The story centres on Blandine, who is depressed. Divorced, she now helplessly looks on as her only son leaves her to go live in Paris. Left to her own devices, she will suddenly reconnect with Magalie, whom she hasn’t seen since her teenage years. At the time, they were funny, close, carefree. They also shared a passion for The Big Blue. Actually, they swore to one day go to Amorgos, to try and follow in the footsteps of Enzo and Jacques Maillol. What if they went on this trip today? Even if they don’t have much in common anymore…

The story centres on Blandine, who is depressed. Divorced, she now helplessly looks on as her only son leaves her to go live in Paris. Left to her own devices, she will suddenly reconnect with Magalie, whom she hasn’t seen since her teenage years. At the time, they were funny, close, carefree. They also shared a passion for The Big Blue. Actually, they swore to one day go to Amorgos, to try and follow in the footsteps of Enzo and Jacques Maillol. What if they went on this trip today? Even if they don’t have much in common anymore…

是由保罗·内戈埃斯库编剧执导的一部罗马尼亚喜剧片，主要讲述了一个小城镇的三名男子寻找遗失的彩票的过程中发生的有趣故事。迪奈勒是这个城镇的一名修车工人，幸运之神似乎从未光顾过他，因为他的客户总是对他的活计不满意、他的工资少到连酒都喝不起、就连他的妻子都因此离开了他。然而，有一天迪奈勒买彩票，意外中了大奖，这让他重新燃起了生活的希望。但他似乎高兴过了头，导致他丢失了那张彩票。于是迪奈勒和他的朋友思莱、帕皮里优一起踏上了寻找彩票的旅程。

简介 　　片种：美术片 　　出品地区：中国 　　色别：彩色 　　本数：3本 　　出品年代：1978 　　出品公司：上海美术电影制片厂 　　导演：　　章超群 　　编剧：　　欧阳字平、何郁文、章超群 　　摄影：　　钟立人 　　作曲：　　吴应炬 　　演奏：　　上影乐团 　　指挥：　　王永吉 　　造型设计：　詹同渲、翁保强 　　背景设计：　　金城 　　动作设计：　　夏秉钧、朱家龙、周曼玮 　　《两张布告》 - 内容简介 　　国民党贴了一张布告：“悬赏，拿获红军游击队长罗龙虎者，赏大洋壹万元，此布。国民党二十八军军长白石”。游击队将计就计，给国民党刘营长写了一封信，上写，因游击队员生活太苦，要交出罗龙虎回家种地，叫刘营长派人来联系，并设法让与刘营长有矛盾的民团团总得到此信。团总见信立即派覃大队长带两名助手前去领人，游击队的参谋黄新客气地留下覃队长叫他的助手回去拿钱来交换罗龙虎。豪绅黄善人将此事告诉了刘营长，与此同时，刘营长也收到了游击队的信，他对团总夺走他的肥肉甚为不满。 　　当民团和游击队交换完毕，准备将人带回时，埋伏在林中的刘营长的队伍向民团开了火，由于黄善人从中说和，团总与刘决定对这次战功平分秋色，双方才算住手。可是，当他们掀开担架上的被子，看到交换来的不是罗龙虎而是覃队长时，才知上当，随后又发现覃的背上绑着一颗手榴弹，大家急忙四散奔跑。结果覃被炸死。游击队得了一箱银元，也贴了一张布告：“凡拿获国民党匪军二十八军军长白石者，赏钱一文”。

伊夫·蒙当是舞台和电视的双栖明星，他回到阔别了20年的马赛——他年轻时生活的城市，为此马赛大剧院在26日安排了一场名为“我们时代的蒙当”的演出。 　　蒙当是理所当然的主演，女主角是贝蒂·米勒，贝蒂原是香水商店的柜台小姐，怀着明星梦，现在终于实现了……然而，贝蒂的母亲——米莱娜·朗贝尔曾是20年前蒙当的爱人……

The dirty desire in her is unveiling! 　　Department of Dance student Da-hee (Oh In-hye) is a born solo who has never had a boyfriend before. However, she has nightmares every night. She dreams about violent sex every night. What she would never ever imagine even in her dreams is bothering her in reality and she cannot share this with anyone. In addition, the new performance projector is her long-time crush, professor and Woo-kyeong’s husband Gong-woo (Chris Jo) and it’s making her suffer. In the end, Da-hee goes through therapy and finds out she’s suffering from a trauma she’s had when she was a kid. Then she stumbles upon Myeong-joong, a Tantra yoga instructor online...

The dirty desire in her is unveiling! 　　Department of Dance student Da-hee (Oh In-hye) is a born solo who has never had a boyfriend before. However, she has nightmares every night. She dreams about violent sex every night. What she would never ever imagine even in her dreams is bothering her in reality and she cannot share this with anyone. In addition, the new performance projector is her long-time crush, professor and Woo-kyeong’s husband Gong-woo (Chris Jo) and it’s making her suffer. In the end, Da-hee goes through therapy and finds out she’s suffering from a trauma she’s had when she was a kid. Then she stumbles upon Myeong-joong, a Tantra yoga instructor online...

Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.

E-Ticket is a frantic re-cataloguing of a personal archive and a vehicle for the re-birth of forgotten images. 35mm still photographs are obsessively tape-spliced together, one frame at a time, in evolving rhythmic patterns – views shift between a school trip to India and culminate in documentation of a violent 2005 protest at a World Trade Organization summit in Hong Kong. A re-telling of Dante's Inferno for the streaming age; freedom of movement reserved for the modern cloud. (Simon Liu)

E-Ticket is a frantic re-cataloguing of a personal archive and a vehicle for the re-birth of forgotten images. 35mm still photographs are obsessively tape-spliced together, one frame at a time, in evolving rhythmic patterns – views shift between a school trip to India and culminate in documentation of a violent 2005 protest at a World Trade Organization summit in Hong Kong. A re-telling of Dante's Inferno for the streaming age; freedom of movement reserved for the modern cloud. (Simon Liu)