家境普通的颜茸茸长期受母亲苛责，生活压抑。一次醉酒后遭小混混纠缠，幸得司伯珩相救，两人意外发生交集。不久后颜茸茸发现怀孕，既无力抚养，又不敢告知父母，便想偷偷打掉孩子。走投无路时，她找到司伯珩请求其陪同签字，承诺术后不再打扰。司伯珩得知自己是孩子父亲后，坚决反对堕胎，提出承担监护责任，让颜茸茸搬来同住。

本片讲述一位生活在重压之下的心理医生秦鹿，通过在潜意识构建安全的角色进行自我保护，从而找寻导致自己自杀的关键记忆，最终通过关键记忆的引导，克服内心生出的愧疚，勇敢面对自己曾经犯下的错误，坦然接受自己不完美，最终获得新生的故事。

龙族公主墨棠为修复兄长玄溟的内丹，踏遍四海寻访灵药，不惜以剜龙角、剖龙胆、抽龙筋等血肉代价，换得九十八种世间至宝，堪堪只差最后一样便能凑齐。她抚着心口逆鳞准备作最后交换，却意外撞破兄长的惊天谎言 —— 他从未身受重伤，这场千年苦肉计，不过是为了逼她心甘情愿寻药，将所有天材地宝尽数赠予捡来的养妹青璃。青璃恃宠而骄，对墨棠以命换来的宝物弃如敝履，而遍体鳞伤、衣衫褴褛的墨棠，反倒成了兄长眼中压过青璃的 “碍眼存在”。亲眼见兄长为博青璃欢心闯饕餮禁地，又因青璃的栽赃将自己押上天罚台受天雷之刑，墨棠千年的执念与手足深情，终在兄长的极致偏心与凉薄中，碎得千疮百孔。

传闻残暴的九千岁看中沈家千金，指名要娶，沈家二小姐沈梦惧祸，哭求姐姐沈棠替自己换嫁。沈棠本早被沈梦陷害、遭父亲从族谱除名，未婚夫陆沉也与父亲、继母一同逼迫她，直言她本就低贱，替受宠的沈梦牺牲是理所当然。心灰意冷的沈棠假意应允，却要求沈梦为当年污蔑生母、致其被鞭打至死偿罪，让她双手被划满 38 道口子。此后陆沉为讨沈梦欢心，强抢沈棠的祖传护手膏，甚至弄伤她。沈棠被九千岁的人接走，被迫踏入深不可测的宫门，她的未来，似乎只剩无尽的黑暗

本片讲述一位生活在重压之下的心理医生秦鹿，通过在潜意识构建安全的角色进行自我保护，从而找寻导致自己自杀的关键记忆，最终通过关键记忆的引导，克服内心生出的愧疚，勇敢面对自己曾经犯下的错误，坦然接受自己不完美，最终获得新生的故事。

大魏太子选妃大典上，庶女沈梨本是太子萧珩的青梅竹马，满心期待能被选中，却不料萧珩当众牵起表妹林霜的手，一句夸赞让跪在泥地的她沦为京都笑柄。更残酷的是，落选的沈梨被赐婚北蛮七旬可汗，即将踏上远嫁和亲的路途。 她曾数次找到萧珩，盼着他兑现划去她名字的承诺，可萧珩总因林霜的 “体弱” 对她百般敷衍，甚至连一句靠谱的承诺都不愿给出，其安排的出逃计划更是全然不顾沈家满门安危。一次次的期待，换来的却是一次次的失望与寒心，就连萧珩迟来的拦路挽留，也早已挽不回她死透的心。最终，沈梨毅然登上和亲的马车，告别了这座让她遍体鳞伤的京都，而前路漫漫的北蛮之行，也终将让这个柔弱的侯府庶女，迎来一场全新的蜕变。

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.