Much has been documented about the great traumas that attend migration towards the West in search of the sometimes-mythic ‘better life’. With great pathos, Geology of Separation explores another route, constructing a narrative thread by tracing the mundane quotidian experience of Abderhaman, a migrant who fled violence in Libya and is awaiting permission to remain in Italy. 　　This period of limbo is plagued with tiresome, demoralising indignities that arise from casual racism raining down from various figures of authority. For much of the film the camera gazes lengthily, languorously, peacefully at landscapes, skyscapes and topographies; snow-covered mountainsides, cow-dotted pastures, cascades and pastoral lanes are all captured in striking black and white. Yet this is no holiday brochure, for the stark beauty of the images is pierced by unsettling questions that have perhaps drained them of colour: What does it mean to exist in a place where one is neither welcome nor unwelcome? How is it that such a decision rests on arbitrary boundaries, arbitrary histories, and policies that value paperwork over dignity? 　　In one quietly compelling sequence, Abderhaman is asked what he is studying in the classes he attends. “Only Italian,” he responds. It is a moment that underscores both his ability to function within its society, but also his ambivalence as to whether it wishes him to advance, prosper or, indeed, remain. 　　源自：https://iffr.com/en/iffr/2023/films/geology-of-separation

Much has been documented about the great traumas that attend migration towards the West in search of the sometimes-mythic ‘better life’. With great pathos, Geology of Separation explores another route, constructing a narrative thread by tracing the mundane quotidian experience of Abderhaman, a migrant who fled violence in Libya and is awaiting permission to remain in Italy. 　　This period of limbo is plagued with tiresome, demoralising indignities that arise from casual racism raining down from various figures of authority. For much of the film the camera gazes lengthily, languorously, peacefully at landscapes, skyscapes and topographies; snow-covered mountainsides, cow-dotted pastures, cascades and pastoral lanes are all captured in striking black and white. Yet this is no holiday brochure, for the stark beauty of the images is pierced by unsettling questions that have perhaps drained them of colour: What does it mean to exist in a place where one is neither welcome nor unwelcome? How is it that such a decision rests on arbitrary boundaries, arbitrary histories, and policies that value paperwork over dignity? 　　In one quietly compelling sequence, Abderhaman is asked what he is studying in the classes he attends. “Only Italian,” he responds. It is a moment that underscores both his ability to function within its society, but also his ambivalence as to whether it wishes him to advance, prosper or, indeed, remain. 　　源自：https://iffr.com/en/iffr/2023/films/geology-of-separation

1931年9月18日，野心勃勃的日本帝国主义悍然发动了“九•一八”事变，大胆将贪婪的爪牙伸向中国的东北。然而蒋介石为首的国民政府却下令东北军放弃抵抗，全面撤出东北。虽有无数热血男儿志愿报效祖国，无奈军令如山，只得眼望着日寇长驱直入，如入无人之境，心中满是酸楚的血泪。军队的不作为，并不代表中国人民的软弱，反而最底层的百姓有着最为强烈的反抗意识。家住朝阳县清风岭的赵老嘎（李幼斌 饰）便是这样一根不屈不挠的硬骨头，他联合村民组成抗日队伍，发誓保卫这片祖祖辈辈生存于斯的故土。 　　他们不仅要面对鬼子一次又一次的扫荡，还要共同体味着世间冷暖与人情变化……

作为一档旨在弘扬民族文化的节目，《中国地名大会》将以地名知识为载体，从地理、历史、语言、文学、民俗等各个角度全方位展现中华大地的万千风貌，引导人们发现地名背后深厚的人文底蕴、文化华彩和人生百态，唤起根植于人们心中的家乡情结与热土情怀。

作为一档旨在弘扬民族文化的节目，《中国地名大会》将以地名知识为载体，从地理、历史、语言、文学、民俗等各个角度全方位展现中华大地的万千风貌，引导人们发现地名背后深厚的人文底蕴、文化华彩和人生百态，唤起根植于人们心中的家乡情结与热土情怀。

洛杉矶的一个家庭在历史上最大的灾难的汇合中分开了：一个超级火山、一次特大地震和一次大规模龙卷风。当世界经受住这场几乎世界末日的事件时，我们的英雄们必须坚持自己的技能和智慧来团结和生存下去。

洛杉矶的一个家庭在历史上最大的灾难的汇合中分开了：一个超级火山、一次特大地震和一次大规模龙卷风。当世界经受住这场几乎世界末日的事件时，我们的英雄们必须坚持自己的技能和智慧来团结和生存下去。

洛杉矶的一个家庭在历史上最大的灾难的汇合中分开了：一个超级火山、一次特大地震和一次大规模龙卷风。当世界经受住这场几乎世界末日的事件时，我们的英雄们必须坚持自己的技能和智慧来团结和生存下去。

在本系列纪录片中，有火山、地震、海啸、大陆的历史。在这一系列壮观惊人的故事背后是地球的时时变迁。在这一系列中，世界各地遇到的科学阐述各种发生的地质事件，发现背后惊人的秘密，揭开横跨数十亿年的史诗，组装起我们的世界拼图。让我们一起来对地球的历史一探究竟吧。