中微子被称作原子中的鬼粒子ghost particle。这是 Feynman 发现的。 　　Neutrino中微子：核反应和超新星爆发中产生的一种粒子，比原子更基本，质量很小或没有质量，几乎不与物质发生作用；中微子不带电荷，运动速度达到（如果其质量为零）或接近光速（如果其具有质量）。 　　τ子（陶子）中微子Tau neutrino 近代物理学研究认为，物质的最小构成单位不是原子和分子，而是被称为夸克和轻子的更小粒子，它们的尺寸不足原子的十亿分之一。目前已知的夸克和轻子各有６种，所有物质都是由这１２种基本粒子组成的。这也是粒子物理标准模型的主要内容。 　　夸克包括下、上、奇异、粲、底、顶６种。轻子也有６种，即电子、电子中微子、μ子（缪子）、μ子中微子、 τ子（陶子）和τ子中微子。此前，科学家们陆续通过实验检测到了除τ子中微子外的其它１１种基本粒子，但却一直没有发现τ子中微子存在的直接证据。 　　２０世纪３０年代，科学家发现原子核在衰变前后的能量不一致。瑞士物理学家泡利对此提出假设，有种新粒子“窃走了”能量。后来的发现证明泡利的假设是正确的，物理学家费米遂将这种微小的中性粒子称为中微子。中微子无处不在，以光速飞奔，却又几乎不与周围的物质作用。在自然界里，中微子产生于太阳内的放射性衰变过程，或者宇宙射线中，它可以揭示宇宙质量及浩瀚太空中各种星体的许多奥秘。 　　１９８２年，美国费米实验室科学家用实验支持了τ 子中微子存在的假设。１９８９年，欧洲核子研究中心科学家证实τ子中微子是标准模型中的第三个、也是最后一个中微子，但他们无法找到直接证据。 　　１９９４年，加利福尼亚大学研究生维多里奥·保罗内和费米实验室的物理学家布雷南·伦德博格提出了“τ 子中微子直接观测器”的构想，并得到了费米国家实验室的支持。直接观测器于１９９６年建造完成。从１９９７年开始，美、日、希、韩的５４名科学家用它探测 τ子中微子，历时三年终于找到它存在的证据。 　　中微子的发现，对于人类揭开物质构成之谜以及探求宇宙天体奥秘等都有重要意义。但此次发现τ子中微子存在的直接证据并不意味着粒子物理学篇章的完成。研究人员正在探索中微子是否有质量，其结果就有可能影响粒子物理学的标准模型，并使人们对宇宙的演化、构成等有更深的认识

在各种粒子中，中微子极其神秘而且难以测量和捕捉，中微子到底是什么样的一个粒子，它会不会像《2012》中描述的那样给地球带来毁灭性灾难，幽灵捕捉计划到底是什么，人们又是怎么发现中微子的，所有的答案尽在BBC地平线：幽灵捕捉计划——寻找中微子。

This new BBC commissioned series makes a compelling case against the dumb-it-down trend that has taken over most mainstream science related programming in the last few years. 　　Jim Al-Khalili, the head of theoretical nuclear physics at the University of Surrey, brings absorbing and accessible views on the development of fundamental physics ideas to the screen for both non-scientists and scientists - my(very non-science) pre-WW2 vintage mum was captivated. 　　Even if you already have a strong science interest/background, this captivating mini-series offers a different take on many familiar (and not-so familiar)names, their relationships and key events (Einstein, Bhor, Curie, Rutherford) that makes it well worth a viewing. Perfect material to encourage a real interest in youngsters as well as the more cynical "eldsters"

一間位於山腳下的雞舍，因為山上核電廠一系列不可思議的滑稽突變，讓雞舍的日常生活發生了翻天覆地的變化。

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... 　　Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. 　　The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. 　　This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

在不久将来的2025年，奥西讯技术总工艾比·狄克逊，前往修理遏核电设备，根据神秘的线索和一些奇怪行为，艾比对该站两名员工的神智和身份产生了怀疑。

在不久将来的2025年，奥西讯技术总工艾比·狄克逊，前往修理遏核电设备，根据神秘的线索和一些奇怪行为，艾比对该站两名员工的神智和身份产生了怀疑。

2022年台湾男团选秀综艺节目。由陈嘉桦、周汤豪、谢坤达（担任星际导师），田一德（担任舞力导师）木木林苇妮（担任暖心学姐），及何美联合主持（担任暖心小老师）。共有80位参赛者，多数来自台湾，将选出2组5人男子音乐组合。节目由野火娱乐制作。节目将80位参赛者分为八大行星组合，并依每个行星，个别成立风格各异的子团互相竞逐。最终获胜的子团将以5名成员成为冠军团出道，并透过投票选拔人气团出道。

Based on the novel by Karel Capek, the prominent Czech writer of the early 20th century who coined the word robot for his play R.U.R., the story revolves around a discovery of Krakatit - a powerful explosive - by Prokop, an experimental scientist who, following an accidental explosion in his lab, slips in and out of delirium. When he realises that, in a delirious period, he has given the formula for making Krakatit to one of his colleagues, he tries to find the man, who does not realize how dangerous a thing Krakatit is. In the process, he nearly gives his discovery away again to foreign interests, a group of anarchists, and even greater forces of darkness...