公元前219年，中国出现一暴君秦始皇，他听说蓬莱有位神仙懂长生不老之术，便派大臣领术士远渡重洋，请求神仙赐他不死。神仙知秦始皇残暴，不肯答应，结果被术士困进一葫芦内。经年后，渔民葛大和在捕鱼时偶然在一大鱼腹中发现葫芦，于是放出神仙。神仙送了永取不竭的钱袋给大和，大和却不满足，反要求长生不老，神仙警戒他将来定必后悔……

叶凡在昆仑镇妖三百年，人间只过去三年，得知妖皇即将入世，为镇压妖皇，离开昆仑回到人间。大夏大长老秦东来派孙女秦梦瑶来接叶凡，在途中秦梦瑶质疑叶凡的实力，却差点被一辆失控的大巴车撞到，叶凡出手，轻松逼停大巴车，震惊秦梦瑶。 叶凡迫切的想要见到曾经收养他的姐姐叶知晓，而叶知晓的丈夫沈青因为欠了凌家少爷凌天泽的赌债被抓，没钱还债，只能那妻子叶知晓与女儿沈思思还债......

天才少年李问禅在昆仑山闭关修炼三百年，距离飞升成仙只差临门一脚，原来是因为尘缘未了，于是李问禅决定回到人间，了却那一段无疾而终的情劫,岂料这段情劫充满阻碍，到处是无知的纨绔打压妨碍。李问禅冲冠一怒为红��

《两宋沉浮三百年》是通过截取北宋时期那些家喻户晓的传奇人物最为闪耀的一段人生经历，讲述那些大家既熟悉又陌生的精彩故事，揭示隐藏在历史深处、鲜为人知的秘密，生动还原那些宏大历史叙事背后的人物与事件，让我们看到那个时期的历史断面，呈现给观众一个更加真实，立体的大宋王朝，也让我们更加了解，两宋三百年沉浮，到底发生了什么？本片大量采用AI置景技术，前期出图4500多张，并手绘动图500个左右，经筛选后平均每集70张左右的使用量，并把它与现实空间做完美的契合，以此形成梦幻般的历史场景，为历史题材纪录片带来新的视听感受。

China 21, a new one-hour documentary, follows four Chinese families as they step into the 21st century. Using compact digital video gear, filmmakers Ruby Yang and Lambert Yam recorded intimate portraits of ordinary people living in tumultuous times. The talk is candid and sometimes emotional. Families are small -- one child in the city, two in the country -- so children hold center stage. Veterans of the Cultural Revolution are saving up to send their son to business school. Another couple, whose son is a prize law student, glow with satisfaction. To insure his children's future, a peasant leaves his remote village to work in the quasi-legal urban job market. A farm family near Shanghai feels manhandled by the privatizing economy. They sacrifice to send their daughter to high school. China 21 introduces otherwise anonymous people whose spark and initiative are changing their country. 　　It was shown on PBS stations during May, 2003 -- Asian Pacific American Heritage Month. For related shows see the Center for Asian American Media site. 　　China 21 was funded by the Independent Television Service, with additional support from the Center for Asian American Media. 　　纪录片《中国一二》，真实反映了中国改革开放二十多年来，新一代年青人的心态以及中国 城乡地区家庭面貌的差异。该片于2002年5月在全美公共电视台 PBS 首度公映，之后还应邀参加香港和欧洲等地多项影展并在世界各地电视台播出，深受好评。

China 21, a new one-hour documentary, follows four Chinese families as they step into the 21st century. Using compact digital video gear, filmmakers Ruby Yang and Lambert Yam recorded intimate portraits of ordinary people living in tumultuous times. The talk is candid and sometimes emotional. Families are small -- one child in the city, two in the country -- so children hold center stage. Veterans of the Cultural Revolution are saving up to send their son to business school. Another couple, whose son is a prize law student, glow with satisfaction. To insure his children's future, a peasant leaves his remote village to work in the quasi-legal urban job market. A farm family near Shanghai feels manhandled by the privatizing economy. They sacrifice to send their daughter to high school. China 21 introduces otherwise anonymous people whose spark and initiative are changing their country. 　　It was shown on PBS stations during May, 2003 -- Asian Pacific American Heritage Month. For related shows see the Center for Asian American Media site. 　　China 21 was funded by the Independent Television Service, with additional support from the Center for Asian American Media. 　　纪录片《中国一二》，真实反映了中国改革开放二十多年来，新一代年青人的心态以及中国 城乡地区家庭面貌的差异。该片于2002年5月在全美公共电视台 PBS 首度公映，之后还应邀参加香港和欧洲等地多项影展并在世界各地电视台播出，深受好评。

The movie takes place in four periods: the first, a group of female Christians are raped and crucified in 18th century Japan. The second deals with a man who beats his cheating wife and her lover. The third, and the most interesting, is set in WW2 where inquisition soldiers torture, rape and abuse female traitors, and the fourth story deals with soldiers raping and abusing suspected female spies.

The movie takes place in four periods: the first, a group of female Christians are raped and crucified in 18th century Japan. The second deals with a man who beats his cheating wife and her lover. The third, and the most interesting, is set in WW2 where inquisition soldiers torture, rape and abuse female traitors, and the fourth story deals with soldiers raping and abusing suspected female spies.

中国相声一百年，是由中央电视台第三套节目播出的12集戏剧/综艺类影视纪录节目。该节目使观众更加深层的了解相声的历史、发展、现状和人物故事。 　　《中国相声一百年》拍摄历时12个月，该片以独特的视角、自然流畅的手法，结合珍贵的历史资料，为今天的观众真实地再现了百年相声历史，讲述了一门您从未真切了解过的传统而又年轻的艺术。叙述了相声从市井街头走向茶楼酒肆，登上剧场舞台，跻身广播影视的沧桑变迁，探讨代表中国民族文化的相声从地摊艺术到繁衍成长；从旧社会的风雨坎坷，到新中国的深入人心；从“文革”期间蒙受的厄运，到“粉碎四人帮”之后的复苏；从电视带来的“相声热”，到“成也电视，败也电视”的反思。

中国相声一百年，是由中央电视台第三套节目播出的12集戏剧/综艺类影视纪录节目。该节目使观众更加深层的了解相声的历史、发展、现状和人物故事。 　　《中国相声一百年》拍摄历时12个月，该片以独特的视角、自然流畅的手法，结合珍贵的历史资料，为今天的观众真实地再现了百年相声历史，讲述了一门您从未真切了解过的传统而又年轻的艺术。叙述了相声从市井街头走向茶楼酒肆，登上剧场舞台，跻身广播影视的沧桑变迁，探讨代表中国民族文化的相声从地摊艺术到繁衍成长；从旧社会的风雨坎坷，到新中国的深入人心；从“文革”期间蒙受的厄运，到“粉碎四人帮”之后的复苏；从电视带来的“相声热”，到“成也电视，败也电视”的反思。