为世上最备受喜爱的主题乐园欢庆。

影片讲述了一个典型的罗马尼亚家庭从乡下到城里去领取他们中的大奖。在途中通过高度喜剧化的方式展现了罗马尼亚正经历的经济和社会方面的巨变。然而，这一家人的团结也因为这场原本是一件天大的喜事而遭到严重破坏，再也开心不起来。原来是18岁的女儿赢得了一辆价格不菲的汽车，结果竟然演变成了一场商业广告。 　　一罐果汁，三个标签，让她击败了不计其数的消费者，成为崭新房车的主人，但她的噩梦却才刚开始...。 　　得奖容易吗？资本主义社会里中产阶级的梦魇，凝结在一个幸运抽中大奖的年轻女孩身上。喝完果汁，寄出三个标签，她击败了不计其数寄出千枚标签的消费者，成为崭新房车的主人。最困难的，她轻松度过了，却没想到噩梦却才刚开始。 　　《世界上最快乐的女孩》叙述一个抽中大奖的女孩德莉亚，千里迢迢随着父母到市中心，配合厂商拍摄促销广告。在广告中，她必须现出幸运到不可思议的快乐笑容，念出一连串拗口饶舌的台词，心旷神怡地喝下大半令她获奖的果汁；在广告外，她却必须应付下至拍摄工作人员、上至活动赞助商的各种难缠要求，最令她窒息的却还不是这些陌生人，而是伴她前来的父母，正软硬兼施要她把还没拿到手的新车即刻脱手转卖，好应付家里那些没完没了的账单，就当作报答父母的养育之恩。拍摄过程的消耗、同学质疑她得奖的真实性、诱人的新车、咄咄逼人的父母，德莉亚开始感到身心俱疲......。 　　宛如《受影响的女人》中，吉娜罗兰所饰演的家庭主妇角色，因生活中高低小事而逐渐削减旺盛的意志，在疯狂的群体中无法自保，《世界上最快乐的女孩》中的德莉亚从得奖那一刻开始，就踏上了始料未及的麻烦路程，慢慢分毫地削弱她对得奖的快乐，直到她再也笑不出来为止。而这些打击她的重手，却是奖励她喝果汁的厂商，以及理应与她一同分享的父母。神采飞扬的广告背后，隐藏的是多少以理智包藏的利欲野心，以及为资本主义奴役的现代奴仆。 　　故事背景仅在一个白天进行，无过多冗长说教的台词、无刻意雕琢的对比凸露，镜头默默检视这个广告的拍摄过程，寓意即自然流露，讽刺感强烈精确。近乎舞台剧式的封闭格局，似乎成为新锐导演们严谨叙事的不错选择，低成本的限制反而让要诉说的概念更加火力集中。看完《世界上最快乐的女孩》，或许可以想想自己会不会早已无形成为资本主义社会中「最快乐的人」，却连一台车、一个小奖也没抽中过。导演Radu Jude生于1977年，在拍过一系列短片之后，这是他的第一部长片。

在非洲 东非大裂谷的北端，有一块地球上独一无二的地方：那就是埃塞俄比(Ethiopia)的达纳基尔(Danakil)沙漠。或许那里是已知的最不适宜人类居住的地方了，火山和地震的轮番袭击，喷出火山岩浆和有害气体，持续撕裂着地表。这是被证实承认的地球上最热的地方，任何人都能在这居住的想法有够荒唐？！但是还真有人在这生活着，已经居住了千年。一个传说中的勇猛游牧部落 叫做阿法尔(Afar)的部落！一支科学家团队进行这段难以置信的旅程，希望能够发现人在这种极端环境下的生存之道，他们的生活，甚至是他们的生理，是如何被周围的环境塑造的？我们想探索这块神奇土地的地表之下是什么？想要解开她的秘密。

