《远去的土地——中国农民工纪事》 　　这是中国现代史上持续时间最长，规模最大的人口大迁徙，他们曾经脚踏黄土背朝天，却用决心和毅力走向那一度遥不可及的城市中心。他们虽然没有受过良好的教育，却在苦涩的隐忍中，捧起了一个令全球震惊的中国奇迹。他们在体制和城市的边缘挣扎，希望通过自己的努力获得身份和地位的认可，却在一次次的失望中仍然坚持着炙热的希望。他们是中国崛起的脊梁，他们是这个国家城市化的原动力，他们曾经如何出发，未来又将去向何处？ 　　（一）离开土地 　　（二）春潮涌动 　　（三）离乡的日子 　　（四）新城里人 　　（五）你们 我们

《远去的土地——中国农民工纪事》 　　这是中国现代史上持续时间最长，规模最大的人口大迁徙，他们曾经脚踏黄土背朝天，却用决心和毅力走向那一度遥不可及的城市中心。他们虽然没有受过良好的教育，却在苦涩的隐忍中，捧起了一个令全球震惊的中国奇迹。他们在体制和城市的边缘挣扎，希望通过自己的努力获得身份和地位的认可，却在一次次的失望中仍然坚持着炙热的希望。他们是中国崛起的脊梁，他们是这个国家城市化的原动力，他们曾经如何出发，未来又将去向何处？ 　　（一）离开土地 　　（二）春潮涌动 　　（三）离乡的日子 　　（四）新城里人 　　（五）你们 我们

该片以中国如何解决近14亿人口吃饭问题为主线，走进中国农业深处，多维度记录了历史巨变的关键节点，充分呈现了70年来，波澜壮阔的中国图景和站起来的中国人民的自信风貌；充分证明了“中国粮”不仅保障了中国的粮食安全，为中国经济的健康发展奠定了坚实基础，更为世界粮食安全做出了贡献。

由中央广播电视总台和农业农村部联合制作的四集纪录片《中国粮的奇迹》，通过真实的百姓故事，记录了国家强农惠农政策的光辉成果，以及亿万中国农民辛勤劳动的伟大成就。生动展示了我国把粮食安全作为治国理政的头等大事，不断筑牢粮食安全保障的基座，把中国人的饭碗牢牢端在自己手中的壮丽史诗。

在湖南岳阳，有一个独立纪录片工作者，他叫毛晨雨。从上海某高校毕业后，他并没有从事自己所学的专业，而是回到家乡的村庄拍摄独立纪录片，集中考察湖南、贵州等稻作区域的的农村政治、经济、文化结构，一直低调地实施着一个周期冗长的跨媒体实验计划——“稻电影”。《拥有》是他近三年来出品的，唯一的一部纪录片新作，试图“解构新中国农民六十年来之生存逻辑，重构农民之主体”。 　　导演简介： 　　现主持第二文本实验室，近年集中在湖南、贵州、湖北等稻作区域开展工作，按他的话说，拍那些种稻子、吃稻子的人的生活，所以他的电影叫做“稻电影”。现拍摄有《灵山》、《阴阳界》、《神衍像》、《秘密人》、《拥有》等作品。2012年始，毛晨雨在湖南洞庭湖畔的故乡细毛家屋场建设稻电影农场，体感自然、躬耕田亩、种植黄金水稻。

在湖南岳阳，有一个独立纪录片工作者，他叫毛晨雨。从上海某高校毕业后，他并没有从事自己所学的专业，而是回到家乡的村庄拍摄独立纪录片，集中考察湖南、贵州等稻作区域的的农村政治、经济、文化结构，一直低调地实施着一个周期冗长的跨媒体实验计划——“稻电影”。《拥有》是他近三年来出品的，唯一的一部纪录片新作，试图“解构新中国农民六十年来之生存逻辑，重构农民之主体”。 　　导演简介： 　　现主持第二文本实验室，近年集中在湖南、贵州、湖北等稻作区域开展工作，按他的话说，拍那些种稻子、吃稻子的人的生活，所以他的电影叫做“稻电影”。现拍摄有《灵山》、《阴阳界》、《神衍像》、《秘密人》、《拥有》等作品。2012年始，毛晨雨在湖南洞庭湖畔的故乡细毛家屋场建设稻电影农场，体感自然、躬耕田亩、种植黄金水稻。

该剧以绵阳市涪城区新农村建设为背景，通过基层干部带领农民脱贫致富的故事，展现农村发展进程，剧中人物原型取材于当地干部群众。

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

本剧是以山东龙大集团为生活原型，而创作摄制的。反映农民企业家的创业生活。 　　主题曲：你的尊严 　　演唱：范琳琳 　　作曲：孟庆云