艾尔维拉（莉娅·迈伦 Lea Myren 饰）为了与她那美丽得令人发狂的继妹艾格尼斯（西娅·索菲·洛赫·内斯 Thea Sofie Loch Næss 饰）竞争，不惜一切代价。在这个童话王国里，美貌是一桩残酷的生意，她用鲜血、汗水和泪水努力吸引王子的目光。 　　该片是对经典童话《灰姑娘》的暗黑演绎。

艾尔维拉（莉娅·迈伦 Lea Myren 饰）为了与她那美丽得令人发狂的继妹艾格尼斯（西娅·索菲·洛赫·内斯 Thea Sofie Loch Næss 饰）竞争，不惜一切代价。在这个童话王国里，美貌是一桩残酷的生意，她用鲜血、汗水和泪水努力吸引王子的目光。 　　该片是对经典童话《灰姑娘》的暗黑演绎。

现代艺术中的美丽消失了吗？ 　　有的思想家这么认为，他们觉得现代艺术已经无法把握真正的美。然而艺术评论家Waldemar Januszczak却不同意。 　　Has beauty disappeared from modern art? Several influential modern thinkers insist that it has. And this belief has inspired them to publish a clutch of recent books which claim that modern art is no longer capable of capturing true beauty: that beauty has gone from art. Art critic Waldemar Januszczak fiercely disagrees, believing that great art is as interested in beauty as ever. Art's search for beauty has manifested itself in depictions of the idealised female form, glorious landscapes, lovely flower studies and perfectly arranged renaissance altar pieces - but where does this search continue today? We know so much about the atomical make-up of our universe that the search for beauty can seem old-fashioned or unscientific. And because so much horror and darkness have passed through modern times, the quest for 'beauty' can even be dismissed as escapist and irrelevant. 　　But of course, it isn't. Waldemar Januszczak would argue that the need for transcendent beauty in art is greater than it has ever been. And - most importantly - art knows this. Beauty is out there. You just have to know where to find it. However, beauty today can be electronic or scientific; subtle and elusive. It can be found in the LCD sculptures of Tatsuo Miyajima or the subtle light installations of James Turrell. Carl Andre discovers a stern modern beauty in squares of industrial materials dropped around a goods yard. The cancer paintings of Damien Hirst find a terrible modern beauty in the deformed human anatomy. These and other great searchers after beauty are the subject of this film. 　　The world today needs beauty more than it has ever needed it - and modern art is one of its few suppliers.

现代艺术中的美丽消失了吗？ 　　有的思想家这么认为，他们觉得现代艺术已经无法把握真正的美。然而艺术评论家Waldemar Januszczak却不同意。 　　Has beauty disappeared from modern art? Several influential modern thinkers insist that it has. And this belief has inspired them to publish a clutch of recent books which claim that modern art is no longer capable of capturing true beauty: that beauty has gone from art. Art critic Waldemar Januszczak fiercely disagrees, believing that great art is as interested in beauty as ever. Art's search for beauty has manifested itself in depictions of the idealised female form, glorious landscapes, lovely flower studies and perfectly arranged renaissance altar pieces - but where does this search continue today? We know so much about the atomical make-up of our universe that the search for beauty can seem old-fashioned or unscientific. And because so much horror and darkness have passed through modern times, the quest for 'beauty' can even be dismissed as escapist and irrelevant. 　　But of course, it isn't. Waldemar Januszczak would argue that the need for transcendent beauty in art is greater than it has ever been. And - most importantly - art knows this. Beauty is out there. You just have to know where to find it. However, beauty today can be electronic or scientific; subtle and elusive. It can be found in the LCD sculptures of Tatsuo Miyajima or the subtle light installations of James Turrell. Carl Andre discovers a stern modern beauty in squares of industrial materials dropped around a goods yard. The cancer paintings of Damien Hirst find a terrible modern beauty in the deformed human anatomy. These and other great searchers after beauty are the subject of this film. 　　The world today needs beauty more than it has ever needed it - and modern art is one of its few suppliers.

《丑陋的松糕》讲述的是学校暴力和孤立问题。老师朱熙（金晶和饰）通过班中出现的孤立事件，在自己学生时期作爲孤立事件的旁观者，在孤立事件中保持沉默，而受到疏远。于是反省自己并寻找以前的朋友道歉的内容。

《丑陋的松糕》讲述的是学校暴力和孤立问题。老师朱熙（金晶和饰）通过班中出现的孤立事件，在自己学生时期作爲孤立事件的旁观者，在孤立事件中保持沉默，而受到疏远。于是反省自己并寻找以前的朋友道歉的内容。

一只丑陋的猫在一个破碎而破碎的世界中挣扎着共存，最终在一位神秘的酋长中寻找灵魂伴侣。灵感来自互联网故事'丑陋的猫'。

让·考克多1948年作品。这部心理悲喜剧是一部室内剧，只有两个场景，没有外景，镜头非常静态，用大量特写来反映人物的内心世界以及家庭中各种复杂关系的微妙之处影片描写儿子的恋母情结以及父子之间的相互嫉妒。很多人推举此片为考克多最优秀的作品。。最值得称道的是空间封闭压抑感的营造以及女主角炉火纯青的表演。1953年英国重拍成《亲密关系》（Intimate Relations）。

让·考克多1948年作品。这部心理悲喜剧是一部室内剧，只有两个场景，没有外景，镜头非常静态，用大量特写来反映人物的内心世界以及家庭中各种复杂关系的微妙之处影片描写儿子的恋母情结以及父子之间的相互嫉妒。很多人推举此片为考克多最优秀的作品。。最值得称道的是空间封闭压抑感的营造以及女主角炉火纯青的表演。1953年英国重拍成《亲密关系》（Intimate Relations）。