一档以报道世界各国电影全貌为重心的国际性电影文化专题栏目。

一档以报道世界各国电影全貌为重心的国际性电影文化专题栏目。

本片以电影剧照、电影宣传照、导演工作照和演员照片等引来夸张搞笑的动画，道尽一部优秀电影的出炉是何其艰难，其中的一把辛酸泪只有电影人自己才知。 　　编剧要通过不断地与稍纵即逝的灵感做斗争，才能写出自己和导演都满意的剧本；可是他们满意的剧本，相关审查部门总能找出各种各样的问题，于是最终到达他们手上的剧本，可能已与原来的大相径庭；之后，导演开始与摄影师、美工、场记等人员一遍遍地沟通，敲定细节，找寻合适的演员；拍摄中，问题会一个接一个出现，有些镜头要重复拍摄许多次；拍完剪完，要再送有关部门审查，如果他们提出修改意见，有些镜头必须重拍；好不容易电影上映了，该电影的所有工作人员又要忐忑不安地等待观众的检验。

One of the world's greatest authorities on the Middle Ages, Professor Robert Bartlett of St Andrew's University, investigates the intellectual landscape of the medieval world. 　　In the first programme, Knowledge, he explores the way medieval man understood the world - as a place of mystery, even enchantment. The world was a book written by God. But as the Middle Ages grew to a close, it became a place to be mastered, even exploited. 　　In Sex, he unearths remarkable evidence of the complex passions of medieval men and women. The Church preached hatred of the flesh, promoted the cult of virginity and condemned woman as the sinful heir to Eve. Yet this was the era that gave birth to the idea of romantic, or 'courtly' love. 　　In Belief, the supernatural comes under the spotlight. The medieval dead shared the world with the living: the cult of the saints, encounters with the dead, and visions of the next world were all seen as proof of a two-way traffic between this world and the next. 　　In the final programme, Power, Professor Bartlett lays bare the brutal framework of the medieval class system. Inequality was a part of the natural order: the life of serfs was little better than those of animals, while the knight's code of chivalry was based more on caste solidarity than morality. The class you were born into determined who you were.

One of the world's greatest authorities on the Middle Ages, Professor Robert Bartlett of St Andrew's University, investigates the intellectual landscape of the medieval world. 　　In the first programme, Knowledge, he explores the way medieval man understood the world - as a place of mystery, even enchantment. The world was a book written by God. But as the Middle Ages grew to a close, it became a place to be mastered, even exploited. 　　In Sex, he unearths remarkable evidence of the complex passions of medieval men and women. The Church preached hatred of the flesh, promoted the cult of virginity and condemned woman as the sinful heir to Eve. Yet this was the era that gave birth to the idea of romantic, or 'courtly' love. 　　In Belief, the supernatural comes under the spotlight. The medieval dead shared the world with the living: the cult of the saints, encounters with the dead, and visions of the next world were all seen as proof of a two-way traffic between this world and the next. 　　In the final programme, Power, Professor Bartlett lays bare the brutal framework of the medieval class system. Inequality was a part of the natural order: the life of serfs was little better than those of animals, while the knight's code of chivalry was based more on caste solidarity than morality. The class you were born into determined who you were.

Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.

在安哲罗普洛斯位于希腊的家中，日本作家兼诗人池泽夏树对他的访谈。 　　全片文本见：http://www.douban.com/group/topic/1045814/

古姆巴尔（Gumball）现在有了属于他自己的电影，那一定会很精彩。

Gumball now has his own movie, So it will be exciting.

在社团前途一片大好的姜培（苏志燮 饰）却有一个想要成为演员的想法，这个念头也让他日渐想摆脱社团黑暗的日子。动作明星苏达（姜志焕 饰）总是在电影里扮演流氓，厌倦虚构的情节的他总希望成为真正身手厉害的人物。在拍摄动作场面时，把两个跟自己配戏的演员打得住了医院。偶然的一天，苏达碰到了要求自己给签名的姜培，流氓和演员就这样相遇了。苏达向姜培提出希望由他来继续出演这部电影的请求。面对这样的机会，姜培愉快地答应了，但是提出在影片中要所有的打斗场面都是真实展示。在电影的拍摄过程总，姜培越来越享受当演员的感觉，对于角色把握得十分到位。而目睹了姜培在拍摄电影时出色发挥的苏达也产生了新的想法，似乎对演员这样身份产品了厌恶感……