和许多平凡的家庭一样，丽莎（黛安·克鲁格 Diane Kruger 饰）和朱利安（文森特·林顿 Vincent Lindon 饰）安然享受着亲情和爱情带来的幸福时光，儿子奥斯卡（Lancelot Roch 饰）的聪明和伶俐为这个本来就很美满的家庭增添了又一丝的欢笑。然而，谁也没有想到，这所有的一切在警察到来那一天画上了句号。 　　警察逮捕了丽莎，霎时间，一个普通的女人成为了人人谈之色变的杀人凶手。从逮捕到定罪再到判刑，这其中的疑点重重令朱利安嗅到了阴谋的味道。坚信妻子清白的朱利安开始四处奔走，当他发现所有希望都被灭绝后，一个疯狂的念头浮现在了脑海之中。真相究竟是什么已经不再重要，对于朱利安来说，救出妻子就是他目前唯一要做的事情，哪怕不择手段。

宋琬婷和张栋梁是大学同学，也是相恋多年的恋人。优秀漂亮的宋琬婷为了爱情，不顾父母的反对和毕业时拿到的五百强企业offer，毅然和张栋梁领证，远嫁到张栋梁所在的城市。谁知，这并不是幸福生活的开始，而是一个困住宋琬婷的牢笼。

宋琬婷和张栋梁是大学同学，也是相恋多年的恋人。优秀漂亮的宋琬婷为了爱情，不顾父母的反对和毕业时拿到的五百强企业offer，毅然和张栋梁领证，远嫁到张栋梁所在的城市。谁知，这并不是幸福生活的开始，而是一个困住宋琬婷的牢笼。

宋琬婷和张栋梁是大学同学，也是相恋多年的恋人。优秀漂亮的宋琬婷为了爱情，不顾父母的反对和毕业时拿到的五百强企业offer，毅然和张栋梁领证，远嫁到张栋梁所在的城市。谁知，这并不是幸福生活的开始，而是一个困住宋琬婷的牢笼。

Metin是斯德哥尔摩郊区的小骗子，充满了大梦想，但由于街头犯罪的循环世界而陷入困境。 当他的秘密日记成为豪华的书籍出版商的热门物品时，事情就会发生变化，而Metin必须决定他是否真的要应对他的犯罪生活的挑战。 斯德哥尔摩郊区受人尊敬的人，生活在犯罪之中，但想成为一名演员。巧合的是，他的日记掉在地上，被 Lena Endre 发现，她认为这本日记很棒，想出版……

Barry Cooper was a highly decorated Texas narcotics officer — until he turned on the police force by busting crooked cops and teaching drug users how to hide their stash.

28세의 정숙은 북괴 대남첩자로 침투했다가 한 애국시민의 신고로 체포된다. 대공분실 정경감은 정숙이 철저한 정신적 무장속에서도 따듯한 피가 흐르고 있는 여성임을 발견하게 되고 구원을 결심하다. 한편 정숙은 침투 현장 답사 중 뜻하지 않았던 교통사고를 당하게 되고, 정겸감의 배려로 종합병원에 입원하게 된다. 병원생활에서 자유의 소중함을 깨닫게 되고, 환자 중 축구선수 이찬에게 연정도 느끼게 된다. 퇴원이 임박한 날 밤, 저격범에게 저격당한 정숙은 저격범이 이미 죽은줄 알았던 자신의 남편임을 알고 그들의 잔인함과 악랄함을 다시 느낀다. 그녀는 위선과 허위로 걸쳤던 그 위장의 옷이 얼마나 무가치 하고 바보스러웠던가를 절감하고 옷을 벗는다. (출처 : 시나리오) 　　28岁的郑淑作为北怪对南间谍潜入北韩后，因一位爱国市民的举报而被捕。对共分室的情景警监说:“发现贞淑是在彻底的精神武装下，仍流着鲜血的女性。”并决定救助贞淑。另一方面，在潜入现场实地考察中，郑淑遭遇了意想不到的交通事故，并在郑谦感的照顾下住进了综合医院。在医院生活中领悟到了自由的重要性，患者中还对足球选手李灿产生了恋情。出院前夕，遭到狙击犯狙击的郑淑知道狙击犯已经是自己的丈夫，再一次感受到了他们的残忍和恶毒。她切实感受到她那套虚伪和虚伪的衣服是多么无价值和愚蠢。

Description: Filmed mostly in his country home in 1965, ROBERT BRESSON - WITHOUT A TRACE is a revealing discussion with Bresson. Bresson at this time had completed six of his most well known films and was in the process of shooting Au Hasard Balthazar. 　　Usually a man of few words, having never before granted an interview on camera, Bresson agreed to answer the questions of a then-unknown writer François Weyergans, for the Cineaste de Notre Temps series. 　　Ranging over topics from the inspiration behind his films, to his ideas on the use of sound, actors, editing and music, and the state of (the then) contemporary cinema (from James Bond to the New Wave), Bresson describes his singular approach to filmmaking. 　　Incorporating clips from several of his films, and with a new introduction by Weyergans today, ROBERT BRESSON - WITHOUT A TRACE is a unique historical record that provides unparalleled insight into the work and ideas of Robert Bresson. 　　"Recommended. Robert Bresson is the most under-rated of the major French film directors. [WITHOUT A TRACE] is the only filmed interview granted by this elusive director. Bresson's comments on varied subjects (Matisse, Cezanne, Pascal, Dostoevsky, cinema vs. theatre, actors vs. protagonists, cinema music, etc.) are pithy, rapid fire, and always entertaining and interesting. This is an important documentary for the study of French films... A valuable addition to comprehensive college film collections."-Educational Media Reviews Online 　　"In a face-to-face interview with Bresson, the viewer gets an insight on the director's style of filmmaking, his philosophy and other pleasantries such as his living conditions in Paris. A number of excellent film clips from "Pickpocket" and "The Trial of Joan of Arc" round out this important film in the CINEMA, OF OUR TIME series."-Historical Media Review

1941年，日军一支神秘的化妆部队化妆成八路军偷袭了国民党军队；此后他们又化妆成国民党，偷袭了八路军驻地，给根据地军民造成巨大损失。此举引起国共双方的巨大矛盾。但是亲身经历了偷袭，并且侥幸生还的八路军二号首长警卫员萧长佑，和国民党第36团团长蒋延隆却都认为这里面有问题。最终，他们发现了日军化妆部队的阴谋。为了对付这个凶残狡诈的敌人，萧长佑在丧失了亲人和队伍的情况下，克服重重困难，在党组织的帮助下，成功地打入了日军的化妆部队，终于弄清了这只代号“三十三”的神秘部队的内幕。萧长佑不断传递出化妆部队的情报，而蒋延隆则在及其困难地条件下，将刚刚出院的伤残士兵组成“荣一团”，在八路军的协助下，与日军化妆部队决一死战。国共双方精诚合作，里应外合，最终消灭了这只凶残狡诈的三十三部队。

黑武士帶領了一群騎兵，佔令領了這個地方，他們殘忍又冷酷，每個人都怕他們，直到一個勇敢的騎士出現，他照顧老弱婦孺，並帶領大家對抗黑武士。