金鹰卡通卫视精心打造了一档极具创新性的大型夏季水上亲子闯关节目。节目以 1+1 亲子组合形式展开，全程强调亲子间的协作配合，让亲子互动充满趣味。关卡设计新颖独特，能够灵活拼接组合，带来层出不穷的创新玩法。家庭竞技环节节奏紧凑，设置了诸多吸睛赛点。在这里，亲子互动的温馨温情与竞技比拼的紧张刺激完美融合，共同点燃这个火热夏天！

曾以紀錄短片《鷹棲涼山》贏得美國導演工會學生電影獎的劉博濠，新作《火箭發射時》將鏡頭轉向四川涼山的籃球訓練營，15歲的小芳談起夢想，雙眼炯炯有神，但現實卻不如人意，而遠方火箭發射至深空的火光，成了她的寄望。

曾以紀錄短片《鷹棲涼山》贏得美國導演工會學生電影獎的劉博濠，新作《火箭發射時》將鏡頭轉向四川涼山的籃球訓練營，15歲的小芳談起夢想，雙眼炯炯有神，但現實卻不如人意，而遠方火箭發射至深空的火光，成了她的寄望。

根据伦敦西区舞台剧《通讯卫星》（Telstar）改编的同名影片，该片将讲述英国60年代著名音乐制作人乔·米克（Joe Meek）生平故事，片名“Telstar”（通讯卫星）是其制作的最得意的歌曲的名字。曾主演舞台剧版本的康·奥尼尔（Con O'Neill）将扮演继续乔·米克，凯文·斯派西将扮演其理财顾问Major Banks。

根据伦敦西区舞台剧《通讯卫星》（Telstar）改编的同名影片，该片将讲述英国60年代著名音乐制作人乔·米克（Joe Meek）生平故事，片名“Telstar”（通讯卫星）是其制作的最得意的歌曲的名字。曾主演舞台剧版本的康·奥尼尔（Con O'Neill）将扮演继续乔·米克，凯文·斯派西将扮演其理财顾问Major Banks。

阿达曼是一位电脑专家，某日，他乘坐航天飞机，前往杰威空间站完成任务，让她没有想到的是，在空间站，等待着他的竟然是敌人冷酷的枪口。阿达曼遭到了绑架，绑架者们来自塔伦斯坦，他们的国家正遭到来自俄罗斯的威胁，绑匪们企图通过绑架阿达曼，迫使美国当局同俄罗斯谈判。与此同时，绑匪亦控制了所有卫星，一旦谈判失败，这些珍贵的卫星就将毁于一旦。 　　为了挽回紧张的局面，美国航天局派出了经验丰富的亨德里克上校（丹尼尔·鲍德温 Daniel Baldwin 饰），亨德里克驾驶着飞行器，带着三名部下，企图突围空间站。然而，面对敌人强大的火力，三名勇敢的战士不幸牺牲，如此一来，最后的希望就掌握在了亨德里克上校的手中。

The Sputmik is missing and a hillbilly thinks that it had just fell in his backyard. He becomes famous and he and his wife are introduced to the 'High Society' while the CIA, the KGB and the French wants to lay their hands in the Sputnik, by all means necessary. That's the plot. What happens in the movie in fact is a series of jokes about the Brazilian High Society and how the world perceives the Brazil. It's plenty of stereotypes, true, but this is also part of the fun (Jo Soares as a CIA agent who can't stop chewing chewing gum and Norma Bengel as B.B., sexy French agent, are memorable). Lots of funny moments all along the way including its purposely 'open end'. 　　Carlos Manga's comedy O homem do sputnik (1959) represents a significant shift in his attitude towards Hollywood, Brazilian cinema and his own identity. He had become aware of the fact that the influence of American cinema had in some ways been detrimental to his own career, admitting that: "nao era a minha raca, o meu país - entao me revoltei contra isso" (Manga 1983, 30).

The Sputmik is missing and a hillbilly thinks that it had just fell in his backyard. He becomes famous and he and his wife are introduced to the 'High Society' while the CIA, the KGB and the French wants to lay their hands in the Sputnik, by all means necessary. That's the plot. What happens in the movie in fact is a series of jokes about the Brazilian High Society and how the world perceives the Brazil. It's plenty of stereotypes, true, but this is also part of the fun (Jo Soares as a CIA agent who can't stop chewing chewing gum and Norma Bengel as B.B., sexy French agent, are memorable). Lots of funny moments all along the way including its purposely 'open end'. 　　Carlos Manga's comedy O homem do sputnik (1959) represents a significant shift in his attitude towards Hollywood, Brazilian cinema and his own identity. He had become aware of the fact that the influence of American cinema had in some ways been detrimental to his own career, admitting that: "nao era a minha raca, o meu país - entao me revoltei contra isso" (Manga 1983, 30).

After a terrifying encounter at an abandoned government test site, a small town family man begins seeing haunting visions of a past that threatens to destroy his present.