陈熹《步行指南》异常的叙事结构，陌生的观影体验，本身就是对电影语言和表现方式的探索，这也是FIRST竞赛剧情长片部分首次有动画长片的入围。

逃离俄罗斯劳改营后，三个人必须克服险恶的荒野和彼此间的困难，他们的回家之旅变成了一场残酷的生存之战。

When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. 　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. 　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

讲述了君无咎通过一件离奇的双生子掉包案，牵连并破解了连环残害认识真正流落北方公主之人的案件，以此揭穿北方人帮助假公主进入皇宫，扰乱朝廷的阴谋，最终化解朝廷危机的故事。

"幼年李北辰不幸被拐加入神秘组织，由此展开的一系列成长史， 欺我家园者，总有人崛起于微弱，王者归来洗刷耻辱。"

泰植與泰成這對兄弟，一個是啞巴的業餘拳擊手，另一個是成天無所事事到處闖禍的問題人物。因為兩兄弟在韓國意外捲入糾紛，攜手逃到了泰國。在燈紅酒綠、紙醉金迷的失落世界裡，他們分別各自都遇見了被母親逼著賣淫的年輕女子珍娜，三人的生活從此天翻地覆。紅燈街上的命運會如何交錯，又該走向何方呢？

伍迪-哈里森扮演一个周旋于上流社会的男子，整日与国会大厦的官员以及夫人们厮混。他被卷入一场谋杀案。在这里，忠诚，智慧，背叛，伪善一一上演……

身材高挑但自卑的女主角,以展会模特为目标而努力

Tae-seong (Baek Seong-hyeon), who dreamt of a fancy life as a martial arts fighter, goes to Thailand with his brother Tae-gi (Lee Si-gang) who has no hopes or dreams and causes trouble wherever he goes. On Working Street where there are drugs and prostitutes, they meet Jenna (Lee Song-i) and their lives turn upside down. Escape, roam and sex...the passion of youth erupts!