ThiscolorpropagandafilmdocumentaryaccountoftheCommunistconquestofChinabeginsin1929(allarchivefootage)whenMaoTse-TungandhissmallarmyheldonlyafewcitiesinthenorthernpartofChina.Thebandofrevolutionariesincreasedwhenthepoverty-strickencitizensjoinedtheCommunistranksinaresponsetopromisesoflandreformsandrelief.WhenJapanattackedthecountryin1937,itwasMao'sCommunistarmy,accordingtothisfilm,whichtookthebruntofthedefensefightingwithancientweapons.WhenWorldWarIIended,theCommunistsbegantheirsurgetotakeoverChina.Alltheimportantcitiesfelltotherebels.EquipmentsentbytheUnitedStatesforthedefenseofNationalistChinafellintothehandsofMao'sarmy.TheKomintangintimewaspushedtotheborderofVietNamandvictorywenttoMaowhiletheremnantsofCgiang'sarmyescapedtotheislandofFormosa.

《为中国找水》，历经三年艰苦、充满曲折探险经历的拍摄，采集大量生动素材，纪录片主要向观众展现考察队的野外生活以及工作情况，以及独特的民族风情和地里环境，让观众从现场画面以及考察队所看到的实际情况，客观的去了解中国的水资源实际情况。《为中国找水》是以一位民间的独立科学工作者杨勇为头号主人公，杨勇已经关注江河生态环境20多年，在1986年的一次轰轰烈烈的长江漂流运动中，他与江河结下不解之缘，之后的20年里他一直奔走在中国西部的江河间，见证与记录江河的变迁，寻求江河有序发展的道路。是什么驱使着这么民间草根学者这么多年来靠自己的能力和资金去实施如此漫长的野外科学考察，节目就希望通过镜头来向观众展现这让人敬仰同时又让人无法理解的背后故事。

临近年末，各大卫视的跨年之战再起硝烟。今年贵州卫视先声夺人，在同质化严重的歌唱节目中推陈出新，遍邀海内外的歌坛大咖云集《为中国歌唱》，还请来了当红主持撒贝宁担纲，梁翘柏担任音乐总监，腾格尔、齐豫等歌坛大腕已确定参加。精良的制作班底让人对12月30日贵州卫视的这场荧屏视听盛宴充满期待。

虹影，1962 年出生于重庆，是著名的英籍华人女作家、诗人。其代表作有《饥饿的女儿》《K》《鱼教会鱼歌唱》等。

本片跟拍了中国服装、建筑与产品设计领域的多位领军人物在事业上的重要时间节点，解读了他们各自的设计风格与灵感来源，从而映射出我们所在的时代，正在经历的从“中国制作”到“中国设计”的嬗变过程

Take any of the Andrey Tarkovsky's movies, take away all the art-houseness from it and you'll get "Zerkalo dlya geroya". Quite interesting that I watched this movie when was a child and didn't like it because I didn't understand a thing, watched it when I was a teenager and quite liked it but didn't understand it anyway and finally I've watched it now and found that it's a great movie with a good and deep idea. The plot (no big spoilers): Young Sergey (Sergey Koltakov) and his old father are two quite different men: Sergey cannot understand why his father is so concerned about the other people's fates, about fates of towns and villages and the fate of the whole country. He finds him an old fool, but Sergey's own fate soon forces him to understand his father. On a show of the rock band "Nautilus Pompilius" (semi-underground at the Soviet times) he meets Andrey, an aged man who was once imprisoned for an incident on a coal mine that was under his management. After the show they take a walk in a park and suddenly discover that a movie is being made there. The two want to find a better place to see the movie-makers set and Andrey suggests one. The two run around a high concrete fence and Andrey stumbles at a thick wire stuck in the ground. He falls. Once he is up the both men walk to the end of the fence and suddenly find there is no park behind it: they see a steam engine and a militiaman in the uniform of Stalin times, they find themselves in a little coal-mining town they were both grown in. Soon Andrey begins to think that fate gives him a chance to prevent the accident he was imprisoned for, Sergey unwillingly discovers his father's generation for himself, their time, their lives and what they lived for. Acting, as well as photography and direction is absolutely amazing. The scenes in the old coal mine are stunning and unforgettable. Very sensible and thoughtful movie that still doesn't leave a heavy trace as all the Tarkovsky's works. And of course, some knowledge of who Stakhanov and NKVD were would be very helpful if you want to understand everything.

NHK的ETV特集节目。以战后留在中国的满映编辑者岸富美子女士为讲述人，去验证现代中国电影中满映的日本人是如何参与其中的。

本动画片短短不过5分钟，却引人发思。 设计师从公文包里掏出笔与各种作图工具，伴着市井之声，他开始在图纸上设计楼房。房间与房间在他笔下除了位置，一模一样。之后，他将一张张家庭剪影放进一个个房间，房间似乎有了生气也有了区分。但他紧接的动作表明，每个人的人生，都似他设计的一个个房间，并无不同。

电影《设计》讲述了一众人物在冷血无情的世界中,被欲望驱使着互相伤害和被伤害,展开令人窒息的头脑战斗的故事。