从小玩到大的好友，两人之间的友谊十分的坚实。一次偶然中，里奥邂逅了名为费莉希蒂（葛丽泰·嘉宝 Greta Garbo 饰）的女人，虽然费莉希蒂已经结了婚，但是他们依然不可自持的坠入了情网之中。在一次偷情的过程中，费莉希蒂的丈夫意外归来撞破了奸情，在决斗中，里奥获胜了。之后，身败名裂的里奥被上司派往非洲执行任务，为期五年之久，临走前，里奥将费莉希蒂托付给乌尔里希照料。一晃眼多年过去，当里奥再度...

Doreen is about to marry the man of her dreams, Hank, a mild-mannered guy who is equally as excited about marrying Doreen. However, Doreen's older brother, a wild man named Travis who's been estranged from her for several years, shows up to make amends, but instead he accidentally curses her. Doreen is now possessed by the devil. In Las Vegas is a homeless man known as Johnny Priest, who is the last known person to perform an exorcism in America. It's up to Travis and Hank to put aside their differences and travel from Chicago to Las Vegas to get Doreen an exorcism before it's too late and her soul is lost forever.

分为几个部分：一位守护天使爱上了一位美丽的舞蹈家；一名警察必须监视一名被捕的异装癖者；一名牙科技师将自己的灵魂出卖给魔鬼，但对结果并不满意。

分为几个部分：一位守护天使爱上了一位美丽的舞蹈家；一名警察必须监视一名被捕的异装癖者；一名牙科技师将自己的灵魂出卖给魔鬼，但对结果并不满意。

该剧讲述了刘践带领刑警大队通过细致的调查和科学的技术分析，最终揭露了一个由前刑警领导的犯罪团伙，该团伙利用高智商犯罪手段，多次作案并试图逃避法律制裁。经过跨省合作和现代化侦破手段的运用，警方成功将犯罪分子一网打尽的故事。

该剧讲述了刘践带领刑警大队通过细致的调查和科学的技术分析，最终揭露了一个由前刑警领导的犯罪团伙，该团伙利用高智商犯罪手段，多次作案并试图逃避法律制裁。经过跨省合作和现代化侦破手段的运用，警方成功将犯罪分子一网打尽的故事。