长大后，总会面对这个问题：我是否应该把一个孩子带到这个世界？关于生育、关于女性身体、关于我们的未来。

在數百個故事和壓倒性數據的支持下，導演湯姆唐納修透過鏡頭帶出了幾十年來好萊塢女性在鏡頭前後遭受到的歧視及排擠。梅莉史翠普／娜塔莉波曼／潔西卡崔斯坦……等眾知名女星／女性導演／製片紛紛現身說法，大談光鮮亮麗後的潛規則。她們攜手挺身而出，但世人是否能正視問題所在？是否能因此改革好萊塢？

在數百個故事和壓倒性數據的支持下，導演湯姆唐納修透過鏡頭帶出了幾十年來好萊塢女性在鏡頭前後遭受到的歧視及排擠。梅莉史翠普／娜塔莉波曼／潔西卡崔斯坦……等眾知名女星／女性導演／製片紛紛現身說法，大談光鮮亮麗後的潛規則。她們攜手挺身而出，但世人是否能正視問題所在？是否能因此改革好萊塢？

在數百個故事和壓倒性數據的支持下，導演湯姆唐納修透過鏡頭帶出了幾十年來好萊塢女性在鏡頭前後遭受到的歧視及排擠。梅莉史翠普／娜塔莉波曼／潔西卡崔斯坦……等眾知名女星／女性導演／製片紛紛現身說法，大談光鮮亮麗後的潛規則。她們攜手挺身而出，但世人是否能正視問題所在？是否能因此改革好萊塢？

一个年轻的花花公子，他得知直到他变的不育时还有一个月，于是决心尽可能的去创造更多

一个年轻的花花公子，他得知直到他变的不育时还有一个月，于是决心尽可能的去创造更多

A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? 　　The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. 　　The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. 　　By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? 　　The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. 　　The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. 　　By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

长大后，总会面对这个问题：我是否应该把一个孩子带到这个世界？关于生育、关于女性身体、关于我们的未来。

长大后，总会面对这个问题：我是否应该把一个孩子带到这个世界？关于生育、关于女性身体、关于我们的未来。