‘85新潮運動，是中國當代藝術擺脫社會主義束縛的分水嶺。 1989年轟動一時的「越界，中國先鋒藝術」展覽會， 走在時代前端的中國先鋒派藝術家大膽地創新和標新立異， 這是中國當代藝術發展的里程碑。 他們的創作征服了世界。 　　從北京到雲南，這批藝術家或繪畫、或雕刻、或攝影， 把他們眼中所見的中國，化為一件件藝術。 或幽默，或諷刺，如岳敏君所繪的＜處決＞， 描繪三個僅著內褲的男子，在面臨槍決前，仍笑得樂不可支。 這幾位當代藝術師把中國近代的歷史事件化為藝術作品， 不僅獲得國際藝術界的肯定，更重要的是他們代表了中國的覺醒， 現代的一輩將他們的所知所聞化為藝術， 讓世人都明白中國已從睡夢中甦醒！

‘85新潮運動，是中國當代藝術擺脫社會主義束縛的分水嶺。 1989年轟動一時的「越界，中國先鋒藝術」展覽會， 走在時代前端的中國先鋒派藝術家大膽地創新和標新立異， 這是中國當代藝術發展的里程碑。 他們的創作征服了世界。 　　從北京到雲南，這批藝術家或繪畫、或雕刻、或攝影， 把他們眼中所見的中國，化為一件件藝術。 或幽默，或諷刺，如岳敏君所繪的＜處決＞， 描繪三個僅著內褲的男子，在面臨槍決前，仍笑得樂不可支。 這幾位當代藝術師把中國近代的歷史事件化為藝術作品， 不僅獲得國際藝術界的肯定，更重要的是他們代表了中國的覺醒， 現代的一輩將他們的所知所聞化為藝術， 讓世人都明白中國已從睡夢中甦醒！

20世纪70年代末，随着文化大革命的结束，压制许久的艺术界终于破土而出，用鲜嫩的苗芽迫不及待的探寻着春的气息。

这是一场作家和演员的文学之旅。5位顶级作家和5位资深演员共同开启10次奇妙的文学旅行，穿过课本中的文学城市，作家完成文学创作后由演员进行沉浸式舞台演绎，共同创造全新实景文学舞台作品。

这是一场作家和演员的文学之旅。5位顶级作家和5位资深演员共同开启10次奇妙的文学旅行，穿过课本中的文学城市，作家完成文学创作后由演员进行沉浸式舞台演绎，共同创造全新实景文学舞台作品。

One of the world's greatest authorities on the Middle Ages, Professor Robert Bartlett of St Andrew's University, investigates the intellectual landscape of the medieval world. 　　In the first programme, Knowledge, he explores the way medieval man understood the world - as a place of mystery, even enchantment. The world was a book written by God. But as the Middle Ages grew to a close, it became a place to be mastered, even exploited. 　　In Sex, he unearths remarkable evidence of the complex passions of medieval men and women. The Church preached hatred of the flesh, promoted the cult of virginity and condemned woman as the sinful heir to Eve. Yet this was the era that gave birth to the idea of romantic, or 'courtly' love. 　　In Belief, the supernatural comes under the spotlight. The medieval dead shared the world with the living: the cult of the saints, encounters with the dead, and visions of the next world were all seen as proof of a two-way traffic between this world and the next. 　　In the final programme, Power, Professor Bartlett lays bare the brutal framework of the medieval class system. Inequality was a part of the natural order: the life of serfs was little better than those of animals, while the knight's code of chivalry was based more on caste solidarity than morality. The class you were born into determined who you were.

One of the world's greatest authorities on the Middle Ages, Professor Robert Bartlett of St Andrew's University, investigates the intellectual landscape of the medieval world. 　　In the first programme, Knowledge, he explores the way medieval man understood the world - as a place of mystery, even enchantment. The world was a book written by God. But as the Middle Ages grew to a close, it became a place to be mastered, even exploited. 　　In Sex, he unearths remarkable evidence of the complex passions of medieval men and women. The Church preached hatred of the flesh, promoted the cult of virginity and condemned woman as the sinful heir to Eve. Yet this was the era that gave birth to the idea of romantic, or 'courtly' love. 　　In Belief, the supernatural comes under the spotlight. The medieval dead shared the world with the living: the cult of the saints, encounters with the dead, and visions of the next world were all seen as proof of a two-way traffic between this world and the next. 　　In the final programme, Power, Professor Bartlett lays bare the brutal framework of the medieval class system. Inequality was a part of the natural order: the life of serfs was little better than those of animals, while the knight's code of chivalry was based more on caste solidarity than morality. The class you were born into determined who you were.

《麦咭安全启蒙》是一部以麦咭、叽哩咕噜、暴暴牙等人气动漫角色为主角的系列安全教育动画。作品以儿童日常生活为切入点，通过一个个充满趣味与惊险的小故事，讲述孩子们在日常生活中可能遇到的各种安全隐患，让儿童在笑声与故事中完成“安全意识启蒙”。

《麦咭安全启蒙》是一部以麦咭、叽哩咕噜、暴暴牙等人气动漫角色为主角的系列安全教育动画。作品以儿童日常生活为切入点，通过一个个充满趣味与惊险的小故事，讲述孩子们在日常生活中可能遇到的各种安全隐患，让儿童在笑声与故事中完成“安全意识启蒙”。