纳特伯恩学院是一所老牌的全是男生的寄宿学校，由于战时的种种限制，学校被告知另一所学校将与之合住。令人震惊的是，这是一所女子学校。两位校长很快就开始互相竞争，争夺魔法部的上风。但是一两次危机迫使他们合作。

节目以沈月、王敬轩、吴宇恒、周彦辰为核心的原生好友圈为主，通过让嘉宾自行策划并制作自己的节目为切口，共同寻找当代年轻人“快乐生活”的秘诀，鼓励更多年轻人一起做快乐的大人。

Anand (Rajesh Khanna饰)，一个癌症末期的病人，却活得问心无愧，不像其他抑郁和绝望病人，他享受着余下生命的每一刻。他的医生Bhaskar (Amitabh Bachchan饰)，被人们亲热地称呼为Moshai先生，他的精神拥有着令人惊讶的力量，以自己的方式让周围的人了解生命的意义。可是，Bhaskar却对Anand的病无能为力… 　　《Anand》成功塑造了一个勇敢面对死亡的人，这是一部令人感动的电影。该片在1972年的 Filmfare Awards颁奖典礼上获得六个奖项，包括最佳男主角（Rajesh Khanna）、最佳男配角（Amitabh Bachchan）、最佳对白（Sampooran Singh Gulzar）、最佳编剧（Hrishikesh Mukherjee）、最佳影片（Hrishikesh Mukherjee，N.C. Sippy）、最佳剧情（Hrishikesh Mukherjee）。

艾玛是魁北克古典音乐界最闪亮的明星之一。她的父亲以她为荣，但认为对她的严格管束是他最大的责任，而艾玛觉得自己可以挣脱束缚。当另一位带着孩子的杰出音乐家娜埃勒闯入艾玛的生活，她感觉自己完全活了过来......并准备好与那个不愿放手的男人一较高下。

艾玛是魁北克古典音乐界最闪亮的明星之一。她的父亲以她为荣，但认为对她的严格管束是他最大的责任，而艾玛觉得自己可以挣脱束缚。当另一位带着孩子的杰出音乐家娜埃勒闯入艾玛的生活，她感觉自己完全活了过来......并准备好与那个不愿放手的男人一较高下。

A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course. 　　The film is set aboard a yacht for the majority of its duration, and this makes for a great setting for the movie to take place in. The isolated setting means that Deodato can keep the focus on the characters, which is definitely a good thing for the film. As is the case with a lot of trashy Italian films, some of the characters actions are a bit fishy and the dialogue is largely inane - but these sorts of things don't bother me too much, and Waves of Lust is lots of fun to watch. There are plenty of sex scenes, and while the film features very little blood, it's not important as it's clear where the focus is meant to be. The film doesn't feature any particularly well known performers, although the four central actors would all go on to star in better known Italian films. John Steiner is the biggest standout in acting terms and delivers a good performance alongside eye candy Elizabeth Turner and Silvia Dionisio. Al Cliver (from Zombie Flesh-Eaters) rounds off the central foursome. Overall, Waves of Lust is definitely worth seeing. The atmosphere and tension are good and it all boils down to a satisfying conclusion.

A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course. 　　The film is set aboard a yacht for the majority of its duration, and this makes for a great setting for the movie to take place in. The isolated setting means that Deodato can keep the focus on the characters, which is definitely a good thing for the film. As is the case with a lot of trashy Italian films, some of the characters actions are a bit fishy and the dialogue is largely inane - but these sorts of things don't bother me too much, and Waves of Lust is lots of fun to watch. There are plenty of sex scenes, and while the film features very little blood, it's not important as it's clear where the focus is meant to be. The film doesn't feature any particularly well known performers, although the four central actors would all go on to star in better known Italian films. John Steiner is the biggest standout in acting terms and delivers a good performance alongside eye candy Elizabeth Turner and Silvia Dionisio. Al Cliver (from Zombie Flesh-Eaters) rounds off the central foursome. Overall, Waves of Lust is definitely worth seeing. The atmosphere and tension are good and it all boils down to a satisfying conclusion.