在一间简朴却闪烁着暖人光芒的房间内，一代著名地质学家李四光（孙道临 饰）正伏案工作。他白发苍苍，精神矍铄，专注之余难掩风霜的疲惫。在他的身旁，相濡以沫的妻子许淑彬（俞萍 饰）劝解着他，不要过于劳累。李四光望着妻子，若有所悟，他将妻子带到钢琴前，伴随着激昂的琴声，李四光的思绪回到了年轻时代。1918年，李四光在英国取得硕士学位，他放弃其他国家优渥的待遇，毅然回到正经历苦难的祖国。他在北大担任教授，野外考察期间发现了第四纪冰川化石，然而却受到海内外的质疑，甚至与妻子的感情也出现了裂痕。 　　饱经战火的中华大地终于迎来曙光，在周总理（王铁成 饰）的亲切关怀和安排下，李四光朝着伟大的理想继续迈进……

在一间简朴却闪烁着暖人光芒的房间内，一代著名地质学家李四光（孙道临 饰）正伏案工作。他白发苍苍，精神矍铄，专注之余难掩风霜的疲惫。在他的身旁，相濡以沫的妻子许淑彬（俞萍 饰）劝解着他，不要过于劳累。李四光望着妻子，若有所悟，他将妻子带到钢琴前，伴随着激昂的琴声，李四光的思绪回到了年轻时代。1918年，李四光在英国取得硕士学位，他放弃其他国家优渥的待遇，毅然回到正经历苦难的祖国。他在北大担任教授，野外考察期间发现了第四纪冰川化石，然而却受到海内外的质疑，甚至与妻子的感情也出现了裂痕。 　　饱经战火的中华大地终于迎来曙光，在周总理（王铁成 饰）的亲切关怀和安排下，李四光朝着伟大的理想继续迈进……

Much has been documented about the great traumas that attend migration towards the West in search of the sometimes-mythic ‘better life’. With great pathos, Geology of Separation explores another route, constructing a narrative thread by tracing the mundane quotidian experience of Abderhaman, a migrant who fled violence in Libya and is awaiting permission to remain in Italy. 　　This period of limbo is plagued with tiresome, demoralising indignities that arise from casual racism raining down from various figures of authority. For much of the film the camera gazes lengthily, languorously, peacefully at landscapes, skyscapes and topographies; snow-covered mountainsides, cow-dotted pastures, cascades and pastoral lanes are all captured in striking black and white. Yet this is no holiday brochure, for the stark beauty of the images is pierced by unsettling questions that have perhaps drained them of colour: What does it mean to exist in a place where one is neither welcome nor unwelcome? How is it that such a decision rests on arbitrary boundaries, arbitrary histories, and policies that value paperwork over dignity? 　　In one quietly compelling sequence, Abderhaman is asked what he is studying in the classes he attends. “Only Italian,” he responds. It is a moment that underscores both his ability to function within its society, but also his ambivalence as to whether it wishes him to advance, prosper or, indeed, remain. 　　源自：https://iffr.com/en/iffr/2023/films/geology-of-separation

Much has been documented about the great traumas that attend migration towards the West in search of the sometimes-mythic ‘better life’. With great pathos, Geology of Separation explores another route, constructing a narrative thread by tracing the mundane quotidian experience of Abderhaman, a migrant who fled violence in Libya and is awaiting permission to remain in Italy. 　　This period of limbo is plagued with tiresome, demoralising indignities that arise from casual racism raining down from various figures of authority. For much of the film the camera gazes lengthily, languorously, peacefully at landscapes, skyscapes and topographies; snow-covered mountainsides, cow-dotted pastures, cascades and pastoral lanes are all captured in striking black and white. Yet this is no holiday brochure, for the stark beauty of the images is pierced by unsettling questions that have perhaps drained them of colour: What does it mean to exist in a place where one is neither welcome nor unwelcome? How is it that such a decision rests on arbitrary boundaries, arbitrary histories, and policies that value paperwork over dignity? 　　In one quietly compelling sequence, Abderhaman is asked what he is studying in the classes he attends. “Only Italian,” he responds. It is a moment that underscores both his ability to function within its society, but also his ambivalence as to whether it wishes him to advance, prosper or, indeed, remain. 　　源自：https://iffr.com/en/iffr/2023/films/geology-of-separation

1931年9月18日，野心勃勃的日本帝国主义悍然发动了“九•一八”事变，大胆将贪婪的爪牙伸向中国的东北。然而蒋介石为首的国民政府却下令东北军放弃抵抗，全面撤出东北。虽有无数热血男儿志愿报效祖国，无奈军令如山，只得眼望着日寇长驱直入，如入无人之境，心中满是酸楚的血泪。军队的不作为，并不代表中国人民的软弱，反而最底层的百姓有着最为强烈的反抗意识。家住朝阳县清风岭的赵老嘎（李幼斌 饰）便是这样一根不屈不挠的硬骨头，他联合村民组成抗日队伍，发誓保卫这片祖祖辈辈生存于斯的故土。 　　他们不仅要面对鬼子一次又一次的扫荡，还要共同体味着世间冷暖与人情变化……

《村主任李四平》是一部反映九十年代农村新生活的风俗喜剧。它展现了以李四平为代表的当代农村基层干部在商品经济下的生活经历和心态历程，集中反映了改革开放以来农村生活发生的一系列变化和所取得的新成就。全剧以纵横捭阖的全景式叙述方式，自然流畅的轻喜剧风格，以及韵味十足的鲁南山乡风情，深刻地折射了农村脱贫致富过程中人际关系的微妙变化。同时对现实生活中的一些陋习、弊端与消极现象，也给予了辛辣的嘲讽，适度的鞭挞和善意的批评。全剧宛若一幅当代的“清明上河图”，具有强烈的内在张力和独特的艺术感染力。

《村主任李四平》是一部反映九十年代农村新生活的风俗喜剧。它展现了以李四平为代表的当代农村基层干部在商品经济下的生活经历和心态历程，集中反映了改革开放以来农村生活发生的一系列变化和所取得的新成就。全剧以纵横捭阖的全景式叙述方式，自然流畅的轻喜剧风格，以及韵味十足的鲁南山乡风情，深刻地折射了农村脱贫致富过程中人际关系的微妙变化。同时对现实生活中的一些陋习、弊端与消极现象，也给予了辛辣的嘲讽，适度的鞭挞和善意的批评。全剧宛若一幅当代的“清明上河图”，具有强烈的内在张力和独特的艺术感染力。

洛杉矶的一个家庭在历史上最大的灾难的汇合中分开了：一个超级火山、一次特大地震和一次大规模龙卷风。当世界经受住这场几乎世界末日的事件时，我们的英雄们必须坚持自己的技能和智慧来团结和生存下去。

洛杉矶的一个家庭在历史上最大的灾难的汇合中分开了：一个超级火山、一次特大地震和一次大规模龙卷风。当世界经受住这场几乎世界末日的事件时，我们的英雄们必须坚持自己的技能和智慧来团结和生存下去。