这部由韩国广播公司（KBS）2010年摄制的纪录片，全景展示了黑龙江（阿穆尔河）流域的神秘景观，在韩国播出第一集时，其收视率即达到10.6%，超越同时间段的电视剧，取得了排名第二的好成绩。 　　在纪录片《东亚生态大勘探》中，大量精美影像展现了黑龙江流域山水丛林的美丽风光。春夏秋冬，四季轮回，大自然变幻出迥然不同的色彩。海上的浮冰昭示着春天的到来，森林里雀跃的小鸟欢唱着夏天的歌曲，金黄的树叶纷飞意味着短暂的秋天即将逝去，茫茫雪野万籁俱寂只有觅食的猛兽突然闪现……跟随镜头，您能领略到黑龙江两岸的迷人风景，那茂密的白桦林，宁静的湖泊，敏捷的瞪羚与忠厚的驯鹿，笨拙的棕熊与伶俐的海狮，都会让您大开眼界。

安雅和娜迪娅·弗多维娜是一对双胞胎姐妹，她们在孤儿院长大。意志坚定的安雅习惯于保护妹妹免受任何危险。然而，她们的人生轨迹却发生了改变：安雅成为了一名职业综合格斗选手，而娜迪娅则厌倦了姐姐的教导，跑到日本寻找自己的道路和自由。分别多年后，安雅收到了妹妹发来的一条令人震惊的信息，她在信息中请求帮助。安雅试图获得一些信息，但一切努力都徒劳无功。于是，安雅决定前往日本，在那里，她将不得不与把她妹妹卖为性奴隶的黑帮展开一场不平等的斗争。

A woman takes desperate measures in an attempt to get her abusive husband suspended from police duty.

一个少女和她的父亲来到外星球勘察神秘矿石，但那座充满危险的森林里还有其他人，很快，这次勘探行动变成了一场绝命逃亡。

一个少女和她的父亲来到外星球勘察神秘矿石，但那座充满危险的森林里还有其他人，很快，这次勘探行动变成了一场绝命逃亡。

利维娅患有音乐性失语症，再美妙动听的音乐在她耳中也不过是吵闹的噪音，某天她遇到了帅气的DJ卢西奥，在他的鼓动下决定尝试推开音乐世界的大门。马里斯科蒂·鲁斯波利的导演处女作，他把对音乐感知截然相反的两人“硬凑”成一对儿，颇具戏剧性地表现了恋爱中的争吵与包容。影片特意压制了配乐的情绪表现功能，反而通过颇具艺术感的布景、极具表现力的色彩设计，让角色的心绪“肉眼可见”，更营造出了一个梦幻般的世界。影片还邀请到法国国宝级女演员芬妮·阿尔丹客串，为结尾埋下彩蛋。

PIEMULE is a film about an ethnic group of Czechs which settled over a hundred and fifty years ago in the hills not far from Timisoara. The ancestors of today's inhabitants, craftsmen and farmers came to the Romanian highlands around the year 1822 with their families, work and livelihood. Director Jana Sevikova went to Romania for the first time in the early 1980's and under very difficult conditions, she succeeded over a period of several years in capturing the way of life of one remote village fused with the changing seasons represented by religious ceremonies or social and work rituals (Christmas, carnivals, Easter, weddings, harvests, the ploughing of the land). She presents individual people their customs, behavior and opinions. Employing a complex structure of composition, the film depicts the social aspects of this small enclave foreign to Romania, its history as well as the moral depth of the people . Isolated from a foreign world this community has kept it's language , culture and also a feeling for national identity. The film does not have a factual, explicit commentary in the ordinary sense of the word. It contains the testimonies of individual people and a few essential historical facts: a song depicting the biblical story of the original sin threads it's way through the whole film. The song represents the religious character of these people and how they bear their lot. They live in relative material poverty , they are left to their own resources and the whim of Ceaucescu's regime. The film reminds us of life values which have long disappeared and only exceptionally are they found today. Jana Hadkova, film critic. In 1993, the filmmaker returned to the same place in Romania, ten years after she had completed filming. To her surprise, nothing had changed, life in Rovensko had remained unmarked, not even by Romania's revolution and other changes in the country ruled by a former Communist dictatorship. Time had already stopped during the last century.

Acknowledging archaeology’s colonial, extractive register, this work imagines artefacts’ experience as they are displaced from Syria to a Berlin museum.

该剧讲述了地质学女博士苏纪时因缘际会结识了同样热爱地质的青年企业家穆休伦，在相处中逐渐走进对方的内心，互相帮助疗愈心灵的同时推进了新矿物研究，一起走向人生新旅程。

抗战期间，重庆博爱村俘虏收容所的日本战俘排演话剧《东亚之光》。有记者访问战俘高桥三郎，高桥沉痛回忆自己被征参加侵华战争和被俘经过：日本帝国主义发动侵略战争后，高桥三郎等人被征调入伍，来华侵略，途中山本大尉对新兵进行训话，肆意诋毁诬蔑中国。来华不久，他们便被中国游击队俘获，送往后方看管。 　　中国政府对战俘的宽大政策深深感动了他们，高桥三郎等人都先后有了转变，只有山本大尉执迷不悟，虽经其弟山本次郎苦劝也不为所动。一天，重伤战俘中村临死时，嘱托山本归国后转告家人：护身符“千人针”并不灵验。中村临终的忏悔，使山本很受震动。不久，战俘参加中国妇女工作队征募寒衣公演，山本参加演出，想起自己妻离子散的情景，幡然悔悟，随同其他战俘一起参加了对日的反战宣传。