2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第九名。

牧师受邪恶势力控制，被迫做出令人讨厌的行为。

庆澈和泰勇，两个国王帮的领导人，庆祝张老板的生日，和仁成攻击。张死后，庆哲和泰勇勉强逃脱，他们分别躲在天使教堂和一座名为隐寺的寺庙里，躲避仁成的追捕。庆澈逃到天使教堂，那里被一个欺诈的牧师破坏了，他被尊为新牧师，泰勇与首席僧侣和黄江僧侣住在一起，赶走了躲在一个名为隐寺的寺庙里的各种罪犯。仁成利用庆哲和泰勇失踪的机会从事私人贷款和人口贩运，与此同时，侦探Cha Do pil的家人死于仁成。作为回应，愤怒的侦探Cha Do pil拜访了庆州和泰勇，并提议建立一个临时联盟来抓捕黄仁成。现在，牧师、僧侣和萨满警察之间的一场有趣的联合行动开始了。

Another well-recognized work of the chief director in Mosfilm Karen Shahnazarov. As usual Karen gives very absurd and bright story-line that shows ordinary problems in a very special ironic way. This is not a horror film it looks more like comedy, but it touches upon horrific ideas that come to mind in state of jealousy. The main character is a young actor, whose fat wife a music teacher betrays him with a neighbour who works at meat-plant. The main character is very shy and noble person he acts really awesome. While his wife pushes him away he goes to a club and meets a stranger-pensioner who turns out to be caring a lot of poison with him all the time. He reads main character's mind immediately and tells him how he poisoned his wife-betrayer in the past. The pensioner persuades his new young friend to revenge by means of poisons and the actor agrees. The film gives brief description of poisoning in the history of human race. The youngman becomes a member of poison-club, where people from the past, who poisoned somebody gather together to have a big poison party. While the young actor plans his revenge his wife and her lover also make a plan to poison him and his new love . This becomes big absurd after all. This unusual and rather expensive film includes a lot of costumes and great dialogues. The film even has some gore. While the director describes some historical moments of Italian Cesare he shows how great emperor cured himself after being poisoned. A huge bull without entrails serve Cesare as a blood bath.

Another well-recognized work of the chief director in Mosfilm Karen Shahnazarov. As usual Karen gives very absurd and bright story-line that shows ordinary problems in a very special ironic way. This is not a horror film it looks more like comedy, but it touches upon horrific ideas that come to mind in state of jealousy. The main character is a young actor, whose fat wife a music teacher betrays him with a neighbour who works at meat-plant. The main character is very shy and noble person he acts really awesome. While his wife pushes him away he goes to a club and meets a stranger-pensioner who turns out to be caring a lot of poison with him all the time. He reads main character's mind immediately and tells him how he poisoned his wife-betrayer in the past. The pensioner persuades his new young friend to revenge by means of poisons and the actor agrees. The film gives brief description of poisoning in the history of human race. The youngman becomes a member of poison-club, where people from the past, who poisoned somebody gather together to have a big poison party. While the young actor plans his revenge his wife and her lover also make a plan to poison him and his new love . This becomes big absurd after all. This unusual and rather expensive film includes a lot of costumes and great dialogues. The film even has some gore. While the director describes some historical moments of Italian Cesare he shows how great emperor cured himself after being poisoned. A huge bull without entrails serve Cesare as a blood bath.

“信仰，是一种不需要思考的美德” 　　美国电影明星兼脱口秀主持人比尔•马赫（Bill Maher）携摄制组走访了天主教、基督教、摩门教、科学教派、拜大麻教、犹太、穆斯林等不同信仰宗教的圣地和代表人物，援引被采访宗教的教义和掌故对受访者进行“责难”与“攻击”，通过一场场机智狡黠的交锋，隐藏在宗教外衣后面的私欲和荒谬被慢慢揭露出来。影片借比尔之口阐述了当下各种宗教所存在的荒诞和误区，以及由此引发的难以挽回的恶果…… 　　本片荣获2008年电影预告片金像奖最佳纪录片海报。

人間に人間を裁き、殺す権利はあるのか。世界の死刑の変遷と、実際のドキュメントフィルムを収録・解説する。電気椅子、銃殺刑、絞首刑、毒ガス刑、撲殺刑、凌遅処刑、股裂き刑、鉄の処女、ギロチン、轢刑、斬刑…。中でも衝撃的なものは、元刑務所員から入手した、南米某国の軍事処刑である。また、日本の刑務所の囚人生活の実態、死を目前にした死刑囚の姿、死刑囚の親、その被害者の家族、絞首台といった映像も収められている。

“如果21天就能改变个人习惯成为全新的人，那21天能否改变喜好取向呢？”

“如果21天就能改变个人习惯成为全新的人，那21天能否改变喜好取向呢？”

在1563年特伦托会议（Council of Trent）的最后一次会议上，梵蒂冈神学家们坚决支持使用神圣图像和圣像，以对抗宗教改革对偶像崇拜的指控，这导致欧洲对美术的投资激增，包括首次囊括了女性艺术家。索福尼斯巴·安圭索拉（Sofonisba Anguissola）是第一位职业女性宫廷画家，她创作了大量描绘欧洲最杰出的贵族和政要的作品。但在她的整个职业生涯中，她一次又一次地回到最让她着迷的主题：她自己。《反宗教改革》是一部非传统的论文式纪录片，它厘清了政治、宗教、历史和自画像的线索，引导电影人审视她个人的当代电影实践。《反宗教改革》是对信仰和动态影像的一次深刻的个人化中介，试图将实验电影置于神学和宗教领域；这是一次尚未得到充分探索但亟待取得成果的和解。