末日毫无征兆地撕开了平静，闷在屋里的林秋早没了安稳劲儿，橱柜里的速食面只剩个空包装袋...

2020 年疫情爆发，四年间病毒变异，国内控制良好，国外恶化。疫情后，杰西卡一家回农村，父母开店、加固房屋安保。 身为外贸从业者的杰西卡，收外国朋友邮件得知病毒变丧尸病毒，国外混乱。她速告家人，清点物资后分工采购药品、发电设备和滤水仪，此时市区、村里陆续封城。 凌晨市区病毒爆发，感染扩散，家人轮流值守。杰西卡见可疑男子标记房屋，后牛撞后门、丧尸出现，隔壁遇难，村南边、北面先后失守，天台监控也遭破坏。 他们借网络知政府建幸存者营地，备好收音机。一月后丧尸进化，半年后物资将尽，他们用对讲机、红旗求救，终被直升机救往基地，凭特长分工助力人类重建。

在洛杉矶遭受到了奇怪而具有"毁灭性效果"的打击之后，六个好朋友被困在了一栋房子里面。外面的世界天昏地暗，里面的世界一样昏天黑地。每个人都在想着要如何出去。可是他们一旦有着冲出房子的计划，他们就越会被困得越深。　　在这场活动中，每个人都要面对着自己的命运--这种命运指的是，在必要的时候，放弃和朋友的友谊。

在洛杉矶遭受到了奇怪而具有"毁灭性效果"的打击之后，六个好朋友被困在了一栋房子里面。外面的世界天昏地暗，里面的世界一样昏天黑地。每个人都在想着要如何出去。可是他们一旦有着冲出房子的计划，他们就越会被困得越深。　　在这场活动中，每个人都要面对着自己的命运--这种命运指的是，在必要的时候，放弃和朋友的友谊。

带着前世修仙记忆重生，未料今世世界突遭末日高温，大地干裂、热浪灼人。凭借修仙者的远见与行动力，他早早就囤积海量物资，搭建凉爽安全的居所。当他人在高温中挣扎求生、为物资争抢时，他却在舒适居所里安然度日，更能以微弱灵力应对高温危机。前世修仙底蕴加持，让他在这末日里，自始至终都处于高人一等的从容境地。

影片基于格雷自己的童年记忆创作，讲述了在上世纪80年代美国正要选举罗纳德·里根为总统的背景下，一个关于友谊与忠诚的故事。格雷当时在纽约皇后区邱森…

影片基于格雷自己的童年记忆创作，讲述了在上世纪80年代美国正要选举罗纳德·里根为总统的背景下，一个关于友谊与忠诚的故事。格雷当时在纽约皇后区邱森林学校学习和成长，而唐纳德·特朗普是该校校友，特朗普的父亲弗雷德·特朗普是这所私立学校的董事会成员。

A comet, passing by the earth, causes rioting, social unrest, and major disasters that destroy the world in this World War I-era film. This Danish feature about a comet that destroys northwest Europe, leaving only a single man and a woman who meet in a church, is beautifully photographed, with many lovely shots and a fluid camera. Of course, the capitalists try to make extra money out of the panic, and of course the lower classes -- as exemplified by the common folks in a mining town -- break into the home of the wealthy capitalist the evening the comet hits in order to gain vengeance, interrupting a ballet in the process. All this is standard stuff for the better sf of the era: Wells, Verne and so forth. 　　A mine foreman has two daughters, the fair Edith and the dark Dina. Edith falls in love with the ship's mate Reymers, while Dina runs away with the unscrupulous capitalist Stoll. When the rumor spreads that a comet is on a collision course with Earth, Stoll exploits the situation to make a killing on the stock market. On the eve of the comet's impact, Stoll gathers his friends for a great orgy, but enraged workers storm his grand villa, egged on by Dina's jilted ex-fiance. He, Stoll and Dina all perish. Fire rains down from the sky, and the seas flood the land. The Earth is laid waste. Only two survive: Edith and Reymers, and the film ends with their miraculous reunion. Inspired by the fear evoked by Halley's comet in 1910, this film was clearly adressed to a public in an age of war where the old order was collapsing. It carries great conviction, thanks to excellent acting and clever use of locations. The camerawork is first class; throughout, the film's images are carefully and elegantly composed. To create scenes of Earth-shattering disaster that would carry conviction must have been the greatest challenge for Blom and his technicians. Special-effects technology was practically non-existent, and financial resources were not unlimited, but the scenes of the cataclysm are surprisingly effective. Fiery sparks rain down from above, quickly shrouding everything in a pall of smoke. While this is obviously an economical solution to the problem of showing the disaster, the effect is eerie, unsettling, and convincingly apocalyptic. Most important of all, the ending, which in summary may sound prepostrously contrived, is in fact dramatically fitting and genuinely moving.

A comet, passing by the earth, causes rioting, social unrest, and major disasters that destroy the world in this World War I-era film. This Danish feature about a comet that destroys northwest Europe, leaving only a single man and a woman who meet in a church, is beautifully photographed, with many lovely shots and a fluid camera. Of course, the capitalists try to make extra money out of the panic, and of course the lower classes -- as exemplified by the common folks in a mining town -- break into the home of the wealthy capitalist the evening the comet hits in order to gain vengeance, interrupting a ballet in the process. All this is standard stuff for the better sf of the era: Wells, Verne and so forth. 　　A mine foreman has two daughters, the fair Edith and the dark Dina. Edith falls in love with the ship's mate Reymers, while Dina runs away with the unscrupulous capitalist Stoll. When the rumor spreads that a comet is on a collision course with Earth, Stoll exploits the situation to make a killing on the stock market. On the eve of the comet's impact, Stoll gathers his friends for a great orgy, but enraged workers storm his grand villa, egged on by Dina's jilted ex-fiance. He, Stoll and Dina all perish. Fire rains down from the sky, and the seas flood the land. The Earth is laid waste. Only two survive: Edith and Reymers, and the film ends with their miraculous reunion. Inspired by the fear evoked by Halley's comet in 1910, this film was clearly adressed to a public in an age of war where the old order was collapsing. It carries great conviction, thanks to excellent acting and clever use of locations. The camerawork is first class; throughout, the film's images are carefully and elegantly composed. To create scenes of Earth-shattering disaster that would carry conviction must have been the greatest challenge for Blom and his technicians. Special-effects technology was practically non-existent, and financial resources were not unlimited, but the scenes of the cataclysm are surprisingly effective. Fiery sparks rain down from above, quickly shrouding everything in a pall of smoke. While this is obviously an economical solution to the problem of showing the disaster, the effect is eerie, unsettling, and convincingly apocalyptic. Most important of all, the ending, which in summary may sound prepostrously contrived, is in fact dramatically fitting and genuinely moving.