Directed by 　　Alejandro Agresti 　　Gábor Altorjay 　　José Luis Guerín 　　Clemens Klopfenstein 　　Tato Kotetshvili 　　William Mbaye Ousmane 　　Eagle Pennell 　　Dick Rijneke 　　Mrinal Sen 　　Béla Tarr 　　Mildred Van Leeuwaarden 　　Krzysztof Kieslowski (segment "Siedem dni w tygodniu") 　　Carlos Reichenbach (segment "Desordem em Progresso")

七十年代末，知青杜立诚为了顺利返城，和妻子金妹办理了离婚手续，相约日后复婚。他回到上海，被分到中学做语文老师，苦等妻子两年之后，却收到了一…

讲述了一个印度的司机,由于自己长相非常像印度的一个明星,于是通过在小酒吧里面模仿那个明星慢慢改善了自己的生活,但是在改变的过程中遇到了种种事情,

After a strong clash, Lola and Yanet, two young women in their twenties, completely opposed to each other, embark on an escape trip to Malaga which is, at the same time, the journey of both of them to escape from their present lives and find a place in the world. Together and with nothing to lose, Lola and Yanet face their fears, differences and a future that, with each passing minute, becomes more uncertain.

After a strong clash, Lola and Yanet, two young women in their twenties, completely opposed to each other, embark on an escape trip to Malaga which is, at the same time, the journey of both of them to escape from their present lives and find a place in the world. Together and with nothing to lose, Lola and Yanet face their fears, differences and a future that, with each passing minute, becomes more uncertain.

网络微纪录片《温暖中国·城市公益故事》精选在公益方面有引领示范效应的城市，深入挖掘该城市在推进乡村振兴、助学、助老、助残、助医、济困、救灾、关爱妇女儿童等方面的温暖故事，创作成精品短片，以生动的影像，多场景视听化展现城市向善力量和行动。

In this four and a half hour documentary or filmic tavelogue, Ulrike Ottinger tries to impart new ways of seeing a foreign culture. "In my previous films I have dealt with the themes of exoticism, minorities and their differing role behaviour within their own culture. Now I am interested in expanding this theme, in getting to know a 'real exoticism' in a foreign land and in a different culture. I am attempting to conduct a visual discourse with my camera about exoticism as a question of point-of-view. 　　In making the film, I was influenced by Chinese naturepainting: by the use of the scroll, which not only demands a different method of painting, but a different way of viewing - rolling out the scroll, focusing in on details, wandering to and fro, viewing piecemeal. So if I was filming a market square, for example, I'd pan very slowly and steadily across the square, rather than trying to capture the image in toto. 　　– Ulrike Ottinger

影片通过六个章节来描述这个在1943年几乎遭到纳粹完全歼灭的塞萨洛尼基犹太群体的生活状态，以及他们所受到的威胁。过去和现在的交替构成了一个宽大的回音室，身处其间的观众将会体验到那令人惊骇的疯狂人性。