传统上，练武之人有所谓“尊师重道”，但并非每件江湖事都是黑白分明。高坚(江林)是武林大豪门下小弟子，生性耿直，常被众师兄欺侮，其师石正重对他没甚好感。一天，高路见不平，救了负伤逃亡的武林怪杰金天运(陈观泰)，并藏金于其独住的杂物房中；金因高仗义相救，而己也身受重伤时日无多，便毫无保留地将自己武功授给高。谁知金原是高师的仇人，不料高于练武时无意间露出非凡身手；高师知真相后，将之判以“背叛师门”之罪。谁料为师门报仇雪恨的，竟是这“叛徒

台湾金光布袋戏剧集。 　　该剧集延续上一部「天地风云录之魔戮血战」，讲述了中原已受魔世统领，中原幸存的武者暗中集合苗疆、太虚麟族与魔世对抗，九界之一的佛国渐渐浮出台面，墨家九算布计也慢慢浮现。

千年前的魔界霸主元邪皇顺利复活降临中原，席卷佛国，欲星移承接法海天命，化身第109位大智慧，与缺舟一帆渡一同剑起文殊，奋力诛邪，无奈邪皇魔威赫赫，千年修行的大智慧依旧不敌。 　　至此，佛劫终止，魔劫再开。 　　千年之后，再次一统魔世，麾下更有长琴无焰，应龙师等一干高手的元邪皇，即将再为九界掀起杀潮。 　　痛失师相的太虚海境，狼主回归的苗疆，百废待兴的中原，历经地门波折的佛国，神秘莫测的道域，隐而不出的羽国 分别又将在这场惊天魔灾中走向何方？俏如来，公子开明是否能力挽狂澜？雁王，凰后又是否会趁机再开墨乱？

幽暗的斗室地面中央，摆放着一领草席，草席上放着两张桌子。伴随着悠扬古朴的琴声，华歆和管宁两位好友自右而左走入房间。他们在各自的桌前坐定，拿起书册阅读起来。右边管宁治学认真，心无旁骛；左边的华歆则东张西望，心不在焉。他时而看看同伴，时而站起身张望门外热闹的场景。管宁见此深深叹了一口气，旋即掏出刀子将草席从中央割开，以示和华歆绝交。看到同学这一举动，华歆惭愧地低下了头…… 　　本片根据南宋人刘义庆撰写的《世说新语》中管华绝交（也作割席断交）的故事改编。

顾平安来钱塘调查父亲留下的悬案，偶遇正在为缴纳“单身税”发愁的宋诗蕊，二人假扮夫妻开酒楼，在合伙创业的过程里暗生情愫，联手打赢了酒楼商战，还一举挖出了盘踞在钱塘的黑恶势力，帮顾平安父亲的旧案沉冤昭雪。

人生路上，你可否会为谁按下暂停键？这是一趟迫不得已的回乡之旅，北漂的奥利赶回家乡澳门，从小带她长大的奶奶病重，而家人各自忙碌，这让自由职业的奥利成了照顾奶奶的最佳人选。祖孙二人在幸运阁的点滴相处中重拾美好时光，然而事业的停滞让奥利倍感焦虑，似乎奶奶正在成为拖累她的原因……在爱与忍耐等复杂情绪交织下，两代人各自探寻着关于幸福的答案。

由杭州在行影视文化有限公司、陕西西影数码传媒科技有限公司出品，浙江闻道文化创意有限公司、两比特（北京）科技有限公司、南京士多啤梨文化传媒有限公司联合出品，傅闱玮执导，王子妍、陈焱编剧，杨泽、林小宅领衔主演，李泽、杨珺涵主演的古装爱情网剧。

人生路上，你可否会为谁按下暂停键？这是一趟迫不得已的回乡之旅，北漂的奥利赶回家乡澳门，从小带她长大的奶奶病重，而家人各自忙碌，这让自由职业的奥利成了照顾奶奶的最佳人选。祖孙二人在幸运阁的点滴相处中重拾美好时光，然而事业的停滞让奥利倍感焦虑，似乎奶奶正在成为拖累她的原因……在爱与忍耐等复杂情绪交织下，两代人各自探寻着关于幸福的答案。

《阁落》是一部纪录片，透过平实的观察和记录，呈现了两位居住在旺角天桥上的露宿者日常的生活故事。他们每日面临着如何维持生存的重重挑战，但仍然互相交流和帮助。在这纷攘的都市中，他们只能依靠自己的力量来应对困境，并形成了一种特殊而坚韧的生存方式。本纪录片旨在揭示旺角社区内部边缘化的社会底层人物的生活写照，将那些常被人们忽视的人和事置于前景，呼唤社会大众对贫困和无家可归者处境的关注。

Synopsis 　　Bellmaker Seok-seung (Heo Jang-kang), whose most famous handiwork is the legendary bell of Goryeong Temple, is living out his old age at a temple with a young woman named Young-sil (Moon Jeong-suk) as his neighbor. One day, Young-sil hears about Seok-seung's past. 　　The grandson of a famous bellmaker, Seok-seung works as a servant. He promises his lover Ok-bun (Moon Jeong-suk) that he will make a bell with the most beautiful sound in the world, and when Ok-bun suddenly dies, he sets about fulfilling his promise to her. He studies bellmaking for over a decade. Wandering the country following his teacher's death, Seok-seung meets a widow (Moon Jeong-suk) and settles down with her. His grandfather had committed suicide after losing to a rival bellmaker; Seok-seung steals the bell made by the rival artisan along with his grandfather's bell and runs off with them. While he is endeavoring to create the world's finest bell, his wife dies in childbirth. Continuing his pursuit of the perfect bell, Seok-seung finally succeeds in forging the most beautiful-sounding bell in the world by melting his grandfather's bell and the rival artisan's bell together, but he loses his daughter. 　　Meanwhile, as she listens to Seok-seung's tale, Young-sil begins to wonder if he is actually her long-lost father. Growing up as an orphan, she remembers hearing that her father was also a bellmaker. At the time, Japan is fighting in the Second World War and commandeering all the iron in Korea for its military campaign. The bell at Goryeong Temple also comes under threat of seizure. Fearing for its fate, Seok-seung tries to remove the bell and hide it, but falls down a cliff in the attempt and draws his last breath in Young-sil's arms. 　　Notes 　　Alternating between present and past through Seok-seung's and Young-sil's flashbacks, The Bell Tower relies on voice-over narration by each character to tell the story of their lives. This device gives the audience the impression of listening to an old tale. The Bell Tower may well be the first major Korean film to employ a structure that combines voice-over narration with flashback sequences. As revealed in film reviews of the time, The Bell Tower affords glimpses of the considerable effort the filmmakers put into, instilling something "uniquely Korean" in its content and imagery. It is an impressive movie that unostentatiously depicts the premodern artisan's stubborn passion for his work and the realizations and regrets brought about by time. The performances of Heo Jang-kang and Moon Jeong-suk, the latter delivering an impassioned turn in three different roles, also make The Bell Tower a standout. It is the first Korean film to be made for submission to foreign film festivals.