时月熙为父母报仇，先设计陆之舟上钩，欲利用他破坏他们家庭关系，要后以大嫂身份入住陆宅，调查父母死因真相，顺便报复陆氏一家，挑拨陆之舟兄弟俩感情。

时月熙为父母报仇，先设计陆之舟上钩，欲利用他破坏他们家庭关系，要后以大嫂身份入住陆宅，调查父母死因真相，顺便报复陆氏一家，挑拨陆之舟兄弟俩感情。

年近四十的女主江晚宁因为没有孩子被前夫陈哲一家苛待多年，偷偷检查才知是陈哲患有无精症。不知道自己患有无精症的陈哲和恶婆婆更是自认能拿捏江晚宁，逼迫江晚宁伺候怀孕的小三许盈盈。江晚宁愤而离婚后，偶遇被下药的季成舟。季成舟是年轻的数学天才，也是深居简出的季家大少。一夜春风后，季成舟对江晚宁念念不忘，找了江晚宁七年。 七年后终于有了江晚宁消息，还得知江晚宁在那一夜后为自己育有一子天赐，季成舟欣喜若狂，想借着数学和孩子打好关系，却不料陈哲一家借着季氏员工身份，借着他的名义狐假虎威，肆意诬陷天赐作弊后把天赐开除。

年近四十的女主江晚宁因为没有孩子被前夫陈哲一家苛待多年，偷偷检查才知是陈哲患有无精症。不知道自己患有无精症的陈哲和恶婆婆更是自认能拿捏江晚宁，逼迫江晚宁伺候怀孕的小三许盈盈。江晚宁愤而离婚后，偶遇被下药的季成舟。季成舟是年轻的数学天才，也是深居简出的季家大少。一夜春风后，季成舟对江晚宁念念不忘，找了江晚宁七年。 七年后终于有了江晚宁消息，还得知江晚宁在那一夜后为自己育有一子天赐，季成舟欣喜若狂，想借着数学和孩子打好关系，却不料陈哲一家借着季氏员工身份，借着他的名义狐假虎威，肆意诬陷天赐作弊后把天赐开除。

有没有哪一处能完美容下我，让我不再哭泣？女子穿梭于充满容器的未知世界，寻觅安身之处，也摸索自己内心空缺的形状。她四下张望，向往丛生，然而他人的目光，能否带来心底的安详？以容器隐喻安全场所，运用2D动画与陶艺、黏土等媒材，反映出自我认同的不同追寻状态。

有没有哪一处能完美容下我，让我不再哭泣？女子穿梭于充满容器的未知世界，寻觅安身之处，也摸索自己内心空缺的形状。她四下张望，向往丛生，然而他人的目光，能否带来心底的安详？以容器隐喻安全场所，运用2D动画与陶艺、黏土等媒材，反映出自我认同的不同追寻状态。

The title and subtitle of this French miniseries are "Six Times Two; Over and under the media". The "six" refers to the fact that there are six episodes; the "two" has a double meaning. Each of these episodes is a collaboration between two people: Jean-Luc Godard and his long-time partner Anne-Marie Miéville, but the "two" also refers to the fact that each episode has a two-part structure. The individual episodes run 100 minutes each, split almost precisely into two 50-minute sections. 　　Each episode deals with a specific theme -- history, women, labour -- with the first half being an overview of that topic, and the second half being a documentary interview with one person who somehow represents that very broad topic! 　　This is a thoroughly Gallic documentary series, with everything that the term implies; despite my passion for Godard's films, I found 'Six Times Two' to be extremely talkative and static. Reportedly, Godard himself did not have a high opinion of this miniseries.

Nine filmmakers for one extraordinary archive. The Istituto Luce turned ninety in 2014, its long history intertwined with that of Italy itself, through cinema and that unique treasure trove of images known to all as the Luce Archives. To celebrate its anniversary, some of the most acclaimed rising filmmakers in Italy were invited to make a small film, with each director selecting ten minutes of footage from the archives, out of the thousands of hours of footage to be found there. 　　The result is an album full of different narratives. The film footage speaks of the outbreak of war, implorations of peace; building collapses and reconstruction; recollections of (possibly) lost landscapes, and lost realities; miracles, superstitions and dreams. It´s a weave of themes: women´s rights, sexuality, the meaning of a song, the Moon, in the form of fairy tales or diaries, pseudo-history or poetry; the words of great writers alongside the voices of the man on the street; starring real people, historical figures, and characters made up out of thin air. 　　Marco Bonfanti Tubiolo e la luna 　　Claudio Giovannesi Il mio dovere di sposa 　　Alina Marazzi Confini 　　Pietro Marcello e Sara Fgaier L´Italia umile 　　Giovanni Piperno Miracolo italiano 　　Costanza Quatriglio Girotondo 　　Paola Randi Progetto Panico 　　Alice Rohrwacher Una canzone 　　Roland Sejko L´entrata in guerra

The title and subtitle of this French miniseries are "Six Times Two; Over and under the media". The "six" refers to the fact that there are six episodes; the "two" has a double meaning. Each of these episodes is a collaboration between two people: Jean-Luc Godard and his long-time partner Anne-Marie Miéville, but the "two" also refers to the fact that each episode has a two-part structure. The individual episodes run 100 minutes each, split almost precisely into two 50-minute sections. 　　Each episode deals with a specific theme -- history, women, labour -- with the first half being an overview of that topic, and the second half being a documentary interview with one person who somehow represents that very broad topic! 　　This is a thoroughly Gallic documentary series, with everything that the term implies; despite my passion for Godard's films, I found 'Six Times Two' to be extremely talkative and static. Reportedly, Godard himself did not have a high opinion of this miniseries.