一只丑陋的猫在一个破碎而破碎的世界中挣扎着共存，最终在一位神秘的酋长中寻找灵魂伴侣。灵感来自互联网故事'丑陋的猫'。

艾尔维拉（莉娅·迈伦 Lea Myren 饰）为了与她那美丽得令人发狂的继妹艾格尼斯（西娅·索菲·洛赫·内斯 Thea Sofie Loch Næss 饰）竞争，不惜一切代价。在这个童话王国里，美貌是一桩残酷的生意，她用鲜血、汗水和泪水努力吸引王子的目光。 　　该片是对经典童话《灰姑娘》的暗黑演绎。

艾尔维拉（莉娅·迈伦 Lea Myren 饰）为了与她那美丽得令人发狂的继妹艾格尼斯（西娅·索菲·洛赫·内斯 Thea Sofie Loch Næss 饰）竞争，不惜一切代价。在这个童话王国里，美貌是一桩残酷的生意，她用鲜血、汗水和泪水努力吸引王子的目光。 　　该片是对经典童话《灰姑娘》的暗黑演绎。

现代艺术中的美丽消失了吗？ 　　有的思想家这么认为，他们觉得现代艺术已经无法把握真正的美。然而艺术评论家Waldemar Januszczak却不同意。 　　Has beauty disappeared from modern art? Several influential modern thinkers insist that it has. And this belief has inspired them to publish a clutch of recent books which claim that modern art is no longer capable of capturing true beauty: that beauty has gone from art. Art critic Waldemar Januszczak fiercely disagrees, believing that great art is as interested in beauty as ever. Art's search for beauty has manifested itself in depictions of the idealised female form, glorious landscapes, lovely flower studies and perfectly arranged renaissance altar pieces - but where does this search continue today? We know so much about the atomical make-up of our universe that the search for beauty can seem old-fashioned or unscientific. And because so much horror and darkness have passed through modern times, the quest for 'beauty' can even be dismissed as escapist and irrelevant. 　　But of course, it isn't. Waldemar Januszczak would argue that the need for transcendent beauty in art is greater than it has ever been. And - most importantly - art knows this. Beauty is out there. You just have to know where to find it. However, beauty today can be electronic or scientific; subtle and elusive. It can be found in the LCD sculptures of Tatsuo Miyajima or the subtle light installations of James Turrell. Carl Andre discovers a stern modern beauty in squares of industrial materials dropped around a goods yard. The cancer paintings of Damien Hirst find a terrible modern beauty in the deformed human anatomy. These and other great searchers after beauty are the subject of this film. 　　The world today needs beauty more than it has ever needed it - and modern art is one of its few suppliers.

现代艺术中的美丽消失了吗？ 　　有的思想家这么认为，他们觉得现代艺术已经无法把握真正的美。然而艺术评论家Waldemar Januszczak却不同意。 　　Has beauty disappeared from modern art? Several influential modern thinkers insist that it has. And this belief has inspired them to publish a clutch of recent books which claim that modern art is no longer capable of capturing true beauty: that beauty has gone from art. Art critic Waldemar Januszczak fiercely disagrees, believing that great art is as interested in beauty as ever. Art's search for beauty has manifested itself in depictions of the idealised female form, glorious landscapes, lovely flower studies and perfectly arranged renaissance altar pieces - but where does this search continue today? We know so much about the atomical make-up of our universe that the search for beauty can seem old-fashioned or unscientific. And because so much horror and darkness have passed through modern times, the quest for 'beauty' can even be dismissed as escapist and irrelevant. 　　But of course, it isn't. Waldemar Januszczak would argue that the need for transcendent beauty in art is greater than it has ever been. And - most importantly - art knows this. Beauty is out there. You just have to know where to find it. However, beauty today can be electronic or scientific; subtle and elusive. It can be found in the LCD sculptures of Tatsuo Miyajima or the subtle light installations of James Turrell. Carl Andre discovers a stern modern beauty in squares of industrial materials dropped around a goods yard. The cancer paintings of Damien Hirst find a terrible modern beauty in the deformed human anatomy. These and other great searchers after beauty are the subject of this film. 　　The world today needs beauty more than it has ever needed it - and modern art is one of its few suppliers.

《丑陋的松糕》讲述的是学校暴力和孤立问题。老师朱熙（金晶和饰）通过班中出现的孤立事件，在自己学生时期作爲孤立事件的旁观者，在孤立事件中保持沉默，而受到疏远。于是反省自己并寻找以前的朋友道歉的内容。

美泰合作开发高速公路遭共产党挑拔停工，并因沙卡人死亡而导致泰国境内暴动。美改派麦奎（马龙．白兰度饰）出使泰国，麦与当地革命英雄狄扬（冈田英次饰）为多年好友，狄扬主张沙卡由沙卡人自己作主，并反对首相昆西之独裁而广得人心。麦奎不满狄扬反美并误以为狄是共产党的一派，而苏俄、中共与北沙卡却极力拉拢无条件支持狄扬。昆西向麦奎告白，狄扬其实并非共党，只是受共党利用将遭刺杀，并愿与狄扬合作促成民主，但是狄扬还是遭到不幸，临终前令手下与昆西合作共求民主。本片在越南情势动荡时推出，颇见其现实意义，在表现人物心理活动上的描写十分细致，主题曲也颇能震动人心。

作为颇有名气的电视节目《挑战清晨》的制片人，漂亮知性的艾比里（凯瑟琳·海格尔 饰）一直是台里大家谈论的焦点，这不仅仅是因为她的节目有多么的受欢迎，更重要的是，已到而立之年的艾比里至今仍然单身一人，这不由得引起了台里大多数人的遐想，而对于艾比里自己而言，为什么单身她很清楚：因为她的择偶标准实在是高得惊人，而恰恰她又曾经碰上了符合自己所有标准的“完美先生”，但这位意中人最后却离开了她，于是现在的艾比里已经不再那么相信爱情，她把更多的心思放在了工作上面。　　对于婚姻与爱情的观点很快就引起了她的同事麦克（杰拉德·巴特勒 饰）的兴趣。他认为艾比里现在对爱情的看法大有问题，因此他略施小计，激将艾比里参加自己制作的一档挑战节目，在这个节目里艾比里逐渐的发现了一些她过去认为“丑陋事实”的真相……

让·考克多1948年作品。这部心理悲喜剧是一部室内剧，只有两个场景，没有外景，镜头非常静态，用大量特写来反映人物的内心世界以及家庭中各种复杂关系的微妙之处影片描写儿子的恋母情结以及父子之间的相互嫉妒。很多人推举此片为考克多最优秀的作品。。最值得称道的是空间封闭压抑感的营造以及女主角炉火纯青的表演。1953年英国重拍成《亲密关系》（Intimate Relations）。

让·考克多1948年作品。这部心理悲喜剧是一部室内剧，只有两个场景，没有外景，镜头非常静态，用大量特写来反映人物的内心世界以及家庭中各种复杂关系的微妙之处影片描写儿子的恋母情结以及父子之间的相互嫉妒。很多人推举此片为考克多最优秀的作品。。最值得称道的是空间封闭压抑感的营造以及女主角炉火纯青的表演。1953年英国重拍成《亲密关系》（Intimate Relations）。