伊尔盼兼职攒下来的钱被爸爸瓜分，使得他买不到心爱的手风琴。伊尔盼跟朋友穆萨鬼混，挨了卡米力一伙人的打，只好跟着妈妈回家。最终阿伊莎帮他，伊尔盼得到了手风琴，并且在此过程中俩人的关系变得亲近。

伊尔盼兼职攒下来的钱被爸爸瓜分，使得他买不到心爱的手风琴。伊尔盼跟朋友穆萨鬼混，挨了卡米力一伙人的打，只好跟着妈妈回家。最终阿伊莎帮他，伊尔盼得到了手风琴，并且在此过程中俩人的关系变得亲近。

老人（马迎春 饰）从小就热爱音乐，女儿蒙蒙（马雅舒 饰）长大后，父亲花光了家里的所有积蓄，为她买了一台手风琴。一晃眼多年过去，蒙蒙在北京找到了工作，买了车，买了房，优渥的生活之中，她逐渐淡忘了在老家，还有她的老父亲在默默的等待着她，想念着她。 　　老人将女儿曾经用过的手风琴视若珍宝，但手风琴的年代实在是太久远了，已经严重损坏再也无法演奏。于是，老人带着琴来到了北京，一方面是为了修琴，另一方面是来探望女儿。老人被告知，手风琴已经再无修好的可能了，与此同时，老人在琴行里亦看中了另一款手风琴。面对这昂贵的价格，蒙蒙犹豫了。

《手风琴》是女导演作品中最抽象的一部电影，运用第一人称叙述法，描写一段透过网路视讯发生的「网爱」。主角们的肉体受情慾所控制，最后和电脑零件一起熔化。

Follows a boy who experiences memory loss and growing pains, meets a transfer student, and faces cracks in his daily life that lead to a strange incident.

Follows a boy who experiences memory loss and growing pains, meets a transfer student, and faces cracks in his daily life that lead to a strange incident.

无声短片《拉手风琴者》（英语：Accordion Player），拍摄者为路易斯·普林斯（Louis Le Prince），现存第41~59帧，内容是他的儿子阿道夫·雷·普林斯（Adolphe Le Prince）在演奏全音阶手风琴，拍摄地为阿道夫的外公约瑟夫·惠特利（Joseph Whitley）家房前的台阶上，时间可能为1888年。这条短片尚未经专业修复。

”Kira Muratova, the grande dame of Eastern European cinema returns with her richest, most imposing vision of societal decay and personal efflorescence since The Aesthenic Syndrome encapsulated a very different moment in the former Soviet Union's history in 1989. Set largely in the vast central railway station of Kiev, a casino, a shopping arcade and the snow-blanketed streets between, Melody is a majestically realised pageant of the burgeoning new economy of inequality. Like Dickensian orphans or children in a fairytale, a motherless brother and sister arrive in the city and traipse through festive Christmas streets looking for their respective fathers… 　　The heedless adults who rush around them are endowed with varying blends of self-preoccupation, larceny, skepticism, boredom, gluttony, panic, but even at their most appalling these caricatures of urban insanity are disturbingly, sometimes even hilariously familiar. Muratova's vision of 21st-century decadence is thrilling in its ripe theatricality and self-conscious dramatic heft, yet its thunderous damnation could awaken the most jaded soul. This deeply unfashionable film is some kind of masterpiece.” – BG at tvnz.co.nz/new-zealand-international-film-festival/