"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。

这是一部关于一台车和两个人的故事，在这个偶遇新春的浪漫情人节，BMW携手导演辛爽共同创作短片《婚礼》，以悦天下有情人，甜蜜贺岁。

这是一部描写在不同环境中长大的两个主人公在包办婚姻结婚中克服价值观差异的爱情剧，不懂事的世娜和通过外交官考试的承宇在婚姻被包办后，两人之间发生了左冲右突的故事。 　　女主人公世娜在优越的环境中长大，是个不懂事的“公主”，她从音乐大学钢琴系毕业后在艺术展堂当室内管理员。男主角承宇出生在乡下贫穷家庭，是一个通过外交官考试、白手起家的外交官。承宇有一个从小就喜欢的初恋恋人允秀，但是因为他是家里的长子，不能辜负母亲对他的期望，所以他对允秀犹豫不决。偶然的机会允秀认识了承宇的前辈振熙，振熙是一个不重感情的花花公子，但是他被温柔且魅力出众的允秀吸引住，终于允秀跟着振熙去了日本。 　　承宇在无可奈何之下跟世娜相亲并认识，但承宇不把它当一回事，他的心目中只有允秀，执著地等待着她回来。但是谁会料到，承宇逐渐被纯真的世娜迷住……后来世娜跟外交官承宇包办结婚，但是承宇始终忘不了跟外交官前辈振熙结婚的允秀，俩人之间发生了纠葛。不懂事的公主世娜通过他们之间发生的矛盾而逐渐成熟起来，终于找到自己真正的爱情。

安妮塔（Adriana Matoshi 饰）和贝金（Alban Ukaj 饰）是一对相恋多年的恋人，早年间，安妮塔的双亲在科索沃战争之中失踪了，直到今日，安妮塔依然没有放弃过寻找他们的希望。随着婚礼的临近，安妮塔和贝金感到需要应付的麻烦好像越来越多了，尤其是贝金家人的强势插足，让这对情侣紧张的神经绷紧到了极致。 　　一天，贝金的前男友诺尔（Genc Salihu 饰）忽然再度出现在了她的面前，而让贝金美哦与想到的是，诺尔依然深深的爱着她。这让贝金一下陷入了两难的选择之中。随着时间的推移，事情变得越来越麻烦起来，安妮塔和贝金都开始渐渐的产生怀疑，究竟谁才是他们真正深爱着的人？

萨姆（迈克尔·安格拉诺 Michael Angarano 饰）和马歇尔（里斯·汤普森 Reece Thompson 饰）是多年未见的好友，曾经，两人之间的关系十分要好。某日，萨姆突然找到了马歇尔，邀请他参加一场盛大的婚礼，希望以此为契机，重新修复加温彼此之间的友谊。 　　就这样，马歇尔跟随着萨姆来到了一幢位于海边的豪华别墅之中，在这里，马歇尔结识了小有名气的纪录片导演维特（李·佩斯 Lee Pace 饰）以及他的未婚妻佐伊（乌玛·瑟曼 Uma Thurman 饰）。很快，马歇尔便发现，萨姆对于年轻貌美的佐伊似乎情有独钟，原来，他此行的目的正是来破坏佐伊和维特之间的婚礼的。发现了好友的阴谋，马歇尔会做出怎样的选择呢？

罗伯特·奥特曼以这部喧闹的喜剧，以独特的视角看待婚姻制度，讲述了一场婚宴如何迅速演变成混乱。科雷利家族和布伦纳家族——两个截然不同的家庭——聚在一起，见证孩子们喜结良缘，一切似乎都美好得令人难以置信。然而，婚宴尚未开始，布伦纳家族的女族长就去世了。嗜酒如命的朱尔斯·米查姆医生（霍华德·达夫饰）决定，最好还是等到婚宴开始前再将这个消息告诉亲朋好友。然而，当大家仍在庆祝时，事情却逐渐显露出来，并非表面看起来的那样。婚外情开始，酒精开始滋生，最终酿成一场惊天动地的暴风雨——以及最令人震惊的秘密。奥特曼这部明星云集的闹剧，汇集了美国喜剧界的精英，以充满同情的笔触嘲讽婚姻和家庭生活。

罗伯特·奥特曼以这部喧闹的喜剧，以独特的视角看待婚姻制度，讲述了一场婚宴如何迅速演变成混乱。科雷利家族和布伦纳家族——两个截然不同的家庭——聚在一起，见证孩子们喜结良缘，一切似乎都美好得令人难以置信。然而，婚宴尚未开始，布伦纳家族的女族长就去世了。嗜酒如命的朱尔斯·米查姆医生（霍华德·达夫饰）决定，最好还是等到婚宴开始前再将这个消息告诉亲朋好友。然而，当大家仍在庆祝时，事情却逐渐显露出来，并非表面看起来的那样。婚外情开始，酒精开始滋生，最终酿成一场惊天动地的暴风雨——以及最令人震惊的秘密。奥特曼这部明星云集的闹剧，汇集了美国喜剧界的精英，以充满同情的笔触嘲讽婚姻和家庭生活。

青年矿工米什卡（M. Bacharov 饰）的初恋情人塔尼亚（玛丽亚·米罗诺娃 Mariya Mironova 饰）在离开了他很久之后终于决定回到他的身旁，依然深爱着塔尼亚的米什卡欢天喜地的决定和塔尼亚携手步入婚姻的殿堂。然而，两人的婚事遭到了米什卡的母亲和祖父的强烈反对，他们都觉得塔尼亚的回头实际上另有所图。只有米什卡的父亲非常用心的筹备着孩子的婚礼，给予米什卡和塔尼亚强大的帮助。 　　一天，米什卡在喝醉酒的状态下参与了一场抢劫，于是，在他的婚礼进行了一半的时候，便出现了警察闯入婚礼现场将米什卡逮捕的滑稽场面。一波未平一波又起，塔尼亚的前男友也在婚礼现场献身，上演了一出抢亲的好戏。