麦奎因原计划为BBC执导一套6集5小时时长的剧集，讲述5个不同的故事，而在后来麦奎因把每个故事都进行了扩充，最终变成了5部电影长片。五部长片在BBC与亚马逊Prime Video播出时间确定：[红树林](11月20日)、[情人的摇滚](11月27日)、[教育](12月4日)、[亚历克斯·惠特尔](12月11日)、[红白蓝](12月18日)。 　　【小斧子】五部曲讲述了1960年代末至1980年代中期伦敦西印度社区的故事。标题引用了一句非洲谚语：“如果你是大树，我们就是小斧子”，这句谚语因为鲍勃·马利演唱的同名歌曲而广为流传。 　　[教育]讲述了12岁的金斯利对宇航员和火箭情有独钟，他因为在课堂上捣乱被拉到校长办公室，他发现自己要被送到一所 "特殊需求 "的学校。Kenyah Sandy、塔马拉·劳伦斯主演，麦奎因与西登斯共同编剧。

麦奎因原计划为BBC执导一套6集5小时时长的剧集，讲述5个不同的故事，而在后来麦奎因把每个故事都进行了扩充，最终变成了5部电影长片。五部长片在BBC与亚马逊Prime Video播出时间确定：[红树林](11月20日)、[情人的摇滚](11月27日)、[教育](12月4日)、[亚历克斯·惠特尔](12月11日)、[红白蓝](12月18日)。 　　【小斧子】五部曲讲述了1960年代末至1980年代中期伦敦西印度社区的故事。标题引用了一句非洲谚语：“如果你是大树，我们就是小斧子”，这句谚语因为鲍勃·马利演唱的同名歌曲而广为流传。 　　[教育]讲述了12岁的金斯利对宇航员和火箭情有独钟，他因为在课堂上捣乱被拉到校长办公室，他发现自己要被送到一所 "特殊需求 "的学校。Kenyah Sandy、塔马拉·劳伦斯主演，麦奎因与西登斯共同编剧。

马修·古迪加盟历史动作片[中世纪]。本片由捷克导演彼得·雅克尔([食尸鬼])自编自导，卡司还有本·福斯特、蒂尔·施威格、迈克尔·凯恩。故事聚焦14世纪…

Plot unknown. Described as 'The Magnificent Seven' set in the Middle Ages.

Plot unknown. Described as 'The Magnificent Seven' set in the Middle Ages.

主持人将逐一介绍中世纪各种社会阶层的原型－骑士，农民，闺秀，僧侣，歹徒，君王，商人以及哲学家。在片子中将到访这些人曾经生活过的一些有代表性的地点，重新构建他们曾经生活过的世界，因此观众朋友将看到一大群鲜活的生活在中世纪的人。制作人通过运用现代化彩色的手段，展现给观众朋友许多发生在中世纪时的种种传说与故事。

主持人将逐一介绍中世纪各种社会阶层的原型－骑士，农民，闺秀，僧侣，歹徒，君王，商人以及哲学家。在片子中将到访这些人曾经生活过的一些有代表性的地点，重新构建他们曾经生活过的世界，因此观众朋友将看到一大群鲜活的生活在中世纪的人。制作人通过运用现代化彩色的手段，展现给观众朋友许多发生在中世纪时的种种传说与故事。

One of the world's greatest authorities on the Middle Ages, Professor Robert Bartlett of St Andrew's University, investigates the intellectual landscape of the medieval world. 　　In the first programme, Knowledge, he explores the way medieval man understood the world - as a place of mystery, even enchantment. The world was a book written by God. But as the Middle Ages grew to a close, it became a place to be mastered, even exploited. 　　In Sex, he unearths remarkable evidence of the complex passions of medieval men and women. The Church preached hatred of the flesh, promoted the cult of virginity and condemned woman as the sinful heir to Eve. Yet this was the era that gave birth to the idea of romantic, or 'courtly' love. 　　In Belief, the supernatural comes under the spotlight. The medieval dead shared the world with the living: the cult of the saints, encounters with the dead, and visions of the next world were all seen as proof of a two-way traffic between this world and the next. 　　In the final programme, Power, Professor Bartlett lays bare the brutal framework of the medieval class system. Inequality was a part of the natural order: the life of serfs was little better than those of animals, while the knight's code of chivalry was based more on caste solidarity than morality. The class you were born into determined who you were.

One of the world's greatest authorities on the Middle Ages, Professor Robert Bartlett of St Andrew's University, investigates the intellectual landscape of the medieval world. 　　In the first programme, Knowledge, he explores the way medieval man understood the world - as a place of mystery, even enchantment. The world was a book written by God. But as the Middle Ages grew to a close, it became a place to be mastered, even exploited. 　　In Sex, he unearths remarkable evidence of the complex passions of medieval men and women. The Church preached hatred of the flesh, promoted the cult of virginity and condemned woman as the sinful heir to Eve. Yet this was the era that gave birth to the idea of romantic, or 'courtly' love. 　　In Belief, the supernatural comes under the spotlight. The medieval dead shared the world with the living: the cult of the saints, encounters with the dead, and visions of the next world were all seen as proof of a two-way traffic between this world and the next. 　　In the final programme, Power, Professor Bartlett lays bare the brutal framework of the medieval class system. Inequality was a part of the natural order: the life of serfs was little better than those of animals, while the knight's code of chivalry was based more on caste solidarity than morality. The class you were born into determined who you were.