本片中的一家罗马穷人纯粹是无恶不作的刁民，欺诈、通奸、谋杀、淫乱，什么都干。大家长失去了左眼，从政府那里获得一百万里拉的补偿，他的亲戚想给他下毒，而他自己则花天酒地，甚至把妓女带回家。他酗酒、吹牛，还拿着手枪威胁亲戚。那些亲戚们如同是歌剧里的合唱队，步调一致对付他。他那十多个孩子似乎都被困在这个贫民窟里，前途无望。 　　如果说意大利新现实主义电影将下层社会圣洁化，那么，本片则撕开了那层圣洁的外衣。影片非常搞笑，同时又令人沮丧，似乎贫穷就是一种罪恶。斯高拉凭本片获得戛纳影展最佳导演奖。

罗马的年轻人Atti的一次小聪明惹恼了皇帝Nero，因此被迫加入罗马军队。他被派去“可悲、冰冷、潮湿，当地人都令人作呕（就字面意思）的英国”。凯尔特女孩Orla迫切想证明自己是个战士，抓住了Atti。情况急转直下。在侥幸没有死得很惨之后。by:meijubar.net

一只丑陋的猫在一个破碎而破碎的世界中挣扎着共存，最终在一位神秘的酋长中寻找灵魂伴侣。灵感来自互联网故事'丑陋的猫'。

公元1874http://www.mtime.com/my/102874/　　作为颇有名气的电视节目《挑战清晨》的制片人，漂亮知性的艾比里（凯瑟琳·海格尔饰）一直是台里大家谈论的焦点，这不仅仅是因为她的节目有多么的受欢迎，更重要的是，已到而立之年的艾比里至今仍然单身一人，这不由得引起了台里大多数人的遐想，而对于艾比里自己而言，为什么单身她很清楚：因为她的择偶标准实在是高得惊人，而恰恰她又曾经碰上了符合自己所有标准的“完美先生”，但这位意中人最后却离开了她，于是现在的艾比里已经不再那么相信爱情，她把更多的心思放在了工作上面。　　对于婚姻与爱情的观点很快就引起了她的同事麦克（杰拉德·巴特勒饰）的兴趣。他认为艾比里现在对爱情的看法大有问题，因此他略施小计，激将艾比里参加自己制作的一档挑战节目，在这个节目里艾比里逐渐的发现了一些她过去认为“丑陋事实”的真相……

公元1874http://www.mtime.com/my/102874/　　作为颇有名气的电视节目《挑战清晨》的制片人，漂亮知性的艾比里（凯瑟琳·海格尔饰）一直是台里大家谈论的焦点，这不仅仅是因为她的节目有多么的受欢迎，更重要的是，已到而立之年的艾比里至今仍然单身一人，这不由得引起了台里大多数人的遐想，而对于艾比里自己而言，为什么单身她很清楚：因为她的择偶标准实在是高得惊人，而恰恰她又曾经碰上了符合自己所有标准的“完美先生”，但这位意中人最后却离开了她，于是现在的艾比里已经不再那么相信爱情，她把更多的心思放在了工作上面。　　对于婚姻与爱情的观点很快就引起了她的同事麦克（杰拉德·巴特勒饰）的兴趣。他认为艾比里现在对爱情的看法大有问题，因此他略施小计，激将艾比里参加自己制作的一档挑战节目，在这个节目里艾比里逐渐的发现了一些她过去认为“丑陋事实”的真相……

艾尔维拉（莉娅·迈伦 Lea Myren 饰）为了与她那美丽得令人发狂的继妹艾格尼斯（西娅·索菲·洛赫·内斯 Thea Sofie Loch Næss 饰）竞争，不惜一切代价。在这个童话王国里，美貌是一桩残酷的生意，她用鲜血、汗水和泪水努力吸引王子的目光。 　　该片是对经典童话《灰姑娘》的暗黑演绎。

艾尔维拉（莉娅·迈伦 Lea Myren 饰）为了与她那美丽得令人发狂的继妹艾格尼斯（西娅·索菲·洛赫·内斯 Thea Sofie Loch Næss 饰）竞争，不惜一切代价。在这个童话王国里，美貌是一桩残酷的生意，她用鲜血、汗水和泪水努力吸引王子的目光。 　　该片是对经典童话《灰姑娘》的暗黑演绎。

现代艺术中的美丽消失了吗？ 　　有的思想家这么认为，他们觉得现代艺术已经无法把握真正的美。然而艺术评论家Waldemar Januszczak却不同意。 　　Has beauty disappeared from modern art? Several influential modern thinkers insist that it has. And this belief has inspired them to publish a clutch of recent books which claim that modern art is no longer capable of capturing true beauty: that beauty has gone from art. Art critic Waldemar Januszczak fiercely disagrees, believing that great art is as interested in beauty as ever. Art's search for beauty has manifested itself in depictions of the idealised female form, glorious landscapes, lovely flower studies and perfectly arranged renaissance altar pieces - but where does this search continue today? We know so much about the atomical make-up of our universe that the search for beauty can seem old-fashioned or unscientific. And because so much horror and darkness have passed through modern times, the quest for 'beauty' can even be dismissed as escapist and irrelevant. 　　But of course, it isn't. Waldemar Januszczak would argue that the need for transcendent beauty in art is greater than it has ever been. And - most importantly - art knows this. Beauty is out there. You just have to know where to find it. However, beauty today can be electronic or scientific; subtle and elusive. It can be found in the LCD sculptures of Tatsuo Miyajima or the subtle light installations of James Turrell. Carl Andre discovers a stern modern beauty in squares of industrial materials dropped around a goods yard. The cancer paintings of Damien Hirst find a terrible modern beauty in the deformed human anatomy. These and other great searchers after beauty are the subject of this film. 　　The world today needs beauty more than it has ever needed it - and modern art is one of its few suppliers.

现代艺术中的美丽消失了吗？ 　　有的思想家这么认为，他们觉得现代艺术已经无法把握真正的美。然而艺术评论家Waldemar Januszczak却不同意。 　　Has beauty disappeared from modern art? Several influential modern thinkers insist that it has. And this belief has inspired them to publish a clutch of recent books which claim that modern art is no longer capable of capturing true beauty: that beauty has gone from art. Art critic Waldemar Januszczak fiercely disagrees, believing that great art is as interested in beauty as ever. Art's search for beauty has manifested itself in depictions of the idealised female form, glorious landscapes, lovely flower studies and perfectly arranged renaissance altar pieces - but where does this search continue today? We know so much about the atomical make-up of our universe that the search for beauty can seem old-fashioned or unscientific. And because so much horror and darkness have passed through modern times, the quest for 'beauty' can even be dismissed as escapist and irrelevant. 　　But of course, it isn't. Waldemar Januszczak would argue that the need for transcendent beauty in art is greater than it has ever been. And - most importantly - art knows this. Beauty is out there. You just have to know where to find it. However, beauty today can be electronic or scientific; subtle and elusive. It can be found in the LCD sculptures of Tatsuo Miyajima or the subtle light installations of James Turrell. Carl Andre discovers a stern modern beauty in squares of industrial materials dropped around a goods yard. The cancer paintings of Damien Hirst find a terrible modern beauty in the deformed human anatomy. These and other great searchers after beauty are the subject of this film. 　　The world today needs beauty more than it has ever needed it - and modern art is one of its few suppliers.

《丑陋的松糕》讲述的是学校暴力和孤立问题。老师朱熙（金晶和饰）通过班中出现的孤立事件，在自己学生时期作爲孤立事件的旁观者，在孤立事件中保持沉默，而受到疏远。于是反省自己并寻找以前的朋友道歉的内容。