When her boyfriend goes back to Ukraine to be with his ailing father, 23-year-old Dakota anxiously navigates her precarious new reality, surviving on her own in New York City.

When her boyfriend goes back to Ukraine to be with his ailing father, 23-year-old Dakota anxiously navigates her precarious new reality, surviving on her own in New York City.

Derek Jarman is often said to be a painter rather than a movie director. Indeed, with his films he makes pictures that seem to be more important than the plot (which is usually unclear or missing at all). But those pieces of art he creates using camera are beautiful and astounding. 　　A JOURNEY TO AVEBURY, his 1971 silent short movie, is a literal journey that we can experience. We are being taken to Avebury and given the chance to admire it for 10 minutes. The shots are incredibly beautiful, as we see a huge stone or trees bathed in orange light of sunset. 　　The film lacks a plot and sound and should be treated as a collection of images rather than a movie. If you like Jarman's art - you'll be pleased with this one. If you like beauty - you'll love it. But if you're looking for action or amusement, better walk around it because these 10 minutes might just be too long for you.

Derek Jarman is often said to be a painter rather than a movie director. Indeed, with his films he makes pictures that seem to be more important than the plot (which is usually unclear or missing at all). But those pieces of art he creates using camera are beautiful and astounding. 　　A JOURNEY TO AVEBURY, his 1971 silent short movie, is a literal journey that we can experience. We are being taken to Avebury and given the chance to admire it for 10 minutes. The shots are incredibly beautiful, as we see a huge stone or trees bathed in orange light of sunset. 　　The film lacks a plot and sound and should be treated as a collection of images rather than a movie. If you like Jarman's art - you'll be pleased with this one. If you like beauty - you'll love it. But if you're looking for action or amusement, better walk around it because these 10 minutes might just be too long for you.

有没有哪一处能完美容下我，让我不再哭泣？女子穿梭于充满容器的未知世界，寻觅安身之处，也摸索自己内心空缺的形状。她四下张望，向往丛生，然而他人的目光，能否带来心底的安详？以容器隐喻安全场所，运用2D动画与陶艺、黏土等媒材，反映出自我认同的不同追寻状态。

有没有哪一处能完美容下我，让我不再哭泣？女子穿梭于充满容器的未知世界，寻觅安身之处，也摸索自己内心空缺的形状。她四下张望，向往丛生，然而他人的目光，能否带来心底的安详？以容器隐喻安全场所，运用2D动画与陶艺、黏土等媒材，反映出自我认同的不同追寻状态。

七十四岁的厌世蜥蜴Leo（亚当·桑德勒 Adam Sandler 配音）和乌龟朋友（比尔·伯尔 Bill Burr 配音）在佛罗里达州某间学校教室的饲养箱里，一住就是几十年。某天Leo赫然得知自己将不久于世，只剩一年可活，本想计划脱逃，去体验一下外面的大千世界。 　　不料班上那群焦虑的小朋友有诸多烦恼，外加一位超凶的代课老师，Leo实在走不开。最后，他的“死前愿望清单”尽管不如原先所想，却最令人心满意足。

七十四岁的厌世蜥蜴Leo（亚当·桑德勒 Adam Sandler 配音）和乌龟朋友（比尔·伯尔 Bill Burr 配音）在佛罗里达州某间学校教室的饲养箱里，一住就是几十年。某天Leo赫然得知自己将不久于世，只剩一年可活，本想计划脱逃，去体验一下外面的大千世界。 　　不料班上那群焦虑的小朋友有诸多烦恼，外加一位超凶的代课老师，Leo实在走不开。最后，他的“死前愿望清单”尽管不如原先所想，却最令人心满意足。

这是一个深受躁郁症折磨的女人，跨越一整个社会的自救。

The title and subtitle of this French miniseries are "Six Times Two; Over and under the media". The "six" refers to the fact that there are six episodes; the "two" has a double meaning. Each of these episodes is a collaboration between two people: Jean-Luc Godard and his long-time partner Anne-Marie Miéville, but the "two" also refers to the fact that each episode has a two-part structure. The individual episodes run 100 minutes each, split almost precisely into two 50-minute sections. 　　Each episode deals with a specific theme -- history, women, labour -- with the first half being an overview of that topic, and the second half being a documentary interview with one person who somehow represents that very broad topic! 　　This is a thoroughly Gallic documentary series, with everything that the term implies; despite my passion for Godard's films, I found 'Six Times Two' to be extremely talkative and static. Reportedly, Godard himself did not have a high opinion of this miniseries.