长期在外的军人赛回到家乡参加女儿的婚礼。婚礼上欢快的场面让他想起了当年的自己：那时他刚刚12岁，新娘图伊特18岁。图伊特是小妾的女儿，没有什么文化，赛对这个父母硬塞给他的妻子厌恶至极。尽管图伊特竭尽全力想要得到丈夫的爱，但这场带有包办性质的婚姻从一开始就注定是场失败。为了逃避图伊特，赛参了军，并且爱上了另一个女孩，最终选择了离开家乡。 多年以后，在女儿的婚礼上，再一次站在赛身旁的图伊特，泪如泉涌。

奥米（文森特·斯卡维利 Vincent Schiavelli 配音）生活在俄国沙皇统治时期的美国，虽然国家有哥萨克卫队维持秩序，但是在俄军的残酷杀戮下，人民的生活被摧毁，流离失所，生活艰难。奥米的爸爸是一位教父，但在侵略者的暴行下被残忍屠杀。悲痛的妈妈带着奥米离开家乡，一直流浪到一个新城市，在那里过着艰难的生活。然而，命运眷顾着奥米，他遇见了名不见经传的歌手路易。年少的奥米成为了路易的助手，通过四处演唱赚取一些微薄的收入来维持生计。 　　然而，当家庭生活刚刚有所起色时，一场无情的大火夺去了奥米的妈妈的生命，使他失去了唯一的亲人。在火灾之后，奥米和路易依靠彼此求生。然而，更不幸的事情接踵而至，奥米在俄军的袭击中受重伤，声带损坏，再也无法继续演唱歌曲。在无法发出歌声的痛苦日子里，奥米逐渐长大成为一个英俊的年轻人。在这个时候，他遇见了生命中的另一位重要女性，美丽的舞女贝拉（丽莎·简·波斯基 Lisa Jane Persky 配音）。两人彼此相知相爱，并迎来了他们的孩子贝尼。然而，刚刚开始的幸福生活被恐怖分子的袭击所打破，贝拉不幸遇难，让奥米再次陷入了悲伤和困境之中。

奥米（文森特·斯卡维利 Vincent Schiavelli 配音）生活在俄国沙皇统治时期的美国，虽然国家有哥萨克卫队维持秩序，但是在俄军的残酷杀戮下，人民的生活被摧毁，流离失所，生活艰难。奥米的爸爸是一位教父，但在侵略者的暴行下被残忍屠杀。悲痛的妈妈带着奥米离开家乡，一直流浪到一个新城市，在那里过着艰难的生活。然而，命运眷顾着奥米，他遇见了名不见经传的歌手路易。年少的奥米成为了路易的助手，通过四处演唱赚取一些微薄的收入来维持生计。 　　然而，当家庭生活刚刚有所起色时，一场无情的大火夺去了奥米的妈妈的生命，使他失去了唯一的亲人。在火灾之后，奥米和路易依靠彼此求生。然而，更不幸的事情接踵而至，奥米在俄军的袭击中受重伤，声带损坏，再也无法继续演唱歌曲。在无法发出歌声的痛苦日子里，奥米逐渐长大成为一个英俊的年轻人。在这个时候，他遇见了生命中的另一位重要女性，美丽的舞女贝拉（丽莎·简·波斯基 Lisa Jane Persky 配音）。两人彼此相知相爱，并迎来了他们的孩子贝尼。然而，刚刚开始的幸福生活被恐怖分子的袭击所打破，贝拉不幸遇难，让奥米再次陷入了悲伤和困境之中。

華沙大學助理教授馬立克長途跋涉，去探訪闊別五年的好朋友兼大學同學楊，目的是要請楊返回大學工作。37歲的楊放棄了大學教席，在一個孤立的氣象站工作，與任職小學教師的妻子安娜及他的祖父住在偏遠的農村小屋，家中甚至沒有一個電視機。當地人亦沒有什麼文化生活，與楊格格不入。 　　馬立克是個前途燦爛的物理學家，專長是研究人工水晶體，曾在哈佛大學和莫斯科留學兩年半。馬立克已離婚，採取玩世不恭的態度對待工作和愛情。他認為付出的必須要有回報，他無法理解為何楊可以在這貧瘠的地區滿足自己。 　　馬立克對安娜描述外地的風光，以幻燈片證明美國的美好生活和蘇聯共產主義的弊端，引起從小在窮鄉僻壤長大的安娜憧憬，兩人甚至幾乎發生戀情，但她最終還是把他送走。 　　影片藉馬立克與楊對人生、愛情和科學的不同態度，探討知識分子應如何在社會上發揮功能，並提出了深刻的哲學問題。

讲述了人类饮食习惯的改变过程，食物大批量生产所带来的一系列后果，以及肥胖与瘦弱的根源是什么，其中，一定有你想象不到的结论。

A masterwork of Sri Lankan cinema, this moving saga of family and class conflict was made by Lester James Peries, his country’s foremost filmmaker and a director much admired by India’s Satyajit Ray. 　　Gamperaliya is regarded as a cornerstone of Sri Lankan cinema, launching upon its release in 1964 ‘a revolution, not only in the way films were made, but also in the content,’ according to producer Anton Wickramasinghe. 　　Peries sought an alternative to the Bollywood-influenced melodramas that dominated Sri Lanka’s commercial cinema, writing stories that looked at the staple issues of melodrama in a more nuanced way. 　　The film, adapted from a novel by Martin Wickramasinghe, focuses on Piyal, a teacher and member of the new rising middle class, who falls in love with the daughter of his village’s leading aristocratic clan; the girl’s parents insist upon a marriage to a stuffed shirt of her own class, one that shifting social forces are already rendering obsolete. 　　Gamperaliya is filmed in an elegant and uncoercive narrative style that has been compared to Satyajit Ray’s Apu Trilogy; its aesthetic choices also have a moral dimension: at every level, this is a movie about the importance of setting aside illusion and exaggeration and seeing things as they are.

Moshe Ivgy is Yutz, a frustrated poet past his prime, who with his aging bohemian friends frequent Café Braun run by Leah a sympathetic mother figure who has kept the place going for over 30 years. The café was once a home to artists and intellectuals, now it is a haven for oddballs and outcasts including: a violent Arab painter fresh out of an insane asylum, an alcoholic mama’s boy who stutters, a macho heartbroken musician and an outcast Belgian immigrant photographer. The landlord puts the squeeze on Leah and threatens to demolish the building. Through a bizarre chain of events, Yutz and his friends band together to save the café and in turn save themselves. An off beat comedy about people struggling to maintain their sanity in an insane reality

Moshe Ivgy is Yutz, a frustrated poet past his prime, who with his aging bohemian friends frequent Café Braun run by Leah a sympathetic mother figure who has kept the place going for over 30 years. The café was once a home to artists and intellectuals, now it is a haven for oddballs and outcasts including: a violent Arab painter fresh out of an insane asylum, an alcoholic mama’s boy who stutters, a macho heartbroken musician and an outcast Belgian immigrant photographer. The landlord puts the squeeze on Leah and threatens to demolish the building. Through a bizarre chain of events, Yutz and his friends band together to save the café and in turn save themselves. An off beat comedy about people struggling to maintain their sanity in an insane reality

一部关于戏园子在时代变迁背景下的大变迁。