在香港曾被视为“魔窟”的“九龙城寨”。这里曾是黑手党的据点，但居民们也构建起了坚固的社区。让我们一同探寻其惊人的真实面貌。

Narrated by the incarnate ghost of a deceased real hair donor. In the post-war era, the export of real hair wigs contributed to Asia’s economic development, with Hong Kong as a major hub. In its heyday in the 1960s, ‘Asian real hair’ was popular with wealthy U.S. women, but then the USA imposed an embargo on the product, now classified as ‘communist hair’. This is where the intricate and innovatively realised story begins: Starting with complex economical and sociopolitical contexts, it weaves a thread that runs through various historical and dreamlike staged levels. 　　Hong Kong was and is a space of in-between-ness — between East and West, between communism and capitalism. Perhaps that is why there are so many spooks in the city, one protagonist speculates. Just like the well-travelled ghost, an eternally wandering entity and contemporary witness of an imperial and colonialist past. (源自: Courtisane Festival 2024)

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少年鑑別所あがりの辰田清志は、自動車教習所で知り合った山西真知子と結婚し、大阪でアパート暮らしを始めたがあきっぽい性格のためかなかなか定職につけなかった。やがて真知子が妊娠したために京都郊外の実家に帰らざるをえなくなった。辰田の最初の殺人は昭和47年で被害者は辰田と顔見知りの19歳のＯＬ南悦子だ。 　　動物的な勘なのか、中山一也を見た瞬間、警告音が鳴り響きました。調べてみると、傷害事件、切腹などいろいろな奇行や事件を起こした“ホンモノ”。納得！あの生理的な嫌悪感は、演技を超えた何かなのではないでしょうか。作品としても最悪。

戒嚴末期的臺灣，小明再也不是大時代的犧牲品；她大膽幻想成為銀幕上的女主角們，並在異色電影院中擁抱屬於她自己的視聽快感。本片向楊德昌《牯嶺街少年殺人事件》以及楊家雲《瘋狂女煞星》致敬，看風流少女小明如何向父權體制展開迷狂的情慾復仇！