简介 　　片种：美术片 　　出品地区：中国 　　色别：彩色 　　本数：3本 　　出品年代：1978 　　出品公司：上海美术电影制片厂 　　导演：　　章超群 　　编剧：　　欧阳字平、何郁文、章超群 　　摄影：　　钟立人 　　作曲：　　吴应炬 　　演奏：　　上影乐团 　　指挥：　　王永吉 　　造型设计：　詹同渲、翁保强 　　背景设计：　　金城 　　动作设计：　　夏秉钧、朱家龙、周曼玮 　　《两张布告》 - 内容简介 　　国民党贴了一张布告：“悬赏，拿获红军游击队长罗龙虎者，赏大洋壹万元，此布。国民党二十八军军长白石”。游击队将计就计，给国民党刘营长写了一封信，上写，因游击队员生活太苦，要交出罗龙虎回家种地，叫刘营长派人来联系，并设法让与刘营长有矛盾的民团团总得到此信。团总见信立即派覃大队长带两名助手前去领人，游击队的参谋黄新客气地留下覃队长叫他的助手回去拿钱来交换罗龙虎。豪绅黄善人将此事告诉了刘营长，与此同时，刘营长也收到了游击队的信，他对团总夺走他的肥肉甚为不满。 　　当民团和游击队交换完毕，准备将人带回时，埋伏在林中的刘营长的队伍向民团开了火，由于黄善人从中说和，团总与刘决定对这次战功平分秋色，双方才算住手。可是，当他们掀开担架上的被子，看到交换来的不是罗龙虎而是覃队长时，才知上当，随后又发现覃的背上绑着一颗手榴弹，大家急忙四散奔跑。结果覃被炸死。游击队得了一箱银元，也贴了一张布告：“凡拿获国民党匪军二十八军军长白石者，赏钱一文”。

是由保罗·内戈埃斯库编剧执导的一部罗马尼亚喜剧片，主要讲述了一个小城镇的三名男子寻找遗失的彩票的过程中发生的有趣故事。迪奈勒是这个城镇的一名修车工人，幸运之神似乎从未光顾过他，因为他的客户总是对他的活计不满意、他的工资少到连酒都喝不起、就连他的妻子都因此离开了他。然而，有一天迪奈勒买彩票，意外中了大奖，这让他重新燃起了生活的希望。但他似乎高兴过了头，导致他丢失了那张彩票。于是迪奈勒和他的朋友思莱、帕皮里优一起踏上了寻找彩票的旅程。

The story centres on Blandine, who is depressed. Divorced, she now helplessly looks on as her only son leaves her to go live in Paris. Left to her own devices, she will suddenly reconnect with Magalie, whom she hasn’t seen since her teenage years. At the time, they were funny, close, carefree. They also shared a passion for The Big Blue. Actually, they swore to one day go to Amorgos, to try and follow in the footsteps of Enzo and Jacques Maillol. What if they went on this trip today? Even if they don’t have much in common anymore…

The story centres on Blandine, who is depressed. Divorced, she now helplessly looks on as her only son leaves her to go live in Paris. Left to her own devices, she will suddenly reconnect with Magalie, whom she hasn’t seen since her teenage years. At the time, they were funny, close, carefree. They also shared a passion for The Big Blue. Actually, they swore to one day go to Amorgos, to try and follow in the footsteps of Enzo and Jacques Maillol. What if they went on this trip today? Even if they don’t have much in common anymore…

The dirty desire in her is unveiling! 　　Department of Dance student Da-hee (Oh In-hye) is a born solo who has never had a boyfriend before. However, she has nightmares every night. She dreams about violent sex every night. What she would never ever imagine even in her dreams is bothering her in reality and she cannot share this with anyone. In addition, the new performance projector is her long-time crush, professor and Woo-kyeong’s husband Gong-woo (Chris Jo) and it’s making her suffer. In the end, Da-hee goes through therapy and finds out she’s suffering from a trauma she’s had when she was a kid. Then she stumbles upon Myeong-joong, a Tantra yoga instructor online...

The dirty desire in her is unveiling! 　　Department of Dance student Da-hee (Oh In-hye) is a born solo who has never had a boyfriend before. However, she has nightmares every night. She dreams about violent sex every night. What she would never ever imagine even in her dreams is bothering her in reality and she cannot share this with anyone. In addition, the new performance projector is her long-time crush, professor and Woo-kyeong’s husband Gong-woo (Chris Jo) and it’s making her suffer. In the end, Da-hee goes through therapy and finds out she’s suffering from a trauma she’s had when she was a kid. Then she stumbles upon Myeong-joong, a Tantra yoga instructor online...

A couple on the brink of a breakup are cheating on each other with two sexy outsiders. Whilst they're waiting to reveal their secret and go their separate ways, life has other plans for them. 濒临分手的一对恋人各自与火辣的新欢出轨，但正当他们打算摊牌的时候，意外却发生了

在影片的两个白天和两个夜晚里，一位名叫半坡的艺术家，2019年的某一天，他突然回到宋庄，默默打包自己的数百张绘画作品，收拾行李，参加礼拜，看了场展览，然后告别老友。最后，他在一个安静的清晨彻底离开了宋庄的故事。这个故事看似在细腻雕刻艺术家半坡的撤离过程，其实也是将艺术家所处的环境隐藏着的巨大变化，导演在不经意间揭开了。

麻烦修改一下译名为两姐弟可以吗，看剧情描述用young/dear brother，young bother 明明就是弟弟的意思，而且看剧照男孩的高度只到女孩的肩膀上面一点。很明显是姐弟。

莫斯科电影制片厂出品的《苦难的历程》三部曲，改编自苏联著名作家阿列克谢·尼古拉耶维奇·托尔斯泰的代表作。 　　以第一次世界大战、二月革命、十月革命和国内战争等重大历史事件为背景；故事的发展从彼得堡到外省，从荒僻的乡村到硝烟弥漫的战争前线，从伏尔加河到库班，从乌克兰到莫斯科，画面广阔；以四个性格不同的资产阶级知识分子为主人公；情节以第一次世界大战爆发，主人公各奔东西，他们的个人幻想破灭开始，他们在动荡的年代里各自有着曲折复杂的探索和追求，在接近并融合到历史与民族的行列过程中终于跳出个人感情和愿望的狭隘圈子，在1920年国内战争将结束时，他们四人在莫斯科幸福团聚，在莫斯科大剧院中个人和集体、俄罗斯和苏维埃，爱国主义和共产主义高度地结合在一起。也令人信服地表明了：个人只有在同国家、民族的结合中才能找到自己的位置和真正的幸福。 　　影片以史诗的规模、绚丽的色彩描绘了宏伟的俄国革命的历史画卷，出色地塑造了四位知识分子主人公的鲜明形象。罗沙里的这部电影史诗是最早掌握宽银幕技巧的影片之一，其中不仅有许多构思巧妙，内容充实的群众场面，而且还有许多把广阔的时代背景和事件的宏伟规模有机地结合在一起的肖像特写。本片不仅体现了罗沙里及其创作集体的非凡才华，同时代表了是50年代末苏联电影的卓越成就。