雅克·贝汉作品 《中华帝国之南 / 帝国的中南部》 　　独家法版Aventi Distribution +中文字幕+42分钟完整花絮 　　作为导演，雅克·贝汉只拍过三部纪录片，与另外两部关注大自然的作品不同，2002年这部聚焦政治与社会的影片，反映了法属殖民地时期的越南的社会人文生活，当然也带有强烈的政治色彩，因为片名就能看出来。这部未能公映的影片，以越南文学为脚本，在法国人雅克·贝汉与美国人埃里克·迪洛的镜头追踪下，为观众呈现了法国殖民下的越南西贡人民的真实生活和社会变迁。

雅克·贝汉作品 《中华帝国之南 / 帝国的中南部》 　　独家法版Aventi Distribution +中文字幕+42分钟完整花絮 　　作为导演，雅克·贝汉只拍过三部纪录片，与另外两部关注大自然的作品不同，2002年这部聚焦政治与社会的影片，反映了法属殖民地时期的越南的社会人文生活，当然也带有强烈的政治色彩，因为片名就能看出来。这部未能公映的影片，以越南文学为脚本，在法国人雅克·贝汉与美国人埃里克·迪洛的镜头追踪下，为观众呈现了法国殖民下的越南西贡人民的真实生活和社会变迁。

Eddie Huang of Huang’s World undertakes a first-person investigation into how Vice went from scrappy Montreal indie magazine to media giant. He interviews former contributors who were crucial to its rise and witnessed its downfall.

H.P. Lovecraft 小说改编.《活跳尸》导演“斯图尔特·戈登(Stuart Gordon)”和满月公司合作的一部冷门的惊悚恐怖片,大概讲述了;有个叫约翰的人意外的继承了一座豪华壮丽的城堡,这座豪华的城堡看似宁静却藏着很多秘密,这个城堡中还有一个长的极其丑陋的怪 物,怪物开始躲在暗处伺机攻击约翰和他的家人,这个怪物究竟是何人物,这座豪华的城堡和约翰的身世之间又有何关连呢？

H.P. Lovecraft 小说改编.《活跳尸》导演“斯图尔特·戈登(Stuart Gordon)”和满月公司合作的一部冷门的惊悚恐怖片,大概讲述了;有个叫约翰的人意外的继承了一座豪华壮丽的城堡,这座豪华的城堡看似宁静却藏着很多秘密,这个城堡中还有一个长的极其丑陋的怪 物,怪物开始躲在暗处伺机攻击约翰和他的家人,这个怪物究竟是何人物,这座豪华的城堡和约翰的身世之间又有何关连呢？

Unavailable on home video for many years (except perhaps as a grainy, nth-generation VHS bootleg), Penelope Spheeris' seminal document of the young 1979-1980 Los Angeles punk scene includes chaotic live performances by now-legendary groups like Black Flag (with short-lived lead singer Ron "Chavo Pederast" Reyes), X (giving themselves stick-and-poke tattoos) and the Germs (whose unpredictable lead singer Darby Crash would commit suicide before the film's release) interwoven with talking-head interviews with teenage punks and, most entertainingly, older club owners trying very hard to describe a growing form of music they were clearly unprepared for. The footage of Fear's confrontational set would later grab the attention of John Belushi, who snagged the band a 1981 appearance on Saturday Night Live (and resulted in $20,000 in damage to the studio). - Tom Fritsche

Unavailable on home video for many years (except perhaps as a grainy, nth-generation VHS bootleg), Penelope Spheeris' seminal document of the young 1979-1980 Los Angeles punk scene includes chaotic live performances by now-legendary groups like Black Flag (with short-lived lead singer Ron "Chavo Pederast" Reyes), X (giving themselves stick-and-poke tattoos) and the Germs (whose unpredictable lead singer Darby Crash would commit suicide before the film's release) interwoven with talking-head interviews with teenage punks and, most entertainingly, older club owners trying very hard to describe a growing form of music they were clearly unprepared for. The footage of Fear's confrontational set would later grab the attention of John Belushi, who snagged the band a 1981 appearance on Saturday Night Live (and resulted in $20,000 in damage to the studio). - Tom Fritsche

1920年代的威尔士，男主Paul Pennyfeather（ Jack Whitehall饰演）因放荡不羁的生活被牛津大学开除，在一家男子私学找到工作，在那里他遇见女主Margot B…

The third (and seemingly final) installment in Penelope Spheeris' Los Angeles music trilogy, THE DECLINE OF WESTERN CIVILIZATION III follows not the punk acts of Los Angeles from 1996-1997 but their homeless teenaged fans. Musician interviews in this DECLINE are fewer but include interesting musings from Keith Morris from the Circle Jerks and Flea (credited as the "ex-bass player of Fear"). DECLINE III lives up to its title as Spheeris explores every facet of the gutter-punk life, from their damaged upbringings (nearly all were abused or neglected as children) to the self-destructive lives they lead on society's fringe (alcoholism, homelessness and run-ins with skinheads, among others). - Tom Fritsche

The third (and seemingly final) installment in Penelope Spheeris' Los Angeles music trilogy, THE DECLINE OF WESTERN CIVILIZATION III follows not the punk acts of Los Angeles from 1996-1997 but their homeless teenaged fans. Musician interviews in this DECLINE are fewer but include interesting musings from Keith Morris from the Circle Jerks and Flea (credited as the "ex-bass player of Fear"). DECLINE III lives up to its title as Spheeris explores every facet of the gutter-punk life, from their damaged upbringings (nearly all were abused or neglected as children) to the self-destructive lives they lead on society's fringe (alcoholism, homelessness and run-ins with skinheads, among others). - Tom Fritsche