Cheyenne，一个濒临破产的年轻女记者，最后决定离开巴黎，搬到乡下。可她却撇下自己在巴黎一所高中教物理化学的同性恋人Sonia，于是后者千方百计努力使自己忘掉负心女。但想对一段感情说再见谈何容易。 　　人要怎样才能在所想与所能、所说与所作再或者所爱的人与所拒之人间达成平衡呢？

35岁的英语老师Julia与她的女友Antonia分手了。在经历了如此长久深刻的一段感情后，现实留给Julia是无尽的绝望空虚和痛苦，无法抹去的往事和回忆一直折磨着她，让她始终不能开始新的生活……

Cheyenne，一个濒临破产的年轻女记者，最后决定离开巴黎，搬到乡下。可她却撇下自己在巴黎一所高中教物理化学的同性恋人Sonia，于是后者千方百计努力使自己忘掉负心女。但想对一段感情说再见谈何容易。 　　人要怎样才能在所想与所能、所说与所作再或者所爱的人与所拒之人间达成平衡呢？

Shajane, Maha, Muzamil, Rufaida, Khattab. They are Sudanese in their twenties, politically active and artistically creative. This film is a cinematic chorus, the collective portrait of a generation fighting for freedom with their words, poems and chants. Faced with a corrupted army responsible for war crimes in Darfur, Kordofan and Blue Nile, they could have lost heart before starting. Without the dream guiding them, the power of imagination and the might of poetic discourse, they would not have overthrown the former regime. I’ve been following them since I met them at the revolutionary sit-in that lasted 57 days around the Army headquarters in Khartoum. After they survived the 3rd of June 2019 massacre—when the army attacked the sit-in, killing hundreds of people in a few hours, 　　while resisting the military coup of October 2021, until the war started, causing death and destruction everywhere, forcing everyone to take the roads of exile.

Having just moved to Amsterdam, Lou prepares her new apartment that she will share with her partner, Joel. For now though, Joel is on a trip with an intimate other. Confronted with the complexities of her non-monogamous relationship, Lou shifts her gaze to the rhythms of her new city.

Having just moved to Amsterdam, Lou prepares her new apartment that she will share with her partner, Joel. For now though, Joel is on a trip with an intimate other. Confronted with the complexities of her non-monogamous relationship, Lou shifts her gaze to the rhythms of her new city.

Shajane, Maha, Muzamil, Rufaida, Khattab. They are Sudanese in their twenties, politically active and artistically creative. This film is a cinematic chorus, the collective portrait of a generation fighting for freedom with their words, poems and chants. Faced with a corrupted army responsible for war crimes in Darfur, Kordofan and Blue Nile, they could have lost heart before starting. Without the dream guiding them, the power of imagination and the might of poetic discourse, they would not have overthrown the former regime. I’ve been following them since I met them at the revolutionary sit-in that lasted 57 days around the Army headquarters in Khartoum. After they survived the 3rd of June 2019 massacre—when the army attacked the sit-in, killing hundreds of people in a few hours, 　　while resisting the military coup of October 2021, until the war started, causing death and destruction everywhere, forcing everyone to take the roads of exile.

娜塔莉，地鐵站裡偶遇艾瑞克．她無法面對他倆關係的告終，苦苦欲求所有問有受的事實。娜塔莉遭拒絕．轉而至安東尼處，安東尼願給她所有的愛，同樣的話．她只願對艾瑞克說。哪塔莉又遭拒．轉而至奸友克莉絲蒂的男友菲柏力克處，他倆繼續無法搭上線的對談，幾手上了床，卻因娜塔莉的一句我覺得你的臉很好笑，中斷了還家不及開始的關係，安東尼和克莉絲蒂指她為自陷於對更的幻想及對痛苦的沉溺中．她前往母親的寓所，求助無門，甚而與一名陌生男子性交，只用了「從你那兒學習愛」。最後，當所有愛她的和她愛的都被斷絕了關係，靠著一具電話，一名從未謀面的男子．她又開始另一段不知目地卻又無法抑止的追尋．

這部影片集結了30位知名的法國電影工作者，包括雷奈、薛侯、香妲‧艾克曼、雷蒙德‧巴東、克萊兒‧丹尼絲、羅伯‧克拉瑪、高達和米耶維勒…在內，每位各自完成一篇電影陳情書，代表一位政治犯向世界揭發人權遭受剝削的真相。現今世界各地有數不清的男女老幼被囚禁，遭到虐待，有些是因為政治因素，有些則僅僅只因為信仰或族裔不同。為了紀念國際人權特赦組織成立30週年，並且希望對囚禁的單位施加壓力，邀請演員和電影導演聯合寄送公開的陳情書給各個國家的官方單位，要求立刻釋放這些囚犯。片中的每位導演都熱烈地為自己所代表的個人發聲，他/她的人生遭到無情、偏狹的政治立場、長期的監禁、刑求甚至殺害所扭曲，他們斑斑血淚的苦難透過鏡頭記錄下來，再真實不過地呈現在我們眼前。其中，高達和米耶維勒關切遭到長期囚禁的印尼西巴布亞（West Papuan）獨立運動人士Thomas Wanggai的艱困處境。新聞攝影與紀錄片大師德巴東以充滿想像力的低限手法，為哥倫比亞的人權工作者發聲；雷奈條理清晰的辯論讓他代表的古巴政治犯具有高度的說服力。演員Anouk Grinberg 以直接面對鏡頭的獨白手法，痛陳緬甸軍政府對民運人權鬥士翁山蘇姬長久以來的迫害。對觀者衝擊最劇烈的恐怕是Martine Franck處理的段落，新聞攝影大師Henri Cartier-Bresson親眼見證茅利塔尼亞屠殺兒童的慘烈歷史。經歷十幾年牢獄之災的中國知名異議人士王希哲，則是Gérard Frot-Coutaz代表拍攝的人物。雖然有共同的訴求，這部影片集錦並未掉入悲情控訴或政令宣導片式的窠臼，每位導演以各異的作者風格與手法，將每位主人翁的「個人主體性」（individual）戲劇化地彰顯，宛如一張張帶著無比尊嚴的臉孔，提醒我們人權工作仍有漫長的道路要走。